Tomboy

I've dated women like "Tommy." They're fun for a while.

This is a guy movie. Women will be jealous of Russell's red-hot looks and will nit-pick the movie's lack of plot and acting talents (who would bring a Rolls Royce to a gas station to be repaired, unless the mechanic looked like Tommy?), but for us guys, all Betsy Russell has to do is stand there and breathe. I liked the way women dressed during the 1980s, and the hairstyles are cute as well.

The title song is catchy, and whoever stunt-doubled for Betsy Russell on the motorcycle knew what they were doing. I saw "Tomboy" the first time on HBO, so the price was right, but this low-budget movie grossed over $14 million. Not bad.

Despite her masculine sounding name and a love of traditionally male pursuits (fixing cars, basketball, baseball, driving like a maniac), there's nothing remotely butch about Tommy Boyd (Betsy Russell) when it comes to her physique: under the baseball cap and greasy overalls, there is an absolute babe waiting to get out, as stock car driver Randy Starr (Gerard Christopher) discovers when he invites Tommy (short for Tomasina) to pay him a visit at the mansion of his millionaire sponsor Ernie Leeds Jr (Eric Douglas).

A typically silly 80s romantic sex comedy, Tomboy is predictable, poorly acted and badly directed nonsense, but the oodles of cheap titillation courtesy of the awesomely sexy Russell (and Kristi Somers as her equally hot best friend, dancer Seville Ritz), a naff 'battle of the sexes' story-line, and one of the worst car races in movie history (Tommy's vehicle being equipped with a daft onboard computer and rocket propulsion) help to elevate the film from utter drivel to entertaining cheeze, making it more fun than it really has any right to be.

Another selection from the Mill Creek 200 drive in cult classics box set.

What can I say about this one. If you like lame comedy weak plot, cheesy soundtracks and ample amount of nudity you will love this.

Tommy is a misunderstood gal. She loves fixing cars being tough and racing. No one respects her for being herself they all want her to be more girly and get laid already.

These movies were a dime a dizen back in the 80's. To friends just having fun and getting in to trouble. There is a race and montages but really not much to say.

Great movie kept my interest and was never boring. Some really good stuff here. If you haven't seen it I would give it a watch.

Definitely a highlight in this box set so far.

This is perhaps one of the best "worst" movies ever made. This movie is so bad that most people who worked on it never worked again in Hollywood. The earliest anyone worked after this movie was 1989. It was certainly a career killer. But it was much more than that. If you think a girl shooting hoops on a motorcycle is hilarious or that a race car goes faster because cardboard accessories and onboard computers, this is the movie for you. This is one of the finest examples of the teen "sex-politation" genre in the early 80s. It stars the the recently deceased Eric Douglas and Betsy Russell (who was the Gretta Garbo of this genre). If you can find this movie- buy it. It is that good.

Not a flashback for anytime of my young boy to teenager 1970's, or my young adult to college BA and Master degree then first professional job in 1989, nor does it represent the hundreds of people I knew and worked or studied with during this time. However, it simply is a mindless ride into what might of been if all the stars were aligned and an actual UFO had landed inside your favorite college or NFL stadium and world peace had spontaneously broken out. Grab some popcorn, your favorite drink, put the top down on your convertible, and shot for the stars. A Crown International Picture, and thank God, not a Cannon production. I bought a used 12 pack of Too Cool for School as wanted to see The Van, and I will say that you get a full 1920 Kps with 12 chapter index, while a Cannon 4 pack had no chapter indexes and usually 75 minute run time, while AIP run a full 90 minutes. I also own AIP 200 movie pack of drive in both horror and sci fi and most US movies are filmed with professional care, unlike Canon and many International producers.