Chasseur de Vampires D

In the 13 years before Wesley Snipes would pick up a sword and proceed to slice and dice the undead that frequented blood-soaked raves in 1998's ultra-cool "Blade," the eponymous character "D" of "Vampire Hunter D" was slicing up vampires and other horrors on the Japanese countryside.

"Vampire Hunter D" is certainly one of the better Anime' flicks to be released during the 1980s, when most Japanese animation films were either relentless bloodbaths, borderline pornography, or both. "D" fits in with the eldest category: it's not short of graphic violence and gore, and there's some explicit nudity to boot.

As a fan of Anime', I know that Japanese animation is not all that welcome in American mainstream cinema because of the stigmas that are attached to it. Because "Vampire Hunter D" was released amidst a blossoming season of bloody, sexy Anime' films, it has earned a small cult following in America.

It is sort of slow in the beginning, but gets going once D makes his appearance, riding into town on a cyborg horse and wrapped in a long black cape. His eyes are partially obscured by his over-sized brim hat. He's hired by a local girl to exterminate the vampire that bit her and because she's been bitten, people have grown fearful of her since they believe that she is contaminated. So D goes to work, taking on the Count's legion of ghastly demons and other hideous creatures.

"Vampire Hunter D" is not the greatest Anime' ever made, but it was one of the first that I ever saw growing up. It's one of my personal favorite Anime' flicks and it definitely ranks within my top ten Japanese animation films.

8/10

By the same director of 'Fist Of The North Star', 'Vampire Hunter D' is in much the same mould as 'Fist' - post-apocalyptic setting, brooding heroes, exploding heads and plenty of gore to boot! I personally love this anime, the story, characters, music and even animation (albeit a bit rough and 80's) all combine together well to make this an anime to watch again and again. Another parallel with 'Fist' is the amazing amount of cheesy one-liners - they keep me and my friends 'occupied' for hours! (I was once told of mutant that could twist space around him, and now it seems I have met him! - a good example!)

This was the second anime film I ever watched (the first being the classic Ninja Scroll). Scroll was a hard act to follow but Vampire D did a pretty good job.

These days the animation looks a little bit tired compared to contemporary anime but where VHD wins out is with story and atmosphere and just utter coolness!

It blew me a way all those years ago and I still get a kick out of it :)

I knew of this movie several years before I decided to buy it on video. Firstly, this anime single handely is a landmark in Japanese animation. Not because it has a brilliant plot, infact the plot is quite basic, and is nothing that hasn't been brought onto the screen prior to this video's release...but what this film does hold is the honor of it being the first animated horror film ever, Never before has Japan produced a horror featuring scenes of bizzare fungi-like demon ozzing through tunnels, demons tearing through horses necks, etc.

Being one of the very first anime to have a western release, Vampire Hunter D was dubbed by Streamline pictures for American in 1988, and then appeared in Europe in early 1993 via agreed distribuition by Manga Entertainment. The story is quite basic and low bass, basically; a young girl finds herself fighting through a forrest of demons, and it isn't long beofre she realises that she is trespassing on the Count. Magnus Lee's land, and involuntarily teh Count takes her blood as compensation (i.e. passing on the Vampire infection). She seeks out the aid of a Vampire Hunter on the open road, who goes soley by the name of "D." The girl hires D to storm the castle and seek kill the Count so that she may be cured of her vampirism, what the girl doesn't know that D is half Vampire Himself. But the Count sends out his minions to intervine, alongside his Daughter and her Mutant hentchman, who are sercetly trying to kill the girl, rather than bring her to the Count, as they feel that she will disgrace the Lee Family.

Origionally, Vapire hUnter D started out as a novel by animator Yoshitaka Amano, then later progressed into art. The interest of his concepts grew so much that an agreement was made between him and SONY to animate the film, Amano being the chief animator and character designer. The film achieved audiable success in it's time, being many of the first wave of anime to be introduced to the highly expensive "VCRs" at the time, and remains a classic in the West, marked out for it's originality. The character's hero, D, is the main interest, ebing a dark almost emotionaless hunter, dedicated to the oblivion of the darkside, and those who dominate with supernatural powers, forever tormented by thebickering of his own left hand who lives to remind him of what he is. It's this that draws the viewer into focuss on the film.

I recomend this to any anime viewer who can appreciate "old skhool" efforts, yet many people who watch anime are beging to forget this film, due to the anticpated release of the modern superior "Vampire Hunter D: Bloodlust." I haven't seen this film as of yet with it been only so cinematicaly released in Asia, but considering it's directed by the renouned Kawajiri, I expet the plot and animation to be something else. Though that is no excuse to discard this film as trash, just because it is some 17 years old, and is "retro." It's obvious that modern times will progress further in animation, but people shouldn't regard any film as crap purely because it's pre-decessors have become superior to it.

Overall a worth a watch film if you like anime, particularly Yoshitaka Amano artwork, but if you hate anime, dont bother,and stick to George Clooney films***7/10***

This film went onto inspire the style of other animated horror films from this decade such as the aimated adaption of Go Nagai's Devilman, and Toshio Maeda's controversial Urotsukidoji: Legend Of The Overfiend.

One of the things I have learned to appreciate in my ongoing exploration of Japanese Anime is it's willingness to tell a reasonably adult, well-thought-out and plotted story. Vampire Hunter D is the best example of such storytelling that I have seen in any recent fantasy piece (animated and non).

The one thing I appreciated about this film was that no one in it is a cardboard cutout. Evil is not portrayed as monolithic (if anything, it's shown as just amorality cubed) nor all humans automatically "good guys". Just like in the real world, everybody wants something. Doris wants revenge on a personal level and safety for her village on a community one. Count Lee wants to marry a bride to pass the time. His daughter wants this marriage to be stopped. The Count's time-twisting underling wants to go beyond his current station as loyal henchman. Doris' suitor wants her all to himself. D wants...well, what does D want?

Of all the characters in this story, D is the most enigmatic. If movies do indeed have a Tarot deck, as Stephen King suggests in "Danse Macabre", then D falls under the Eternal Loner (which also applies to such cinema protagonists as Eastwood's Man with No Name in the Sergio Leone spaghetti westerns and Lee Marvin's Walker in "Point Blank"). A half-human, half-vampiric descendent of the legendary Count Dracula himself, he is a man of two worlds, yet not truly a part of either. In one, he is barely tolerated out of necessity. In the other, he is hated for his chosen profession. His terse dialogue makes Eastwood look as talkative as Groucho Marx. By personal choice, he has cut himself off from all emotional ties to the people around him who, I'm fairly sure, will die long before he will (consider the comment regarding Doris' confession of love: "I know.").

The big question regarding D is why? Why does he do what he does? I'm not sure that he actually killed his father, as his conversation with Count Lee's daughter would seem to disprove. Perhaps his father saw how the vampires were changing the world and not for the better. Perhaps he instilled in his son the need to always protect those who are weaker than he from the many predators that this world had to offer (as a nobleman who felt a genuine, if patriarchial, concern for his people, it is not impossible that this would be so). One thing is certain: he does not kill his chosen prey for the common reasons that other men do: money, power, prestige, or even love. Maybe he kills to make the world a better place. Who can truly say? Maybe the new movie on the way will provide some answers.