IMDb RATING
5.5/10
1.1K
YOUR RATING
A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.
Mina Bern
- Ruth Edelstein
- (as Mina Bern Bonas)
Martha De La Cruz
- Anna
- (as Martha DeLaCruz)
Featured reviews
Tenement is good grindhouse fun and a morally indefensible slum invasion thriller with a simple story that is fiercely told. The film is simple in a way that works in its favor and it is very entertaining. The story follows a drug selling and violent street-gang who terrorize renters of a big trashy apartment-house. The action is punchy and brutal with decent performances by Paul Calderon, Karen Russell and Dan Snow. I must mention the badass grandma who was a solid support to the cast. That rape scene is quite horrifying which also draws on emotions with some humor and thrills.
The film blends The Warriors/Batteries Not Included/Assault on Precinct 13 with Italian action galore influence. The film was distributed under several titles including GAME OF SURVIVAL, TENEMENT: GAME OF SURVIVAL and SLAUGHTER IN THE SOUTH BRONX. The film was directed by one of the most prolific female directors in all of exploitation cinema. Roberta Findlay, along with her husband Michael, made a number of sadistic exploitation movies before she moved on to the Adult cinema. This is one of her best works along with A Woman's Torment (1977), Blood Sisters (1987).
On an overall scale, Tenement is an entertaining cheesy sleaze fare, intensely exciting & immensely satisfying independent cinema from the 1980s that manages to deliver the goods without ever letting its mediocre budget hinder its creativity or quality in any manner. Worthy of its cult status & definitely worth your time. It can sound dated for the gorehounds, nevertheless, it's still a relatively good low budget B-movie action after a slow start.
This film has the entire tenant squeal on a drug dealing gang to the police, only for them to get out, and one by one, they go to each tenant in the floor, killing and torturing them in an ugly fashion, making their way up to the top floor tenants, as the tenants either run to the top, or just stay in their rooms, waiting for their inevitable deaths. You see some repulsive violence, as well as pure sadism that would make Abel Ferrara proud as it out-Abels Abel Ferrara films in capturing the down right seediness and the hopeless and the no way out living of being holed up in these poor buildings. With each new death, you just realize there is no way out for these poor souls, and that they are facing inescapable death. Very grim, especially being directed by a woman! The ending is very corny, which kind of shifts the mood of the most of the film, almost ends like a Monty Python skit, but ignoring the last 5 minutes, this is a ride into despair and hopelessness that you will soon not forget. Just down right ugly! You'll will NEVER want to rent a New York poor apartment house after seeing this film!
In a truly slummy area of NYC, a vicious street gang squats inside a dingy apartment building. One of the residents rats them out to the cops, but the revolving doors of justice being what they are, the scum are back out on the street later in the day. Guided by their cool-cat leader Chaco (Enrique Sandino), they spend one whole night and early morning terrorizing the residents, one floor at a time.
Considered by some to be exploitation legend Roberta Findlay's finest effort, "Tenement" (a.k.a. "Game of Survival") is gloriously trashy. It's got plenty of sex and violence to satisfy lovers of the genre, with decent action and great attention to grim and grubby detail. This is pretty much prime sleaze, although it does suffer from an over abundance of dummies. These protagonists just do not act sensible often enough. The only one of them who's got something resembling a brain is building tough guy Sam Washington (Joe Lynn). But it's still fun when, in the movies' final quarter, Washington leads his comrades in a concerted effort to thwart the bad guys.
And what magnificently nasty bastards they are. Sandino is an amusing head villain, with future Hollywood character actor Paul Calderon making an impressive film debut as one of his flunkies. Super sexy Karen Russell is easy to watch as Chacos' lady friend Chula. All in all, the acting IS better than you'd usually find in a Findlay movie. We've got Mina Bern as old lady Ruth, Walter Bryant as amiable Mr. Wesley, Corinne Château as Carol, the prostitute supporting a junkie boyfriend (Angel David of "The Crow"), Rhetta Hughes as the tough talking Leona, Larry Lara as the insufferable Rojas, Alfonso Manosalvas as lovable old blind man Mr. Gonzales, and Gy Mirano as the very pregnant Anita.
There are some lovely gore moments, and a very hip soundtrack. (That theme song is likely to be stuck in your head after the movie is over.) The single most depraved sequence involves a broomstick; it's also something the viewer will definitely remember.
Lively entertainment with a smashing climax that takes place as the night is at its darkest and stormiest.
Seven out of 10.
Considered by some to be exploitation legend Roberta Findlay's finest effort, "Tenement" (a.k.a. "Game of Survival") is gloriously trashy. It's got plenty of sex and violence to satisfy lovers of the genre, with decent action and great attention to grim and grubby detail. This is pretty much prime sleaze, although it does suffer from an over abundance of dummies. These protagonists just do not act sensible often enough. The only one of them who's got something resembling a brain is building tough guy Sam Washington (Joe Lynn). But it's still fun when, in the movies' final quarter, Washington leads his comrades in a concerted effort to thwart the bad guys.
And what magnificently nasty bastards they are. Sandino is an amusing head villain, with future Hollywood character actor Paul Calderon making an impressive film debut as one of his flunkies. Super sexy Karen Russell is easy to watch as Chacos' lady friend Chula. All in all, the acting IS better than you'd usually find in a Findlay movie. We've got Mina Bern as old lady Ruth, Walter Bryant as amiable Mr. Wesley, Corinne Château as Carol, the prostitute supporting a junkie boyfriend (Angel David of "The Crow"), Rhetta Hughes as the tough talking Leona, Larry Lara as the insufferable Rojas, Alfonso Manosalvas as lovable old blind man Mr. Gonzales, and Gy Mirano as the very pregnant Anita.
There are some lovely gore moments, and a very hip soundtrack. (That theme song is likely to be stuck in your head after the movie is over.) The single most depraved sequence involves a broomstick; it's also something the viewer will definitely remember.
Lively entertainment with a smashing climax that takes place as the night is at its darkest and stormiest.
Seven out of 10.
Fed up with their basement serving as headquarters to a gang of violent, drug-taking street punks, the tenants of a run-down New York tenement building inform the police about their unwanted guests' stash of illegal narcotics and firearms; believing the gang to be safely behind bars, the delighted tenants hold a party to celebrate, but elation quickly turns to terror when they discover that the thugs have been released from jail and are looking for revenge.
Just a few seconds of the horribly dated rap theme-song for Tenement should be enough for most sane movie fans to switch off in abject horror, but those who stay the distance (the certifiably insane, lobotomy patients, obsessive fans of z-grade trash) will find that bad 80s music is possibly the least offensive thing about this film: schlock director Roberta Findlay packs her film to the rafters with scenes of mean-spirited violence and sleaze carefully designed to keep even the most twisted of movie degenerates drooling with glee, including several bloody stabbings, a pair of scissors in the face, a throat slashing, and a rape that ends with the old 'broom handle up the punani' routine.
Sadly, while a catalogue of assorted unsavoury acts like this would normally qualify a film as an unmissable exploitation treat in my book, Findlay's typically ham-fisted direction, unconvincing gore, and terrible performances from nearly all involved make this film a gruelling experience for all the wrong reasons. It's not often that a movie can feature so much atrocity, yet still be most memorable for its bad guys' (and gal's) terrible dress sense: sporting cropped vests (tastefully slashed), chains, black spandex, and a fetching range of studded leather apparel, they look like they've either spent the evening partying hard at an S&M club or just been to an audition for raunchy 80s dance troupe Hot Gossip.
Some IMDb reviewers have cited this as their favourite of Findlay's directorial work, although as far as I am concerned, choosing your favourite Roberta Findlay film is akin to choosing your favourite STD.
Just a few seconds of the horribly dated rap theme-song for Tenement should be enough for most sane movie fans to switch off in abject horror, but those who stay the distance (the certifiably insane, lobotomy patients, obsessive fans of z-grade trash) will find that bad 80s music is possibly the least offensive thing about this film: schlock director Roberta Findlay packs her film to the rafters with scenes of mean-spirited violence and sleaze carefully designed to keep even the most twisted of movie degenerates drooling with glee, including several bloody stabbings, a pair of scissors in the face, a throat slashing, and a rape that ends with the old 'broom handle up the punani' routine.
Sadly, while a catalogue of assorted unsavoury acts like this would normally qualify a film as an unmissable exploitation treat in my book, Findlay's typically ham-fisted direction, unconvincing gore, and terrible performances from nearly all involved make this film a gruelling experience for all the wrong reasons. It's not often that a movie can feature so much atrocity, yet still be most memorable for its bad guys' (and gal's) terrible dress sense: sporting cropped vests (tastefully slashed), chains, black spandex, and a fetching range of studded leather apparel, they look like they've either spent the evening partying hard at an S&M club or just been to an audition for raunchy 80s dance troupe Hot Gossip.
Some IMDb reviewers have cited this as their favourite of Findlay's directorial work, although as far as I am concerned, choosing your favourite Roberta Findlay film is akin to choosing your favourite STD.
I have to admit, this is a real favorite of mine in the graphic extreme bloody genre of semi-revenge thrillers. (is that even a genre?) Oh well, I saw this back in the day, and what I remember is the x-rating it got, and I don't believe it was ever edited to get any other rating. I watched it a 2nd time last night, and listened to the interesting commentary by director Roberta Findlay. She doesn't understand why it got an x-rating at all, but believe me, this was very strong stuff back in 1985. Basicially a gang of drugged out baddies get kicked out of their basement dwelling and arrested, and soon come back to kill everybody left in the tenement. This has some great stuff in it, some really zonked out homicidal gang members, and some residents that decide to put up a fight. And it is has some pretty decent production value, and the main goodies, extreme graphic violence and a high abundance of blood. This is a good eighties nasty, which deserves a place in your sleeze collection.
Did you know
- TriviaDirector Roberta Findlay says the savage rape of Leona (Rhetta Hughes) was inspired by the real-life rape and murder of Kitty Genovese, which occurred on March 13, 1964. At the time this was filmed, the widespread public understanding of the Genovese case was that while she was being murdered, many witnesses who resided in her apartment complex saw the event transpire and chose not to act either by intervening directly or alerting the authorities. This led to decades of the case being considered emblematic of bystander apathy and group inhumanity; however, this perception was derived almost totally from one largely inaccurate account of the murder that in the twenty-first century has been heavily debunked.
- ConnectionsFeatured in Roberta Findlay on 'Tenement' (2005)
- SoundtracksTenement
Sung by the Kool Krew
Written by Pete Warner, Denise L. Davis and David Baughan
Produced, Arranged and Performed by Pete Warner and Denise L. Davis
© 1985 Zip Zap Music, ASCAP/Warner's Thunder Music, SESAC
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