Le Secret de la pyramide

I love this movie. The young actor to me was a young Sherlock Holmes. Nicholas Rowe as Sherlock.He is 6 ft 4 inches and is left handed when sword fighting. He was human, respectful, humble, polite, wise and treated Watson like a brother not like the combative relationship in Sherlock Holmes 2009 and 2010.

This story took place at a school for boys called Brompton Academy.

A dart with hallucinogenic drug made victims see scary things when hit by this dart.Things come alive that attack the victim. A cooked chicken, statues of bats or bird and more. One victim jumps out a window one runs out of church and gets killed by a stage coach and one stabs himself thinking creatures are in his shirt harming him. The special affects in it were amazing. Holmes could not attend the funeral of one of the victims because of his expulsion from Brompton Academy.

Watson's experience after being shot with the drug was funny. A grave opened up at the cemetery that had all kinds of pastries on shelves. The pastries started jumping off the shelf,on to the ground & Watson talking to each other. They were all different sizes and shapes with big eyes and some pastries started shoving other pastries in to Watson mouth cherry cream and all. Really humorous.

Earlier in the movie Watson finds a dart blowpipe which belongs to an Egyptian cult worshiping Osiris god of the underworld. This cult sacrifices live people in a hot substance. Sherlock finds this temple and stops the sacrifice and escapes. Later he realizes there is a cult operating in this city which is causing the deaths of men that knew each other.

Sherlock was in love in this movie which at the end it said the writers did not know what young Sherlock would have been like and that they just respectably put some things in.

This film was very violent and tense. It is about 145 minutes long.

It was like one of the Indiana Jones movies with the cult members running for their life and the building falling down.

This is one movie that did not disappoint me but scared the pastry out of me.

The Temple of Doom-flavoured UK title for this Steven Spielberg-produced adventure—Young Sherlock Holmes and the Pyramid of Fear—gives a pretty good idea of what can be expected: Sherlock Holmes hasn't got a whip to crack, and a deerstalker replaces the Fedora, but underneath all of the film's Conan Doyle trappings, this is essentially another in a long line of Indiana Jones-inspired movies, complete with a Thuggee-style Egyptian cult murdering people with hallucinogenic blow-darts and performing human sacrifices in their underground pyramid.

As such, Holmes' sleuthing abilities are more than matched by his derring-do, the young detective (ably played by Nicholas Rowe) swashbuckling his way through the film, accompanied by trusty sidekick Watson (Alan Cox) and love interest Elizabeth (Sophie Ward). This being a Spielberg production, Young Sherlock Holmes benefits from great production design (snowy Victorian London looks wonderful) and is heavy on the special effects, with impressive hallucinatory set-pieces involving stop-motion animation, animatronics, and even an early example of CGI (albeit very brief).

If you're a fan of both Sherlock Homes and Indiana Jones, this 'Indiana Holmes' adventure should provide more than enough escapist fun for the duration. 7/10.

What if Sir Arthur Conan Doyle created a story where Sherlock Holmes and Dr. John Watson met as adolescents? What if he made it a very suspenseful mystery that explanied may of the great sleuth's character traits and stylistic characterisics? What if...well, he did not, but screenwriter Chris Columbus, director Barry Levinson, and producer Steven Spielberg do bring us a fine film that does these things called Young Sherlock Holmes. Young Sherlock Holmes is the meeting of fantasy film and classic literature, and it is a meeting that coexists very nicely. The great detective meets his future colleague and friend Dr. Watson in a London prep school amidst the mystery of what six men did many years ago in Egypt. Several of the men begin to die in horrible, inexplicable ways, and the young Holmes suspects mischief. The film is a veritable treasure trove of Sherlock Holmes allusions. The film is fast-paced, fun, fantastical, and creates insights into why Holmes developed emotionally the way he did. Nicholas Rowe does a superb job playing Holmes, bringing to the role intelligence as well as compassion. Alan Cox does an equally good job playing his young sidekick and doctor to be. The special effects are first-rate, yet in no way detract from the Victorian world of Doyle and Holmes and Watson. Start watching and it will not be long before you'll be saying, "The game is afoot!"

In the mid 80s, audiences were hungry for heroes in the mould of Indiana Jones. Films featuring Sherlock Holmes were quite out-of-fashion. People expected a hero with a bit of dash and a penchant for action; not a meticulous, stuffy, ultra-intelligent sleuth. Young Sherlock Holmes and the Pyramid of Fear is an unusual hybrid, because it takes the period trappings of a Holmes mystery and dresses them up with Indy-style action and mysticism.

The story has young student doctor John Watson arriving at a boarding school in Victorian London. He meets, for the very first time, a brilliant young student named Sherlock Holmes and they rapidly become friends. At the same time, a series of bizarre murders have been going on close to the school. In each case, people have had terrible hallucinations and in desperate states of panic have inadvertently killed themselves. Holmes and Watson investigate, and uncover an ancient cult which is responsible for the killings.

The film has its share of problems. For one thing, purists will know that the very first meeting of Holmes and Watson was described at the start of the book A Study in Scarlet, and didn't take place in a school. Some of the performances are overly hammy, particularly Freddie Jones in yet another of his wild-eyed characterisations. The idea of a huge pyramid being ingeniously concealed beneath a London warehouse is hard to swallow (surely someone would have noticed them building a construction of this size in such a tightly-packed city). However, the problems can be forgiven because the film moves at a lively pace and is invested with lots of clever dialogue and stirring action. There's even a touch of humour (something lacking from the original Conan Doyle novels). One scene in particular is most amusing, when young Watson is shot with an hallucinatory dart and imagines an army of living cream buns jumping into his mouth! The climactic duel on the ice is very excitingly staged too. There's also a surprisingly downbeat event at the end which thankfully strips the film of the typical 80s sentimentality. This is agreeable and entertaining stuff.

Intriguing story, not based on a Doyle idea, about the meeting of Sherlock Holmes and his good friend Watson. Even as youngsters, they unravel mysteries together and find themselves in constant mayhem and peril. Rowe is an outstanding young Sherlock, while Cox is an exceptional younger Watson. Barry Levinson directed this fun look at the master detective in his younger years.