L'empreinte de la folie

I don't know why actor Dennehy is pictured on the poster. True, he's got a feature role that he brings off well. But the film's really a Barbara Hershey showcase. It's she who has to do the dramatic heavy lifting, going from placid housewife to raging inner person. For the ex-Ms Seagull, it's a thespic tour-de-force. Her wife-mother seems so well adjusted, church, family, community, her smile so real. But then, she initiates an affair with a friend's husband, so we know she doesn't always repress her desires. So just how placid is she, really.

The shots of a barren Texas landscape are aptly conceived, mirroring Candy's (Hershey) unchanging demeanor, at least initially. But then her friend turns up dead, slaughtered in gruesome fashion, and we know the landscape is not as predictable as it seems. Hershey's perfect for the part, her youthful good looks beginning to fade into middle-age. Director Gyllenhaal's camera is riveted to her face, catching every nuance, in this gripping study of morbid psychology. No, I don't think the movie suits all tastes since it's really disturbing at a number of points. Still, it remains a fascinating case study, based on a factual occurrence. Too bad IMDb doesn't supply more of those factual details. Nonetheless, I'm glad to stumble across this obscure gem and it's two memorable last lines that sort of sum up the movie's ironic moral.

The film Evidence of Love (UK title) is contextualised within a small-town community. Within this community, their lives are prescriptive, mundane and conservative, (at least from a liberal perspective). This conservative attitude is highlighted in Evidence of Love as a destructive force as it restricts and represses natural human feelings all in the name of stability.Such conditions provide for an undercurrent of extra-marital affairs, lies, denial, and anger, culminating in a (self-defence) killing to emerge like an uncoiling spring.

As to the acting in Evidence of Love, it is a superb (some might argue stereotyped) portrayal of a mid-American suburban home - maker by Hershey. It seems that Hershey uses method acting to achieve her goal in this film. As for the directing, it comes across as very considered and intelligent. This is because the issue is handled without the histrionics that such an explosive subject matter has the potential to cause. Of course the calm direction is helped by the limited budget for the film.

The film itself exposes an interesting moot point of what is perceived as guilty. It seems in Evidence of Love that there is some confusion in the court as what constitutes 'murder'. Self defence using a gun is not considered murder, but an axe that is wielded 41 times to slay an attacker is a matter of contention is this particular murder charge.

For this moot point alone as to what constitutes self defence in a killing Evidence of Love is worth watching.

I saw this movie since it's release in 1990, I've been amazed by the incredible performance by Miss Hershey, Brian Dennehy is very good too, I think Barbara Hershey is a very underrated actress, I just rented the Entity another of her mind-blowing performances, Killing in a small town, a small budget film but with great acting, I'm going to have to buy the video, 'cause I haven't seen it in video clubs. Thanks for your time

A Gripping True-Crime Drama with a Stellar Lead Performance

Based on the true story of a shocking murder in a tight-knit Texas community, A Killing in a Small Town (1990) is a riveting exploration of human psychology and small-town secrets. Directed by Stephen Gyllenhaal, this made-for-TV movie transcends its format with a deeply compelling narrative and a standout performance from Barbara Hershey.

Hershey delivers a career-defining turn as Candy Morrison, a seemingly ordinary housewife whose involvement in a gruesome crime unravels a dark and complex story. Her portrayal is nuanced and chilling, capturing Candy's internal conflict and the simmering emotions beneath her outwardly composed demeanor. Hershey's performance earned her an Emmy Award, and rightfully so-it anchors the film and elevates it to a must-watch drama.

The screenplay is expertly crafted, peeling back layers of the crime with a slow-burn intensity that keeps the audience engaged. The film explores themes of repression, moral ambiguity, and the facades people maintain in seemingly idyllic communities. Gyllenhaal's direction enhances the tension, using stark visuals and deliberate pacing to emphasize the suffocating atmosphere of small-town life.

Supporting performances are equally strong, with Brian Dennehy as the defense attorney who crafts a controversial yet compelling case for Candy. His dynamic courtroom scenes inject energy into the narrative and highlight the moral complexities at play. The film also benefits from a haunting score that underscores its eerie and unsettling tone.

While A Killing in a Small Town occasionally feels constrained by its TV movie roots, its powerful performances and thought-provoking themes more than compensate. It's a gripping and emotionally resonant depiction of a true-crime story that leaves a lasting impression.

Final Thoughts: A Killing in a Small Town is an exceptional example of a true-crime drama done right. With Barbara Hershey's unforgettable performance and its exploration of the darker side of human nature, this film remains a standout in the genre.

Rating: 7/10 A haunting and compelling portrayal of crime, psychology, and the secrets that fester beneath the surface of small-town life.

TV movies usually suck, but this is probably the best one I've seen next to "The Deliberate Stranger". What lies beneath a typical, all-American perfect PTA neighborhood-murder, mayhem, and sin! It is very shocking and suspenseful, and the ending was one of the most unpredictable and shocking I have ever seen! What is more chilling is that this is based on a true story. Barbara Hershey gives a brilliant performance.