Silverado

Co-writer, producer and director Lawrence Kasdan did his part in keeping the Western genre alive with "Silverado". It may not be innovative, but that may well have been the point, as Kasdan aims to pay tribute to a beloved movie genre that dated all the way back to the silent era. Admittedly, this one came along when the Western was going through a bit of a dry spell, which made it all the more welcome.

Four very engaging stars - Kevin Kline as Paden, Scott Glenn as Emmett, Danny Glover as Mal, Kevin Costner as Jake - are an interesting combo, as these characters, united by circumstance, eventually band together to fight against the injustices occurring in the town of Silverado. More than once, they prove their worth, in a story (written by Kasdan and his brother Mark) that is fairly episodic.

"Silverado" is extremely well shot, by John Bailey, in widescreen. It gets the look of a classic Western just right. It hooks you right away with an opening moment of quiet suddenly interrupted by a gunfight, and promises a substantial amount of entertainment to come when we're introduced to the tough and resilient Emmett and get a load of the majestic New Mexico locations. Admittedly, this doesn't work quite as well when you start to think about it too much, so it's better to just go with the flow and appreciate all that Kasdan and his cast & crew have packed into this presentation. Certainly, it would be hard not to get roused by that stirring and wonderful music score composed by Bruce Broughton.

There's a lot of acting talent to go around here, but giving things a curious quality is some unexpected casting. Linda Hunt? Jeff Goldblum? JOHN CLEESE? Rosanna Arquette is fairly appealing if somewhat aloof as the gal who catches both Klines' and Glenns' eyes. Jeff Fahey makes his film debut as scruffy psycho Tyree. Lovely ladies Amanda Wyss and Lynn Whitfield play local girl Phoebe and Mals' sister respectively. Recognizable character players in the cast include Marvin J. McIntyre, Sheb Wooley, James Gammon, Ray Baker, Joe Seneca, Earl Hindman, Jim Haynie, Richard Jenkins (also making his film debut), Pepe Serna, Ted White, and an uncredited Brion James as Hobart, the wagon master. The real standout for this viewer is Brian Dennehy, who never overplays his role as villainous sheriff Cobb, instead suffusing the character with a good deal of charm.

The pacing rarely slows down, and the action scenes are first rate. Especially good is a scene involving a stampede.

While lacking the overall impact for this viewer to consider it great, it's still pretty fun while it lasts.

Seven out of 10.

Silverado is Lawrence Kasdan's western, westerns were scarce in the 80's, but went on to be a big hit at the box office. Kasdan, at this point was best known for screenwriting on blockbusters like The Empire Strikes Back and Return Of The Jedi. On this film, Kasdan pays his homage to the western genre, by resurrecting it from the dead(besides the occasional Clint Eastwood western) in a more modern and refreshing way with a great ensemble cast of Scott Glenn, Kevin Kline, Brian Dennehy, Danny Glover and a young Kevin Costner in an early role. The story and direction is tight, the film looks great and is driven by a lot of action and solid performances. Although this is a movie that would be appropriate viewing for the whole family, Silverado is far from stupid and holds its own pretty easily against other classics of the genre. Overall, I think Silverado is a great movie and was done well.

By 1985, the movie 'western' was a genre long dormant, with film critics quick to point out that audiences had become far too 'sophisticated' for old-fashioned "shoot-'em-ups". Two film makers decided to test the waters, however; Clint Eastwood, reviving an older version of his "Man with No Name", directed and starred in his SHANE homage, PALE RIDER; and Lawrence Kasdan, fresh from the huge success of THE BIG CHILL, fulfilled his life-long dream to make a western, with SILVERADO. Neither film was successful at the box office, and pundits predicted they would soon be forgotten...but a new force in the movie industry was emerging, video rentals, and SILVERADO, with it's spectacular action sequences, charismatic heroes, and sweeping, unforgettable music score (by Bruce Broughton), was an unexpected and overwhelming hit, drawing Hollywood's attention to the new market, and lifting the film to the near-classic cult status it enjoys today.

While PALE RIDER would focus on Clint Eastwood's continuing demythologizing of the West (which would culminate in 1992's UNFORGIVEN), SILVERADO embraces all the 'classic' Western clichés, serving them up with such exuberance that they seem 'fresh'. The story of four likable 'shootists' of nearly superhuman skills, bonding, and ultimately taking on a corrupt sheriff and his brutal gang of deputies in the town of Silverado, trots out one traditional element after another, from the classic 'bushwhack' (with a John Ford 'Doorway Framing' homage shot) to the 'pretty widow' in a wagon train; from the 'saloonkeeper with a heart of gold' to the 'crooked gambler with a concealed weapon'...and even climaxes with that most traditional of finales, as two ex-partners face off on a dusty street in an old-fashioned Western shootout.

The four leads couldn't have been cast more perfectly; Scott Glenn channels Gary Cooper as a laconic cowboy fresh from an undeserved 5-year prison stretch; Kevin Kline exudes his signature charm as an ex-gang member whose life changed because of "a dog"; Danny Glover is warm and reassuring as a man moving west from Chicago to help his family, armed with a legendary Henry rifle; and, best of all, young Kevin Costner, in his breakout performance, is irresistible, wild and acrobatic, as Glenn's ever-optimistic, carefree younger brother, a part Kasdan wrote specifically for the actor, after his scenes were cut from THE BIG CHILL.

The supporting cast is equally superb, with standout performances by giant Brian Dennehy, John Cleese (as a sheriff who knows 'where' his jurisdiction ends), Jeff Goldblum, Linda Hunt, James Gammon ("You led a posse to my best hide-out??"), Jeff Fahey, and, in a wonderful if brief role, breathtaking Rosanna Arquette, as the widow courted by both Kline and Glenn. With a cast THIS good, it is remarkable that the film had to 'go to video' to achieve success!

The final line of SILVERADO, "We'll be back!", shouted by Costner as he and Glenn ride 'into the sunset', has had countless fans wishing that a follow-up movie had been made (a 1999 nationwide video poll chose SILVERADO as the film "Most Deserving of a Sequel"), but time has, sadly, eliminated that possibility. The film that 'failed' when released, in a genre that 'experts' considered passé, is, after nearly 20 years, still winning new fans.

As Kevin Kline and Linda Hunt say, as a toast: "Here's to the good stuff...May it last a long time!"

An all-star cast makes SILVERADO one of the most fun movies I've ever see. Kevin Kline, Scott Glenn, Kevin Costner, Danny Glover, Patricia Arquette, Brian Dennehy, Jeff Fahey, Jeff Goldblum, John Cleese, and many more populate this well-paced wild west adventure about friendship, loyalty, and justice. With the exception of Indians, this film features just about every western element in existence. Director Lawrence Kasdan gets the most out of everything: the wide open spaces, the sleepy little western towns, and Bruce Broughton's rousing western-flavored score. It sometimes seems like the movie tried to pack too much in, but it's handled quite well by someone who obviously knows how to make an entertaining western. The climax is great, with at least three different showdowns going on at once. It's a shame the rumored (and actually scripted five years later) sequel was never made, and it probably never will be, because I wouldn't mind seeing what these characters are up to years after this fun-filled adventure.

Silverado is damn good fun. Being a small fan of the Western genre, I felt this was the most refreshing one I've seen in a while. The genre had pretty much died, but came back in Silverado, and it felt so fresh.

The plot is simple and cliche, I think it's paying homage to the classics. It sticks within the Western boundary and does its thing.

The cast is pretty good, and well known, but in 1985, these actors were just Hollywood virgins. I was surprised by John Cleese, he stuck out like a sore thumb, but I enjoyed his performance. You have Costner hamming it up, and Jeff Goldblum was cool. Scott Glenn was probably the best. Hell, Glover was pretty good, too.

The direction is wonderful as is the editing, the film moves along at a decent pace. I wish Lawrence was a more prominent director, he deserves more success.

The film score is very nice, fits the film perfectly.

Overall, one of the best Westerns in the last 25 years.