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This very underrated film happens to be one of my favorite thriller/horror films of the 80's. This film is so stylish that even the blood spatter that follows is done tastefully and not gory. A virus turns biologists into zombie-like humans, but they don't want to eat your brains and you don't turn into a zombie when bitten. They do, however, want to kill the living, hence the zombie referral, although it is by no means a zombie film. The cast is incredibly good and convincing, and the make-up effects are equally good. Interesting fact about director Hall Barwood is that this was his only film project as director. After this, he ventured into video games.

I remember seeing this 20 yrs ago and having a very favorable impression, but the recent copy I bought and viewed this week showed both better and worse aspects, different from what I recalled. Anyway, the story is quite catching and most of the acting is above average, thanks to a good ensemble cast of quality folks. Very well done art/set design makes up for rather standard plot direction, with some nicely eerie moments. There's well written, believable dialog interspersed with silly, and well developed characters interspersed with stereotypes. So it's a mishmash but a good one. Would have been nice to see a more believable military response to the viral outbreak, but the budget must have only been enough for a small crew of national guard type soldiers rather than a more believable crack platoon outfit that would have been all over the locals, and sent them packing. Definitely a good half of a double feature with Endangered Species, or Andromeda Strain.

Durably taut, but rather restraint little low-budget biological thriller that sees a group of scientists quarantined inside a building when a deadly chemical agent they're working on is accidentally released, causing them to become violently homicidal. Caught in the middle of it is a lady security guard, who might just hold the answer for a vaccine, as she seems unaffected.

Confidently directed, thoughtfully written (as it could be seen as a minor blue print for "Resident Evil") and exemplary performed, but "Warning Sign" seems to go by unnoticed, despite it's considerably gripping and unnerving progression. Their low-scale origin is probably what tips it in that forgotten category, because it's not excitingly barnstorming in its thrills or cast. Nonetheless it bestows moments of furious intensity and compact suspense… in what feels like a waiting game after not taking all that long to get into it. The acting led perfectly pitched by Kathleen Quinlan, Sam Waterston, Jeffrey DeMunn, Richard Dysart, G.W. Bailey and Yaphet Kotto. Craig Safan chips away with an ominously airy electronic score. Director Hal Barwood well measured style, ably operates with his actors in constructing a real fearful mood inside the building, but also making the air outside just as dangerously on-edge. When it came to its irony enclosed ending, it felt a little out of place and rather forced than what it naturally built-up.

An earnest, but well engineered sci-fi / horror outing that's more than your simple filler.

I recently saw a preview for Resident Evil, the latest sci-fi/gore opus from Event Horizon director Paul Anderson. (Not to be confused with Paul Thomas Anderson). It looks like a big budget, explosive version of Warning Sign, a strange little horror movie I remember watching in the '80s. The plot of the 1985 film involves a deadly serum leaking inside a bio-chemical plant in rural Utah. The plant is sealed off--no one can get in or get out. What happens inside is best described as Night of the Living Dead meets the Andromeda Strain. All in all, not a bad horror film, and the actors (Sam Waterston, Kathleen Quinlan--both Oscar nominees, but alas, not for Warning Sign) manage to keep straight faces. The film has an "Alien" feel to it, and is quite stylish to boot. More than anything, the film has a good, somewhat believable premise for a horror story. But the execution is just so odd. Scientists becoming zombies or monsters has been done before, and the atmospheric first half of the movie is somewhat ruined by the over-the-top, borderline campy second half. We'll see soon enough whether Anderson's version of the idea is successful, although judging from the ads, I seriously doubt it.

Unlike many horror movies where you need to check your credulity at the door, what you see in this film is actually believable. The idea of military scientists finding a catalyst which induces rage in the human mind, then mating it with a virus as a delivery device, is a very scary idea! Imagine you could catch homicidal mania as easily as you could catch the flu.

The acting in this movie is good if somewhat uneven. Joanie (played wonderfully by Kathleen Quinlan) is a very intense character. Sam Waterston is good as her lover and the local sheriff.

The film is not slick, but has some intense moments that many "slicker" films can only dream of achieving. Overall a very suspenseful film.