Duo pour une mort noire

This looks nothing like Miami to me. I know it says this was partially shot in Miami, but this doesn't feel like it is set in America, or populated by Americans for that matter. The scene in the meat processing plant doesn't strike me as anything like what you would see in America, even in the 80's in a bad neighborhood. Maybe they thought setting this in America would make it easier to get it distributed.

"Pete Giullani" (Wayne Crawford) and "Katherine Hall" (Kay Lenz) are two Miami detectives who are partners and are given an assignment to investigate a series of brutal murders among the small Nigerian community in their city. At the same time Pete has just learned that his wife is having an affair and because of that he has decided to move out of the house. Not knowing where else to turn he goes to the only person he can trust-who happens to be Katherine--and asks to move in temporarily with her. She reluctantly agrees even though she has a boyfriend and a private life of her own. Unfortunately, if that wasn't enough, the murders begin to increase and soon both Pete and Katherine begin to suspect that the person responsible for these grisly murders may not be human after all-and it has now targeted them. Now rather than reveal any more I will just say that, although the plot certainly seemed interesting enough, I found this film to be somewhat disappointing overall. For starters, the demon wasn't depicted until the end of the film and when it was finally shown it looked quite ridiculous. Likewise, too much time was spent on the subplot involving Pete's marriage which wasn't even remotely interesting. Additionally, other than Kay Lenz, none of the actors really stood out and for that reason it was hard to get overly enthused about this movie at all. That said, I have rated this movie accordingly. Slightly below average.

Could have been a cult classic. Everyone and anyone who gravitates to these type of movies knows what they are getting, gore and lots of it. Sadly, there was not enough. The "action scenes" are choppy and, having seen worse movies, done poorly. This is just a majority of the scenes, however. There are some scenes done very very well. If the action scenes were as up front and to the point as the final scene, or the dream sequence, the movie would just make more sense. Period.

I happened upon this movie in a goodwill store and i am, although a little disappointed with the gore, glad that i bought it (probably being the only one in the world with a copy on VHS...hehe). The scenes that are done well, almost bring it to cult status. Overall, i would advise to see it because of a little bit of b-movie humor and some b-movie horror. Hopefully there is a remake, one that will heed this advice and become a cult classic!

Plots revolves around an evil voodoo spirit terrorizing a neighborhood in Miami which is mostly populated by Nigerian refugees, chopping off and stealing their heads. Police detectives Crawford and Lenz are given the unenviable task of investigating the murders, and soon find out for themselves that they are in WAY over their own heads.

Sometimes creepy, sometimes boring, but its sense of humor perks things up throughout and helps hold your interest. Unfortunately when you do finally get to see the killer is a big let down, and it most resembles what you'd expect a living-dead pro-wrestler with a machete to look like, except made out of foam-rubber. Crawford and Lenz do an excellent job in their roles and help hold things together despite this films serious weaknesses, with Crawford delivering some pretty good one-liners.

5 out of 10, not for everyone but a passable time killer.

Detectives Katherine Hall (Kay Lenz) and Pete Giullani (Wayne Crawford) are investigating a bizarre series of beheadings in Miami. With Christopher Lambert nowhere to be seen, they focus on a small community of Nigerian immigrants who believe they are being haunted by a vengeful spirit from their homeland. Before you can say THE BELIEVERS, our heroes find themselves targets and their personal lives attacked. This is a pretty average 80s horror flick that loses points for being boring. It is too bad because director Francis Schaeffer stages some effective scenes (all of the kill scenes are well done), but then bungles the human drama. The end has Crawford chasing the main beast - that looks kind of like Rawhead Rex - around a tiny backyard with a chainsaw. The movie needed more crazy stuff like this, and less stuff like Crawford arguing with his wife. The film ends with Headhunter being resurrected back in Africa, but no sequel arrived.