IMDb RATING
6.1/10
2.8K
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Two juvenile delinquents find themselves growing apart, for one is growing up, and the other is staying young and reckless.Two juvenile delinquents find themselves growing apart, for one is growing up, and the other is staying young and reckless.Two juvenile delinquents find themselves growing apart, for one is growing up, and the other is staying young and reckless.
- Director
- Writers
- Stars
Francis X. McCarthy
- Mr. Carlson
- (as Frank McCarthy)
Ramon Estevez
- Mike Chambers
- (as Ramon Sheen)
Robert Swan
- Smitty
- (as Bob Swan)
Paul M. Lane
- Paul
- (as Paul Lane)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
That Was Then... This Is Now is one of the best early performances of Emilo Estvez as a writer and actor. Estevz brings Mark to life they way S.E.Hinton intened by being brutal and cut throat in his performace. All of the actors in the film give equally good performacnes in particular Morgan Freemen and Craig Sheffer. A underlooked gem.
I always loved S.E. Hinton's novels as a kid: The Outsiders, Rumble Fish (which in my opinion, is the greatest film adaptation in the series despite everyone's fascination with The Outsiders), Tex, and That Was Then This is Now.
'That Was Then, This is Now' was the last film adaptation (although the TV series for 'The Outsiders' follows five years later after the release of this movie). I would've attribute the mediocrity of the movie, or at least the inability to really put forth all that the novel did, was because it was not directed by Francis Ford Coppola (who directs 'The Outsiders,' and does a fabulous job with 'Rumble Fish'), except 'Tex,' which was a pretty good movie, was likewise not directed by Coppola.
I think it is in part the chemistry among the characters. The whole mood looks like something out of a music video, with Craig Scheffer coming off more like a guy who broke off a long relationship with a girlfriend rather than dealing with a rambunctious brother (in addition to other things). Plus, as another viewer already mentioned, they shifted the focus on characters so that superstar Emilio Esteves becomes the center of attention. Most of S.E. Hinton's novel always portrayed a struggle from the brother who is looking out at things that, by his perception, have become (or always were) seriously out of control. (See 'Tex' and 'Rumble Fish'). And yes, they unfortunately acquiesced to the Hollywood happy ending, and in the sappiest way, despite all of the problems that the characters endure.
Unlike previous adaptations of Hinton's novels, even those not directed by Coppola, they really fail to portray the struggles that the characters realize in the book. And, lack of developing the story on this point really makes you only half appreciate the characters and their conflicts (and in this case, not even their resolution).
'That Was Then, This is Now' was the last film adaptation (although the TV series for 'The Outsiders' follows five years later after the release of this movie). I would've attribute the mediocrity of the movie, or at least the inability to really put forth all that the novel did, was because it was not directed by Francis Ford Coppola (who directs 'The Outsiders,' and does a fabulous job with 'Rumble Fish'), except 'Tex,' which was a pretty good movie, was likewise not directed by Coppola.
I think it is in part the chemistry among the characters. The whole mood looks like something out of a music video, with Craig Scheffer coming off more like a guy who broke off a long relationship with a girlfriend rather than dealing with a rambunctious brother (in addition to other things). Plus, as another viewer already mentioned, they shifted the focus on characters so that superstar Emilio Esteves becomes the center of attention. Most of S.E. Hinton's novel always portrayed a struggle from the brother who is looking out at things that, by his perception, have become (or always were) seriously out of control. (See 'Tex' and 'Rumble Fish'). And yes, they unfortunately acquiesced to the Hollywood happy ending, and in the sappiest way, despite all of the problems that the characters endure.
Unlike previous adaptations of Hinton's novels, even those not directed by Coppola, they really fail to portray the struggles that the characters realize in the book. And, lack of developing the story on this point really makes you only half appreciate the characters and their conflicts (and in this case, not even their resolution).
This is a very poor adaption of one of S.E. Hinton's best novels. The characterizations are quite off the mark, and there is little to no development of situations and characters. Periodically the viewer is thrown into really weak attempts at "deep", philosophical dialogue from out of nowhere - straight out of the book but oddly out of place in this disjointed film.
The acting is not much better. Only Frank Howard (as M&M) and Morgan Freeman (as Charlie) really make their roles believable. Emilio Estevez, perhaps due to the script itself, never makes Mark the character he needs to be to actually propel the story in the right direction.
All I can make of this film is an attempt at grabbing the same attention as "The Outsiders", another (and much better) film adaption of a S.E. Hinton novel. Both books/films have a few characters in common, some similar themes, and Emilio Estevez. "That was then..." just doesn't work out.
The acting is not much better. Only Frank Howard (as M&M) and Morgan Freeman (as Charlie) really make their roles believable. Emilio Estevez, perhaps due to the script itself, never makes Mark the character he needs to be to actually propel the story in the right direction.
All I can make of this film is an attempt at grabbing the same attention as "The Outsiders", another (and much better) film adaption of a S.E. Hinton novel. Both books/films have a few characters in common, some similar themes, and Emilio Estevez. "That was then..." just doesn't work out.
Only thing wrong with this movie-- the decision to "update" the story to make it contemporary. Some novels lend themselves to that kind of reinterpretation easily, but S.E. Hinton's early works aren't among them. The book, set in the late 60s, was essentially a follow-up to "The Outsiders," picking up a few months after its TV Series left off. The character of Ponyboy was taken out of this film for obvious reasons (why would he still be 16 in 1985?), but other Outsiders (most notably Tim Shepard) remained intact without aging a day-- effectively destroying any continuity it might have had with the film it was undoubtedly cashing in on. As result of this questionable rewrite, the novel's focus on the greaser/soc conflict dying off is completely absent, as are other time period-specific subplots. Perhaps the filmmakers wanted this to stand on its own from Coppola's then-recent "Outsiders" adaptation, but this likely hurt "That Was Then...This Is Now" in more ways than it helped it.
"That Was Then...This Is Now" followed the book relatively closely up until the last scenes. I thought the acting could have been better, and I think it would have been a better movie if they had left it in the time period the book was in. Despite this, I thought it was pretty good, and I liked it until the last few scenes. The book was so powerful and real in the last chapters- and the movie took all of this out. I thought it would have been a good ending- for a whole different movie, for "That Was Then...", it was wrong, and in my opinion ruined the movie.
Did you know
- TriviaEmilio Estevez's original script followed the book's ending more closely. Paramount Pictures executives forced Estevez to re-write the ending to be more "optimistic" and "realistic".
- GoofsIn just about every scene where a bus is involved, it's bus #461.
- Quotes
Mark Jennings: Let's move out... Teabag!
- ConnectionsFeatured in Randy Wayne & Carroll Sue Hill: That Was Then, This Is Now (1985)
- SoundtracksBorn Alone
Written by Scott Lipsker & Mike Kapitan
Performed by Kipp Lennon
Produced by Scott Lipsker & Mike Kapitan
- How long is That Was Then... This Is Now?Powered by Alexa
Details
Box office
- Gross US & Canada
- $8,630,068
- Opening weekend US & Canada
- $2,502,780
- Nov 10, 1985
- Gross worldwide
- $8,630,068
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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