Splash
- 1984
- Tous publics
- 1h 51m
A young man is reunited with a mermaid he briefly encountered as a boy and falls in love with her without knowing her secret.A young man is reunited with a mermaid he briefly encountered as a boy and falls in love with her without knowing her secret.A young man is reunited with a mermaid he briefly encountered as a boy and falls in love with her without knowing her secret.
- Nominated for 1 Oscar
- 2 wins & 11 nominations total
- Tim - The Doorman
- (as Tony Di Benedetto)
Featured reviews
Distilled to its essence, "Splash" is just that – a lonely bachelor's fantasy played out on screen. It's what writers Lowell Ganz and Babaloo Mandel (who previously collaborated with Howard and Grazer on "Night Shift"), with Bruce Jay Friedman ("Stir Crazy") do to craft this hetero-male daydream into an entertaining fish-out-of- water story (literally?) that gives it real legs (sorry).
Although viewers (mostly men) will be drawn to this fantasy pretty quickly, Daryl Hannah also gets to play a goofy, atypical female lead role, which can't be underestimated in the film's success. Whether it's chomping through a lobster shell with her teeth, prancing through Bloomingdale's or just getting her fins wet in the bathtub, there's both a confidence/strength and a shyness/reserved nature to Madison – whose given name is the direct reason why you know a young woman born after 1984 named Madison. Talk about cultural impact.
So much is right with Hannah's performance. An actress with more of a name or acclaim at the time might have made Madison into more of a caricature or been distractingly attractive (given how much the camera ogles her). Hannah is alluring, mysterious and quirky in a believable way. The film's funniest moments are of her gleeful misunderstandings of American culture.
In his first big role, Hanks gives us a taste of what has made him lovable over the years. Allen is a strange and sad guy, especially in the beginning; Hanks has always done the part of the loser really well in terms of his comedic roles. He's at his best when he's frustrated, angry or desperate as Allen, but most of all he's enough of an everyman that he earns audience empathy and sympathy as a "good guy." That's all this film requires of him.
"Splash" primarily holds up due to a few clutch moments that merge fantasy and everyday comedy. Whether it's naked Madison emerging on Liberty Island and not thinking anything of it, the excellent bathtub scene or the deranged Walter Kornbluth's (Eugene Levy) attempts to expose Madison to the world, these create highly memorable and impressionable moments whether you're a kid seeing this movie on TV for the first time or a casual fan of light comedy looking to be entertained.
With a little more story and character development (Why is there a coral reef in Cape Cod and why would a mermaid be there on her own?) and the avoidance of deus ex machina, "Splash" could have even gone beyond fantastical comedy and become something a little more meaningful. The potential is definitely apparent with these two lovers from different worlds and society's fascination with things like mermaids working against them. Nevertheless, it belongs among the '80s staples and deserves some credit for leading to all the successful Howard/Grazer team-ups and Hanks hits.
~Steven C
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I was working at a bookstore in a local mall prior to "Splash's" release. I was behind one of the cash registers when two men (one bald, or so I recalled, the other wearing a beret), standing above five feet, both wearing long black trench coats, and both speaking Italian (or possibly Greek), came into the store. They wanted books on mermaids, and said it was for Bo Derek's new film.
Being a shopping mall bookstore, and a small one at that, we didn't have a whole lot on mermaids. But I remember pointing them to the small mythology section, and hearing some rustling and mumbling in Italian. They came back, reminded us that it was for "Bo Derek's new film..." to which we (myself and one other employee) shrugged, and guided them to another section (children's fiction, I think). Dismayed they complained to us that there was nothing there, to which we told them that we must not have anything, and that they might want to check the library.
They left, and argued with one another out in front of the store. My coworker laughed, commenting "They know Bo Derek? Ya right!" I shrugged, and replied "You never know." Reflecting back on that episode I know understand that these were either the art directors or conceptual artists for the "other" mermaid film that was to be the basis for the mermaid-film-market that summer. Only Ron Howard was able to get his project off and completed before my two Italian patrons could get the green-light for their film.
I can't imagine what the other film would've been like. It probably would've been long, sappy, mildly amusing, and probably painted over with John Derek's supposedly "erotic" cinematography of his then wife.
Whatever.
I'm glad "Splash" came out, and was as funny as it was, and as big a hit as it was. Sometimes films don't need a market competitor, and deserve to monopolize the playing field. Not always, but sometimes they do. "Splash" could've fallen into the Mariana's trench of summer B-movies, but Howard and company had the right intuition to make the film smart, and not to put a nail in Davy Jones's locker by making "Madison" some mindless love interest.
I can imagine Bo's movie would've had her roaming naked on the screen for about a third of the film, and probably would've packed the theatres with older teenage boys and frat-rats. I guess there's a place for that sort of thing. Even so I'm glad "Splash" was the film that made the charts instead of that other one.
However ludicrous the story might be, the movie really entices me with its wit and charm. Lovely and funny. Hilarious supporting role by John Candy, one of his best.
The story is really about falling in love with a mermaid, played by Darryl Hannah. She is human out of the water and only becomes a fish in the water. Can fish and human get together and fall in love? Wait and see.
Recommended for all ages. This is one heck of a great family film, wich could be enjoyed by young and old.
The true star of this movie is undeniably Tom Hanks. The youthful energy of Tom Hanks just splashes across the screen in this movie. This movie launched his career way back in the eighties.
I recently saw an old David Letterman interview with Tom Hanks prior to the release of this movie, and man, did they NOT know back then how BIG Tom Hanks and this movie would become!
Hanks, in his younger years, was an uncontrollable force of comedy and wild antics. Seen it over 10 times by now, for sure. For every Tom Hanks fan this great comedy is a must watch. For anyone else just longing for a hilarious romantic comedy, they dont come much better than this!!!
Did you know
- TriviaThe fountain from the movie is now on display at Disney's Hollywood Studios at Walt Disney World.
- GoofsAfter Allen and Madison jump into the water at the end of the movie and fend off the frogmen, they immediately come upon a coral reef and other aquatic features that appear tropical and which would not be found in the Hudson River/New York Harbor.
- Quotes
Freddie: People fall in love every day, huh? Is that what you said?
Allen: Yeah.
Freddie: Yeah? Well, that's a crock. It doesn't work that way. Look, do you realize how happy you were with her? That is, of course, when you weren't driving yourself crazy. Every day? Come on. Some people will never BE that happy. I'LL never be that happy. What am I talking to you for? You don't know anything.
- Crazy creditsTom Hanks and Daryl Hannah swimming and coming towards an underwater kingdom.
- Alternate versionsSome TV versions includes a longer version of the theme tune at the end.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Splash - Jungfrau am Haken
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $69,821,334
- Opening weekend US & Canada
- $6,174,059
- Mar 11, 1984
- Gross worldwide
- $69,821,334
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1