Turk 182

Kim Cattrall looks fabulous. The movie may be old but she was new. There was a short love scene but, unfortunately, there was no nudity.

I miss Bob Urich. How can someone so incredibly healthy die so young.

The movie plays well--heavy, fake accents and all. The one exception to the enjoyment of this simple fare is the soundtrack. What a god-awful music score. It's like trying to watch a fun movie while sitting next to a calliope. Otherwise, I did enjoy the movie.

I'm taking away two stars for the story and to pay for some acting lessons, and two stars must die for the music director's mistake.

-Cosmically-Psychic-Bob

Back in the day I was given a bit of practical political advice that I follow to this day. Cops are controversial by the nature of their job. But everyone loves a fireman because they're only there to help, everyone is glad to see them and want them to get their just due when they're injured. Take up the case of firemen and you'll never go wrong.

Something that Robert Culp playing a New York City Mayor modeled on John Lindsay should have realized. But he's an arrogant sort and that becomes his downfall.

Turk 182 is the call sign of graffiti artist Timothy Hutton the younger brother of firefighter Robert Urich who is injured off duty when he performs a rescue, it's what firemen do. Then he goes through all kinds of fecal matter trying to get a disability pension. Hutton does not give up and when he's rebuffed at City Hall he wages a one man guerrilla war on the city administration leaving all kinds of graffiti in very public places impugning the integrity and efficiency of the current administration, always with the call sign Turk 182. Turk was Urich's nickname and his ID number with the Fire Department was 182. Takes them a while to figure that out.

Timothy Hutton gives a fine performance as a working class ethic Irish kid from Windsor Terrace one of the last truly ethnic Irish neighborhoods in New York City. But he's the lead in a fine ensemble of players who really make this a New York City story.

Speaking of police there's a contrasting pair in this film with Darren McGavin as a very wise veteran and Peter Boyle as this homicidal maniac of a detective who takes the graffiti activity of Hutton almost as a personal insult. I've seen examples of both in my day. I should also point out the performance of Kim Cattrall as the social worker who gets personally involved in Urich's case when she falls for Hutton.

Turk 182 is a personal favorite of mine in terms of telling stories about New York City. A pity it's not out on DVD or Blu-Ray.

As far as films of the 80s go, this is very much of its time, with the acting -- featuring an INCREDIBLY young looking Timothy Hutton! -- the script, the setting, the direction and even the music.

However, this is a very enjoyable "cute" movie about a the brother [Hutton] of a firefighter [Urich] who was injured at a fire and saved a little girl after having a couple of drinks.

Refused compensation, the brother sets off to ruin the election campaign of the mayor of New York with a series of sensational graffiti stunts.

The love interest is predictable, but this is still a fun film without getting serious -- it knows its place.

OK, I'll have you know that I own a copy of this film so don't think I hate it viciously. It's not a bad story, and Hutton and Urich do well at their heavy New York accents. Actually, if there's one thing that makes the story, it's the thick flavor of 80's NY that runs through it. Some notable bit characters (notably Dick O'Neil) do great jobs as curmudgeons, and Culp and Boyle are completely evil. However, Steven Keats COMPLETELY blows it as a total NY buffoon stereotype- lines like "Dis is bee-yoo-tee-fulll", and "Dis is yoo-ge (huge) wit a capital U!" don't make him much more than a cartoon. Kim Cattrall's acting is pretty flimsy to boot. The ending is absurd beyond words- all of a sudden the mayor and all the cops revert their anger towards him and all cheer on Turk in a complete Hollywood photo finish. Please.

For me, the draw here is pretty much linked to the graffiti aspect of the movie. The sequence where Hutton sandblasts the subway train is fun stuff, as well as the over-the-top feats with the scoreboard, the mounted police horse, etc. But it's important to note, especially in the time period, that no such graffiti writer in New York could avoid massive and brutal prosecution. The story of NY writer Smith has so many parallels to this story it's hard to tell which came first- Smith's late brother Sane has even gone by Sane 182 in homage to the film. Smith painted his name on the side of the Brooklyn Bridge and not only made headlines, he came under the city's first million-dollar lawsuit. Turk 182 effectively makes the mayor look demonic, but only in a silly comic book way. There are some real heroes with real stories to tell from those days; maybe one day a realistic portrayal will come down the pike when people are ready to see both sides of that story.

What an epic movie this was...as a youth i was very interested in the central theme in this film, that of social disobedience. What do you do when your brother breaks his back while saving a young child from a burning building, and the state refuses to pay for his hospitalization..If you're Timothy Hutton there is only one answer..take up with Kim Cattrall and cover the town with grafitti. And not just any grafitti...Grafitti which scandalizes the mayor. The ending is as thrilling as it gets, which along with a Paul Sorvino Cameo and the generous usage of a stunning motorcycle with side car brought this reviewer to his knees...A must for motorcycle with sidecar enthusiasts and Spencer For Hire afficianados...