Stick, le justicier de Miami

Burt Reynolds has in Stick the opportunity to come back in interpreting the kind of character that consecrated him:the cynic,charmous and irresponsible anti-hero.Once the movie was based on an Elmore Leonard's book,whose works are known due it's unics,rotters and ambiguous characters,he has the possibility to exaggerate on the creation of the movie's protagonists.The simpleton plot offers a simple and passing diversion.Burt Reynolds is Ernest Stickley, an ex-com who just have been set free and who gets involved in a hard situation after going with his friend to accomplish a drug transaction in a desert place.His friend is murdered,but he escapes and now he wants revenge.He ends up becoming an employee and protected of a millionaire,and,while weaving his revenge,he gets emotionally involved with his boss'secretary,Kyle(Candice Bergen).If this film has a trump card,it is adapting faithfully the Elmore Leonard's book.The film counts with a terrific final climax,stuffed with shooting and a beautiful final scene,underlined by a beautiful music called Ï don't think I'm ready for you"...

Burt Reynolds stars and dominates in the title role of Ernest 'Stick' Stickley, newly released from prison who immediately gets right back involved with criminal activities with old prison buddy Jose Perez. A decade later the incident where Perez is killed was almost done word for word in Al Pacino's Carlito's Way.

Unlike Pacino however, Reynolds would like to stay clear of things, but he's got a score to settle over Perez. For a bit of cover and protection he takes a job with flamboyant movie producer George Segal who really overacts outrageously with tongue firmly in cheek. Still the people who did in his friend Perez who are drug dealers Castulo Guerra and Charles Durning are out to get Reynolds.

You have to see Durning in his costume trying to wear those 80s fashions and looking rather stupid in the process.

Fabled Hollywood stuntman Dar Robinson has a nice role as an albino hit man for Guerra. He's one scary dude. In fact for the screen's sake he dies twice. I thought Reynolds had done him in once, but he was back and the second time there was no doubt.

Guerra's character proves there's less than meets the eye with him. You'll have to see the climax to know what I'm talking about. And that hairpiece, send him to Queer Eye for maybe the not so straight guy.

Reynolds has a few cynically comic moments, but he's a lot more grim here than usual. Due to the subject matter no doubt.

Burt's fans will like it, so should others.

A few years ago I was working at Blockbuster Video and bought this movie brand new for $1.00 on VHS. It was worth it. Most people don't like this movie, but I have a certain fondness for it. I am a huge Elmore Leonard fan and also a Burt Reynolds fan so I liked it. I admit that it has flaws like Candice Bergen's wooden performance. But it has two great acting jobs by Charles Durning and the late stuntman Dar Robinson as the albino hit-man Moke. His performance is truly terrifying. It is terrific when Burt taunts him as Bunny Eyes. Durning is also great as a red haired drug dealer. There are a few good action scenes at the beginning and then at the end. The middle of the film drags. If only the intensity of the beginning could be kept up to the finish this would have been a great film.

This movie is based on Elmore Leonard's novel of the same name, but for those looking for the novel while waiting for the movie to reappear on television or on order from Amazon, don't bother, unless you're a fan of Elmore Leonard's work. While Mr. Leonard should be given more than due credit for his adaptation to movie, the real work was done by Mr. Reynolds, who plays the character true to form.

I have to admit that one reason I love this film is because of its leading lady. Ms. Bergen seems to be able to play her own character in this film, rather than playing off Burt's character. Two of the best scenes are the one where she sums up the movie producer's porposal as fraud, and of course the intimate scene in her bedroom with Burt's character.

I am old enough to remember when this movie came out in the theaters. One review in a popular men's magazine at the time panned the movie, largely faulting Burt's performance (as I interpreted the review). Having been a fan of Mr. Reynolds films for many years, I was glad to see that he didn't seem to take such reviews to heart at the time, and continues to entertain us, even today.

When I read the novel I had no problem picturing Burt Reynolds as the charming and laconic ex-con. And supposedly Reynolds himself thought he was perfect for the part. Unfortunately, the studio demanded he re-shoot the second half of the picture, basically trading in Elmore Leonard's scam plot for brutal action. There's always something very satisfying about watching Burt kick ass, so even if I was wondering why anyone would want to trade Leonard's smart and funny writing for a run-of-the-mill action script, I still enjoyed the finale of Stick.

Still, the Ernest Stickley from the novel called for the more lighthearted Burt from Semi-Tough, Hooper and Rough Cut. I would have loved to have heard Burt deliver some of the smart-ass lines Leonard wrote for the character in the novel. Also, some scenes just don't make a whole lot of sense now, like Stick wanting to learn about investments from Kyle or the movie pitch scene. Both of these were pivotal in the book, but just go nowhere in the film.

There's a lot of good stuff though. The scene on the balcony is awesome, the scorpions were a nice touch (not in the book!) and I liked the way the murder in the beginning was handled, with Stick's subsequent getaway through the corn field.

If you like Burt Reynolds Stick is certainly worth your time, just don't expect a faithful adaptation.