Les oies sauvages II

So Wild Geese II, Nearly every review I have ever come across regarding this film has been very negative and to be honest from reading a lot of them I don't even think many had watched the movie to begin with...

The original Wild Geese - these days a Sunday afternoon guilty pleasure classic that when looked at objectively is actually a fairly routine action film with a join the dots script and pedestrian direction. What makes that film work I suspect for most people is the actual African location photography and seeing a lot of mainly washed-up actors hamming it up ridiculously to pay their bar tabs.

Wild Geese II is very different from that movie, new cast, mainly new crew and made nearly ten years later - Wild Geese II is more of a spy thriller than action film. It offers a much more intelligent script, Great location work in Cold War era Berlin and some genuine storyline surprises. One aspect of the film that I think it really shares with the original is that any of the main characters can get killed at any time although it is a bit more edgy this time around.

Another aspect - in this case bad unfortunately is seeing another washed-up actor hamming for the alcohol bills, Edward Fox in this case who is just plain awful here taking over from what would have been Richard Burton's role. He plays second fiddle here to Scott Glenn - at the time flavor of the month upcoming star to appeal to the American market. Glenn although usually good in other movies is positively catatonic here. The interesting thing is that bad as the two leads are they do not bring the film down as the rest of the cast is filled out with mainly good supporting actors - the standouts being Barbara Carerra in a pretty thankless role as the love interest, an actor who plays an IRA gunman and another actor who plays a British Sergeant-Major. Also Peter Hunt the director deserves credit for keeping the fairly convoluted story moving along at a brisk pace.

So overall not as dated as the original but still dated, better story and better direction but with a bad rep - I think this is an unusual case of a sequel surpassing the original but audiences seem unwilling to give it a chance probably because the first just wasn't that good to begin with.

Richard Burton was to star in this sequel to the original Wild Geese, but he died before shooting started. Edward Fox was rushed in as his younger brother with a script change. The film was dedicated to Burton.

Probably a much better film could have been dedicated to Burton, I think he would have liked some Shakespearean production dedicated to him. Not that the first Wild Geese would ever rank among the great films of all time, but it was nicely done story about the comradeship of the military fraternity.

These guys headed by Fox and Scott Glenn aren't mercenaries, they're heist guys. And it's a who they're trying to heist not a what. The last prisoner in Spandau where all the surviving Nazis were contained, those who weren't hanged.

Sir Laurence Olivier takes out his mitteleuropa Albert Basserman accent for the last time to play Rudolf Hess, former Deputy Fuehrer of the Third Reich who escaped the hangman at Nuremberg because of insanity and the fact he'd flown to the UK and was captured there. He sat out World War II in a British jail while the Holocaust was going on. Hard to prove complicity in it in that situation.

Hess was a symbol to neo-Nazis everywhere, a last living reminder of Hitler's Germany. But the man himself was essentially a nobody. What he did do was attach himself early on to Adolph Hitler, served time in jail to him. As a faithful scribe he took down Hitler's prose in what later became Mein Kampf.

When Hitler came to power, he gave Hess a nice high falutin' title of Deputy Fuehrer, a reward for services rendered. But Hess was never in the inner circle of things and gradually moved farther and farther out of Hitler's orbit as he consolidated power in Germany.

So in 1941 poor Hess cooked up this whacko scheme to fly to the United Kingdom on his own to try and negotiate a separate peace. Of course when it was realized that he spoke for no one, the British clapped him jail. It was a sad pathetic attention getting gesture by a very mediocre man, shoved aside by those in power.

The premise of this story is that Glenn and Fox are hired to spring Hess out of Spandau so he could tell what he knew about Hitler to the world. The plot gets needlessly complicated as the Russians, the Palestinians, and the IRA all get involved.

Knowing what we know about Hess the question to all this is why bother?

Even Laurence Olivier doing a part by rote is better than most players giving their all. The rest of the cast just goes through the motions as Olivier does.

Not a great tribute film for Richard Burton.

I have just seen this film, and l thought it was quite good, not up to the original but the story line was good, the acting was good, in fact it was a good film with a fantastic idea.

Olivier and Fox add to the cast with Olivier doing his best to convey a hard part...

I have read in books that this film was a "bomb" and a lot of folk don`t like it, but why has every film got to have a message, why can't people just see a film for what is should be a bit of fun, l give this film

8/10

This inferior sequel deals about a new group of the much-wanted mercenaries (Scott Glenn, Edward Fox, John Terry among others) assigned by a rich television network (Robert Webber, Barbara Carrera) to free famous arch-Nazi war criminal Rudolph Hess.

The film is packed with noisy action, thrills, suspense, tension and lots of violence . It contains uncomfortable mix of flaws and gaps with little believable situations and is badly developed. The picture is middling directed by Peter Hunt who made one of the best Bond films : ¨On her majestic's secret service ¨, furthermore ,¨Death hunt¨ and ¨Shout the devil¨. The movie is dedicated to Richard Burton , he played the original film (along with Roger Moore, Hardy Kruger,Richad Harris, Stewart Granger), that was better than you would expect.

Adding more details about those described on the movie regarding Rudolph Hess - very well played by Laurence Olivier- and his Spandau prison, the events were the following : Hess was privately distressed by the war with Great Britain, because he, like almost other Nazis , hoped that would accept Germany as an ally . He thought to score a diplomatic victory by sealing a peace and attempted to contact the Duke of Hamilton in Scotland. On 10 May 1941 , Hess took off in a Messerschmitt. Hess parachuted over Renfrewshire , Scotland, there a farmer named David McLain declared to have arrested Hess with his pitchfork. Hess then became a defendant at the Nuremberg trial of the International Military Tribunal where in 1946 was found guilty on two counts and he was given a life sentence. On 1987 , Hess died while under four power imprisonment at Spandau prison in west Berlin , at the age 93. He was found with an electric cord wrapped around his neck. Spandau prison was subsequently demolished to prevent it from becoming a shrine

Yes, Richard Burton died before filming this (he's only seen in the pre-title sequence that is footage from the first Wild Geese film---and really of no consequence to the sequel's story). Perhaps Burton saw the script for this mess and realized there was no reason to go on living. There is certainly no reason to go on watching this thing, that's for sure. It's all about some muddled kidnapping of Rudolf Hess from Spandau prison. Seems the British, the Germans, the Soviets and the scriptwriter all want to have a hand in either killing or keeping Hess alive. When we finally get a look at Hess, after 90+ minutes of tedious intrigue, it turns out that that the kidnappers have goofed and grabbed Sir Laurence Olivier instead---and not the good Olivier, but the decrepit 'Jazz Singer' version. Sir Larry, that sly ol' dog, thinks he can fool us with a Hess-like unibrow and that 'Marathon Man' German accent, but we're not buying it. The kidnappers aren't either and dump Sir Larry/Hess at the French Embassy in Berlin. The real Hess died in 1987 (hung himself in his cell, perhaps after viewing this film) and Olivier followed in 1989. Time passages.....

Oh, there is something of interest in this film, at least for fanciers of woodworking. That would be Scott Glenn's performance. There is a point in the film where he appears badly injured but I'm thinking it's a cover-up for an obvious case of attack by termites. At one risible point, the benumbed Glenn re-tells his sorrowful back-story of family slaughter to Carrera with the closing line: "Death ate its way into me." That's code for termites. Or perhaps Novocaine ate its way into him. Glenn had already tried out his zombie-style "acting" before in 'The Keep', but this is the topper: you'll be hard-pressed to find a more appallingly flat performance recorded on film. At least Edward Fox (doing his 'Day of The Jackal' thing) is lively. Otherwise you get Robert Webber literally phoning in his performance, all two minutes of it, and Patrick Stewart doing a small bit (complete with bad accent) as a Soviet military man, and Stratford Johns practically faxing Sydney Greenstreet from the dead as a chuckling, gargantuan wheeler-dealer. Paul Antrim gets the Sergeant Major Harry Andrews part, and Derek Thompson gets the nonsensical IRA soldier gig. For some reason Thompson's character, in his attempts to sneak away to report to his superiors, feels the need to keep spiking Fox's character with LSD. Guess the IRA frowns on complicated solutions... like using sleeping pills. And there's also the main caper requiring our heroes to impersonate British soldiers, but Glenn can't even manage the slightest accent. Somehow the real British soldiers guarding Hess, when confronted by the very out-of-place Glenn shouting at them with his harsh American accent, do his bidding without question. Well, at least there is a bright side: there hasn't been a Wild Geese III. Yet.