Walter Gibson is a university freshman going through a dry spell. His old buddy arranges a "sure thing" for him in California. Gibson and his classmate Allison then take a long road trip out... Read allWalter Gibson is a university freshman going through a dry spell. His old buddy arranges a "sure thing" for him in California. Gibson and his classmate Allison then take a long road trip out to Cali, and both foil each other's plans.Walter Gibson is a university freshman going through a dry spell. His old buddy arranges a "sure thing" for him in California. Gibson and his classmate Allison then take a long road trip out to Cali, and both foil each other's plans.
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Despite these problems, 'The Sure Thing' hits the mark. This era produced some now badly dated and still immensely enjoyable American films like 'Ferris Bueller', 'Weird Science', 'The Breakfast Club' and 'Flight of the Navigator'. Like those films, the script, acting and direction are first-rate: you can laugh at and laugh with the Cusack character and understand why he gets up the nose of the Zuniga character. There are many genuinely funny moments and an underlying humour through it all. The minor parts - the party animal, the geek, the irritating couple - are all stereotypes but sympathetically drawn. Campus life is fun but innocent fun. Yes, there is drinking and fooling round, but no drunkenness, fighting, drugs or pregnancy. This is the ultimate appeal of the film, and it is a nostalgic one. It is innocent and simple like you wish your teenage years had been. The way the central characters draw together and meet halfway, not one adapting to the other, sustains the film throughout. For all its obviousness, this is an enjoyable film to watch.
The story is nothing new: boy (an effervescent Cusack as Walt Gibson) meets girl (Daphne Zuniga), and an antagonistic relationship is formed. He hates her studious, organised approach to life; she frowns upon his laddish, devil-may-care attitude. Inevitably, they are soon thrown together - namely by Gib's trip to California on the promise of a blond, beautiful "sure thing" from best friend Lance (Anthony Edwards) coinciding with her journey to visit her boyfriend - and opposites begin to attract.
Yet to complain that the plot is predictable would be to miss the point. You know the ending within the first five minutes: it is the journey there which is important. Director Rob Reiner handles the script with a necessarily light touch, and allows the humour to be more character-driven than situational. To the writers' credit, even the film's most obvious scenes are always relieved through it's witty and eminently quotable dialogue.
What elevates 'The Sure Thing' above the ranks of its genre contemporaries is Reiner's deft hand with a character; in particular his ability to transcend stereotypes yet create instantly recognisable, believable people, a feat he later put to effective use in 'Stand By Me'. This is underpinned by Cusack's energetic performance, showcasing what has become his staple character: the spikily droll male whose shining qualities just avoid being undermined by his easily discernible flaws.
'The Sure Thing' is also notable for its treatment of - and fondness for - the minor characters, few of whom suffer from the "obvious spare part" phenomenon of so many high school based films. Particularly commendable are Tim Robbins' disappointingly brief turn as one half of the cutesy couple from hell, and a remarkably young-looking Anthony Edwards in the long-term buddy role (notable especially for what must be one of the worst 80s fashion statements since Vanilla Ice decided on baggy trousers - see the pool scene featuring Lance's phone call from California).
Despite its premise, this film always endeavours to be about love rather than sex. A refreshing angle on a well-worn tale, 'The Sure Thing' provides a welcome escape from the 'American Pie' view of teenage romance. With consistently endearing performances from both Cusack and Zuniga, this is one romantic comedy I would happily give a second viewing.
What makes this movie so enjoyable and memorable is the feelings it provokes. Remember the rush of emotions when you first meet someone who makes your heart beat out of your chest and feel lightheaded? Acting like you really don't like someone when deep down inside you would give anything to be with them? Going to a party and flirting with other people hoping that they would see you and get jealous? That's what this movie does for me. It makes me realize just how much I miss the innocence, passion and emotion of those days. The acting is wonderful and you really get drawn in to their plight as they make their way across the country to be with the one they "think" is their own "sure thing". The great thing about this movie is that every time it looks like they are finally going to get together, something pulls them apart. While there are many funny lines and memorable scenes in this film, by far my favorite is at the end when Gib's essay is read aloud. Allison's facial expressions let you know just how painful it is for her to hear it. The final scene is wonderful. I tear-up whenever I see it, and I'm a guy.
Did you know
- TriviaThe scene where Gib teaches Alison to shotgun a beer was added to the script after John Cusack told Rob Reiner it was something he knew how to do.
- GoofsWhen Gib teaches Alison to shotgun a beer, his pants become soaked with beer, but when he leaves the room they are completely dry.
- Quotes
Professor Taub: [reading Gib's Paper] 'It could be tonight,' he though as he stood in the corner, pretending to have a good time. He would meet her tonight. All his young life, he had dreamed of a girl like this. 5'6, silky hair, trim, nubile body. Nubile, by the way, is spelled with a "u".
[Continuing]
Professor Taub: Trim, nubile body that really knew how to move. And soft, deeply tanned skin. Now as for personality traits, she needed only one. She had to love sex and all the time. To arrive at this moment, he had traveled vast distances enduring many hardships. Abject poverty, starvation, show tunes, you name it. From across the room, he saw her. She was perfect. He knew almost nothing about her and she didn't know much more about him. It was exactly how it was supposed to be. He brought her to his room. The lights were soft, the moment was right. Then she leaned over and whispered in his ear, 'Do you love me?' Thoughts raced through his mind. Did she really want him? What had he done to deserve this bounty? Does God exist? Who invented liquid soap and why? 'Do you love me?' Staring into her eyes he knew that she really needed to hear it but for the first time in his life, he knew these were no longer just words and if he said it, it would be a lie. 'Do you love me?' she whispered. 'Do you love me?' It would not be tonight. The answer was no.
- Alternate versionsThis film has an alternate version. The first scene of the alternate version starts with the scene right before Lance's dialogue "Private Gibson" to Gibson (John Cusack) where Gibson is sitting alone. This version doesn't have scenes with Gibson's dialogue to two women. This version delete the scene where Gibson's roommate is making love to his girlfriend. This version also doesn't have the scene where John Cusack kisses the girl in Lance's room close to the end of the film.
- SoundtracksInfatuation
(Main Title Song)
Written by Rod Stewart (as R. Stewart), Duane Hitchings (as D. Hitchings) and Roland Robinson (as R. Robinson)
Performed by Rod Stewart
Courtesy of Warner Bros. Records, Inc.
By Arrangement with Warner Special Products
Published by Rod Stewart/Hitchings Music/Rowland Robinson Music
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Un coup sûr
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Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $18,135,531
- Opening weekend US & Canada
- $3,124,782
- Mar 3, 1985
- Gross worldwide
- $18,135,531