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A View To A Kill commonly comes under as one of Roger Moore's weakest Bond films, however in my opinion, that is completely wrong. It is one of the most best of his films. The action is stronger than many previous films, the music is good and the locations such as France and San Francisco. Roger Moore is great as a Bond actor, especially down to the fact he is 57. Christopher Walken makes a fantastic and one of the very best villains. Overall, there are some bits which are a bit slow, but lots of it is exciting, strong and thrilling.

James Bond sets out to stop a psychopathic business man and a successful horse breeder. Stars Roger Moore and Christopher Walken.

Moore was clearly too old for this role but the film has all the elements of a great Bond film. An excellent villain in Walken, a dastardly plot, beautiful girls and amazing locations.

A lot of fun. Grace Jones is a great henchman.

I first saw this in the early 90s on a vhs.

Revisited it recently.

This is the fourteenth in the Bond series and the final appearance of Roger Moore as James Bond.

In this movie Bond has to deal with a villain Zorin, who is planning to blow up Silicon Valley. (I think he is fed up with the geeks n nerds).

Apart from Zorin none of the henchmen are noteworthy.

This one's a bit violent

The main villain Zorin, a sadistic psychopath (played smoothly by Christopher Walken) displays a near-total lack of loyalty to his own men n shoots hundreds of people with machine guns n that too with a smile.

A man gets minced in an underwater exhaust fan.

In this movie Bond does an amazing horse hurdle race.

It has a lovely pre credit scene of that of a breathtaking ski chase.

It has a spectacular chase up and down the Eiffel Tower which must have inspired the parkour chase sequence in Casino Royale.

The climactic fight scene on Golden Gate Bridge is very well done.

This movie is Dolph Lundgren's first on-screen role, playing General Gogol's KGB bodyguard Venz but without any dialogues.

He is present before the iconic dialogue, "No one ever leaves the KGB".

In this movie Bond gets to cool off with Mary Stavin, Fiona Fullerton, Tanya Roberts n Grace Jones (A true Amazonian female n better than the fake Gal Gadot. Grace Jones was the first sexually aggressive Bond girl, evidenced by her reversal of positions - she climbed on top).

Many fellas say that Muad Adams is present in the movie as an extra n uncredited of that of a passerby. I tried but didn't notice her.

Some info on Zorin: Max Zorin is a sharp businessman, operating on the microchip market. He is highly intelligent n acts very fast cos he is the product of a Nazi medical experimentation during World War II, in which pregnant women were injected with massive quantities of steroids in an attempt to create "super-children." Most of the pregnancies failed while the few surviving babies grew to become extraordinarily intelligent-but also psychopathic.

After the war, Hans Glaub aka Carl Mortner, the German scientist who conducted the experiments, raised a young Zorin. Zorin was later trained by KGB agents.

A View To A Kill seems to get more than its fair share of criticism. Often it is labelled the weakest of the Bond entries, but I don't think this is particularly true. Personally, I don't even rate it as the poorest of Roger Moore's Bond outings, with Moonraker and The Man With the Golden Gun standing out in my memeory as less memorable escapades than this one.

It's Moore's final appearance as 007, and he is trying to prevent a psychotic business magnate, Max Zorin (Walken) from destroying Silicon Valley and cornering the world electronic market all for himself. To make matters worse, Zorin is not your average adversary, since he was born as the result of a Nazi doctor's scientific tamperings resulting in him being hyper-intelligent but also uncontrollably murderous. The mission takes Bond from Zorin's French chateau, to San Francisco, and ultimately to an abandoned mine close to Silicon Valley, where Zorin plans to detonate a bomb which will trigger a cataclysmic earthquake.

The set pieces are memorable, including a parachute pursuit from the Eiffel Tower, a fire engine chase around the hilly streets of San Francisco, and an airship crash on the Golden Gate bridge. Moore looks a bit old for the part, and his sexual humour bears a greater emphasis than usual of the "dirty old man" baggage. However, he still has an easy-going charisma and good comic timing. Walken makes for a good, supremely confident villain, and is well backed by the fearsome Grace Jones. However, Tanya Roberts Bond girl character is whining and screaming so much in this film that she eventually wears out her welcome. The theme song from Duran Duran is rather too '80s, but the instrumental music by John Barry is stirring and dramatic.

I'm not sure what all the disappointment is about. A View To A Kill is an above average Bond flick with plenty to keep you entertained.

After the success of 'Octopussy', it was felt that actor Roger Moore should continue winning ways of James Bond. Nobody had any idea that 'A view to a kill' would turn out to be his last film as British agent James Bond. After this film, Timothy Dalton was chosen to represent James Bond on the big screen. This is something which his loyal fans and other admirers of this series must bear in mind while watching this Bond flick where American actor Christopher Walken appears as a highly dangerous, psychopathic villain with a smile on his face who set his mind on destroying America's Silicon valley. Actor Roger Moore doesn't disappoint a bit as James Bond continues to move from one place to another in order to gather valuable information about the villain's nefarious plans. However, it is through sudden twists and turns of events that Bond achieves final victory over the villain. There are times when even a villain can also be more popular than a hero. This is depicted in Christopher Walken's performance as Zorin, a shrewd businessman with stakes in an expensive stable. Actor Christopher Walken dominates this film to a huge extent. It is his arrogance which brings his downfall. When this film was being made, there was absolutely no link between horses and a silicon valley as 1985 was too early a period to speak about the destruction of 'Silicon Valley'. However, the inventiveness of the script ensured that even such an idea was practical. This is one of the film's key strengths.