She

This is exactly what bad movies are supposed to be: a magnificent accident; bizarre; terrible dialog; insipid acting; but most importantly, uncontrived. Not like that Troma crap. Troma wishes its movies were bad, but all I see are contrivances: people who try to pawn off badly made bad movies as something special, like She. She is everything you want and more. Badly executed scenes for even more badly conceived plot points. Terrible costuming including spiked football helmets intended to look "post- apocalyptic". Male sexual fantasies enacted on screen, masquerading as female empowerment. But through all of it, an effortless "badness" that leaves one questioning, simply, "how?". How did this make it to film? How did it actually get made, and who actually looked at the final cut and said 'yep, it's just like I imagined it. Trust me, this is a golden turd. It's the reason we bother to watch terrible movies.

The land of the unused wardrobe, misfits from Ork, Cheeks falling out of loin clothes, war of the pronouns, or what do we settle for after Conan. I really like Sandahl Bergman and wish she had a better agent to get her the parts she deserved. She was the only one who knew how to act in this movie. She could have started her own acting school with the actors from this movie.

This is an extremely weird movie, regardless of genre including Italian B movies. It is the oddest movie I have ever seen. See there's this woman, called She, and she is a goddess. And she has to go through these other worlds with their own various Gods and Goddesses. Among the creatures she meets are a group of men who look like potatoes, the semi-Nazi God Nork, and a 300 pound man in a candy pink tutu. This is definitely fun to mock with friends. I have no idea what it was trying to be, but it is god awful good.

After seeing this I read the novel by Haggard, in an attempt to make sense of what I had seen. I thought I had gotten the wrong book, but no the She I read is cited in the movie credits. The only similarity between the two is that both do indeed have main characters named She.

My recommendation is to see this when ever you get the chance. This film is so bad that it's good. It's a bit scary, but this is the film that got me into liking movies

If Monty Python threw together a Road Warrior spoof after a 3 day binge using a paint sprayer weilded by a rhesus monkey as their key script writing tool...

Nah, not quite fair. As many other reviewers have said, this movie manages to be class A cheese. It manages to be sufficiently entertaining to not deserve shredding by Mystery Science Theater 3000 - one needs to hear the incredibly ridiculous dialog without interference!

There is a pretty reasonable supply of eye candy headed up by Sandahl Bergman and her trusty Amazon lieutenant, who also seem to be the only people with any fencing training. Most sword fights involving men are basically aimless waving of cheesy looking weapons.

But the true charm of this effort is the degree of "OMG how can they POSSIBLY top the sheer ludicrousness of THIS bad guy encounter with the next one?" The writers consistently fail to disappoint!

The ending did kind of tick me off - something is left unresolved in direct violation of a prediction from an oracle type near the beginning.

And the landscapes totally violate the Law of Post Apocalyptic Uninhibitable Desert - everything is either small cities or dense forest, a couple of decades after a mutation inducing nuclear holocaust!

Oh - Ms. Bergman's so-so acting in Schwarzenegger vehicles was orders of magnitude better than her sleepwalking through this role

But let such quibbles go. Acceptable outrageously awful mindless fun!

Mix together sword-and-sorcery and post-apocalyptic elements, add a dose of political allegory (note the Communist and Nazi symbols), a contemporary music score and some surreal moments that seem to have come straight out of Monty Python (a bridge guard who multiplies every time you chop off one of his limbs) and you have this bizarre film that is neither a straight adventure nor exactly a spoof. It suffers from an overly episodic structure, but it benefits from Sandahl Bergman and Quin Kessler as the two muscular, beautiful Amazon warriors who are as proficient with a sword as with any other weapon. Both actresses are perfectly cast and do their roles justice, capturing the right "always-ready-for-a-fight" mentality. How anyone can give this film a "1" when there are, at the very least, these two amazing women to look at is beyond me! (**)