IMDb RATING
5.9/10
41K
YOUR RATING
When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
- Awards
- 1 nomination total
Jon Conrad Pochron
- Tony
- (as Jon Pochran)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
...yet this eccentric comedy never quite found its niche with the public, and I don't know why. It's beautifully produced and written, wonderfully acted and endlessly weird (how many films can you say that about?). When sad-sack Tom Hanks decides to give up his life for a few days of luxury, we understand because his existence may be a lot like ours: glum office job with lime walls, dirty floors, unpleasant co-workers, bad coffee and fluorescent lights on the fritz. When he's out to sea, floating on his luggage, he sees shapes in the sky at night that light up his face; he may be in a precarious position, stranded on the ocean, but he's the happiest and most alive he's ever been. What a wonderful moment in a movie chock-full of smart, sneaky laugh lines and throwaway bits of business that stay with one, growing beloved in the memory. Screenwriter John Patrick Shanley, also making his directorial debut, has a fine sense of pacing and a keen eye for the absurd beauty in our midst. Only in the final reel does the construction of the plot stumble, however this is due to film studio interference. ***1/2 from ****
For many people, the fact that I love this movie will throw the integrity of everything else I write about into doubt. "Joe" has unfairly become an industry joke, shorthand for the depths to which Tom Hanks sank before redeeming himself with Academy Awards. This fate is horribly undeserved. "Joe" is an imaginative and gloriously life-affirming movie, a hysterically funny fantasy nearly on a par with the best of Terry Gilliam with a "carpe diem" moral that comes across with a lot more honesty and a lot less preachiness than some other movies I could mention. Every Tom Hanks performance is virtually flawless and this one ranks near the top. Meg Ryan's performances are warm and hilarious. Usually it's men who play more than one role in a movie and then it's more often for ego's sake than art's. Ryan pulls off her multiple characters with remarkable grace. More amazingly, it makes perfect sense for her to play three characters. For the sake of argument, I am willing to concede that there are those who just aren't going to enjoy this movie's unique mixture of whimsy and genuine emotion. But for me, it's a classic, easily one of my favorite movies of the decade.
Tom Hanks has made many movies, most of which are very funny, emotional, and heartwarming. This movies is different from all his other movies: it is a work of art. Every scene has its own idiosyncrasies. Ordinary characters and settings have subtle emotional undertones that tug at the heartstrings. Dan Hedaya and Sam Waterstone's performances, though humorous, have a tone that is more than the sum of its parts. Color and scenery also have a hidden beauty, such as in the scene with Joe's glowing warm in his cold, blue office, or the scene with the dog and child as he exits the doctor's office, or the scene with him all alone at his table at the hotel. I first saw the movie when I was 11 years old, even then, its beauty struck me. That beauty was well capped off by the montage during the end credits. Apparently, John Patrick Shanley, or someone, put alot of work in an otherwise ordinary movie. Imagine if Stanley Kuprick had directed "You've Got mail." I'm surprised that the movie is not better known, especially that it is a big turning point in Tom Hanks career. Admittedly, his screen presence compensates for Meg Ryan's lackluster acting at times. She was best as a brunette and redhead than acting as herself. Nevertheless, a good movie, one to own and not just rent.
I am one of the few who saw this on the big screen TWICE when it opened. This is the movie I would take to the desert island, which miraculously has electricity a big screen and a DVD player. This is one of those rare films where every single character, no matter how minor, has a major impact on the hero and the plot. This film is also rare because the Lion's share of the funny and insightful dialogue belongs to the minor characters and not the protagonists. You have to love a movie where a luggage salesman is a major plot milestone. Ossie Davis is excellent as the wise Limo driver, Lloyd Bridges is hilarious, Tom Hanks is of course everyman, and Meg Ryan, in one of her funniest roles, is actually "every woman". "You know, the first time I saw you I thought that I had seen you before." A witty hero is commonplace and witty cast is truly memorable.
The movie is probably too allegorical for most tastes, but this is a great tale about a character afraid of life, afraid of that next step, who finds his courage and puts his foot forward again.
All in all this is one of the best kinds of movies, Funny and Hopeful.
The movie is probably too allegorical for most tastes, but this is a great tale about a character afraid of life, afraid of that next step, who finds his courage and puts his foot forward again.
All in all this is one of the best kinds of movies, Funny and Hopeful.
This movie is absolutely brilliant. It is a comedy of immense proportions and also manages to be heart warming and touching.
It follows a man through a journey of self discovery and along the way introduces us to the absurdities of daily living as embodied in the odd group of supporting characters.
Meg Ryan plays three different characters, each one personifying a quirk of personality that we all possess. Tom's Joe goes through as many changes, yet all in the same character. This is how we track his growth.
Some of the most effective scenes are the no or little dialogue scenes which exemplify Joe's journey, not just to the volcano, but to his self awareness.
Along with the beautiful message, we are treated to some of the most clever visual comedy images ever filmed. Add to the mix a superb script and wonderful acting and you have a romantic comedy that I feel is a must see.
It follows a man through a journey of self discovery and along the way introduces us to the absurdities of daily living as embodied in the odd group of supporting characters.
Meg Ryan plays three different characters, each one personifying a quirk of personality that we all possess. Tom's Joe goes through as many changes, yet all in the same character. This is how we track his growth.
Some of the most effective scenes are the no or little dialogue scenes which exemplify Joe's journey, not just to the volcano, but to his self awareness.
Along with the beautiful message, we are treated to some of the most clever visual comedy images ever filmed. Add to the mix a superb script and wonderful acting and you have a romantic comedy that I feel is a must see.
Did you know
- GoofsWhen DeDe walks into Joe's apartment at the end of their date, she places her handbag on the floor a few steps across from the door. When she comes back in to get the bag because she forgot it after she leaves, she reaches for the bag just inside the door.
- Alternate versionsThe movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance.
- SoundtracksSixteen Tons
Written by Merle Travis
Produced by Val Garay
Executive Producer Artie Ripp
Performed by Eric Burdon
- How long is Joe Versus the Volcano?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Joe contra el volcán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $39,404,261
- Opening weekend US & Canada
- $9,252,232
- Mar 11, 1990
- Gross worldwide
- $39,404,261
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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