Trackers

Hey if you have a little over an hour to kill and find paint to be too exciting I'd suggest it. If thou you happen to like cheap b-movies like me it's good for a giggle! Other than that I wouldn't suggest that you rent it, I'd wait till it comes on the tube say round 4 am on the free access channel of your cable/satellite supplier. The band that did this sound track by the way was on the road after for about two years after this flick, and no they sounded just as bad live according to the two small town reviews I could find on them. So once again good if you find grass growing to much fun but good to watch if you like to see how NOT to shoot a low budget movie.

The question is, can a movie this entertaining really be considered a "bad" movie? My husband and I picked this up at a used video store for 99 cents simply because of the title and the fact that the box had the words "Vestron Pictures" on it (Vestron has been highly regarded as a mark of quality ever since I first acquired the legendary films "Suburbia" and "Class of 1984"). We were not expecting a movie as full of win as this one was. Your basic plot as is follows: Grange, this goombaesque thug from planet Earth, robs "the bank of the Moon" and is sentenced to a penal colony on a remote planet (I don't even remember the planet's name) to mine for bauxite and other minerals. The "governor" of said colony and the owner of the mine are exploiting the prisoners for labor. Walker, a bounty hunter (apparently one of only three on the whole planet) reminds the prisoners that there is no escape, because there's only one shuttle out of the whole planet and they'd have him to deal with. Then there's the nameless "Colonel", a retired bounty hunter who suffers from a haunting reoccurring nightmare. Much of the movie centers around "futuristic" car chases (dunebuggies with plywood slapped to the sides) with explosions galore. The planet itself looks suspiciously like Hemet, CA or one of those other dusty Inland Empire outposts. But what makes the movie truly shine is a surprisingly awesome soundtrack featuring several LA punk bands of the mid-80s. I seriously doubt that this soundtrack was ever pressed to vinyl, but it's definitely worth buying the movie just for the soundtrack. I can't even remember the names of the bands (they're listed in the credits) other than Exploding White Mice, because that was the only one I'd heard of before I saw this movie, but I'm definitely looking into them.

Basically, the movie is definitely not a waste of your time and would be best enjoyed with a 12 pack of beer and a few of your closest friends.

I watched the movie while recovering from major surgery. While I knew it was only a "B" film, a space western, I loved it. It may have lacked the flash of high dollar productions it non-the-less held my imagination and provided great escapism. Sadly our society has so much available, discounting small attempts is too easy. In the same way that I can enjoy a even a grade school performance of Shakespeare, I can appreciate many levels of achievement for the art sake. I am a cop and found affinity with the retired LAPD. Dreams like his haunt me that I will be unable in the moment of crisis be able to respond to save another's life (or my own). while it was a romantic ending where Farnsworth did take out the bad guy (predictable) I needed a little happy romance where good can triumph. My world is really too cynical.

Richard Farnsworth is one of my favorite actors. He usually gives solid performances, such as in The Straight Story, and The Grey Fox. He also does fairly well here, but the rest of the film suffers from a low budget, poor writing, and so-so photography. The Miller-Movie formula gives it a 4. Richard gets a 5.

My review was written in June 1987 after watching the movie on Lightning video cassette.

"Space Rage", subtitled "Breakout on Prison Planet", represents an abortive early effort by video giant Vestron to enter the ranks of motion picture producers. Project went through innumerable title changes, including "A Dollar a Day", "Trackers 2180", "Trackers" and "The Last Frontier" and was test-booked at home in Stamford, Connecticut, for Christmas 1985 before further bookings a year later and current home video availability.

Numerous credits for "reshoots" and the tacking on of a very inappropriate soundtrack of hard rock songs indicate a lot of second thoughts went into the film, final version of which is a brief 77 minutes long.

Concept is to update, cheaply, prison film and Western formats to appeal to the public's fascination with sci-fi. Unreconstructed in look from his various Western roles, Richard Farnsworth portrays an ex-LAPD cop now living in New Botany Bay, actually the planet Proxima Centauri 3 in the 22nd century. He is mentor to various young guys including tracker (bounty hunter) John Laughlin, who drives a modified dune buggy and ruthlessly captures or kills escapees from the local penal colony.

Michael Pare, in a switch on his usually heroic casting, is an utterly evil prisoner who engineers an escape and kills people (including the warden/governor of the colony William Windom) in cold-blooded fashion until the underwhelming Wild West shootout with Farnsworth.

Special effects are meager and there is almost no futurism to the picture's design, an instant disappointment for sci-fi fans. A good cast is wasted, particularly Lee Purcell as token femme on vie. Westerns are ded and enough clunkers like this one will kill off the space opera as well.