The unofficial sequel to 'Purple Rain' (1984). The Kid is now club owner and rival to Morris (Morris Day), with whom he gets into a fight for the Glam Slam Nightclub.The unofficial sequel to 'Purple Rain' (1984). The Kid is now club owner and rival to Morris (Morris Day), with whom he gets into a fight for the Glam Slam Nightclub.The unofficial sequel to 'Purple Rain' (1984). The Kid is now club owner and rival to Morris (Morris Day), with whom he gets into a fight for the Glam Slam Nightclub.
- Awards
- 1 win & 6 nominations total
Garry Johnson
- The Time
- (as Jellybean)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Graffiti bridge a sharp and well-written script, wonderful performances from the supporting cast, and brilliant song and dance routines. As i watch this art film, i'm noticing Prince has a keen eye for detail...he's very deliberate in what he'd like the audience to notice right then and what to omit. The costumes are also fabulous, and I thought prince was alluring as the kid. The film was originally intended to be a bit longer, and I think this is a charming and complex movie that openminded new-age thinkers will easily understand better than conventional audiences. I'm pleased with this final version, and am looking forward to bonus features if there are any.
Prince's direction, interestingly enough, is actually pretty good! The plot centers on a group of nightclubs, all left to Day and The Kid in a will, being run by Day, one run by The Kid. Day is attempting to monopolize the whole area so that he can make as much money as possible and guarantee that all money and traffic is coming to him in the end. The Kid is defiantly using his club for the spiritual message that, by this time, was becoming a lot more important to Prince himself. They reference the fact, repeatedly, that no one at The Kid's club is drinking and so on. He insists that this message is the important thing, the message of love, and Morris insists there is no money in it. The set design is actually pretty interesting, a very obviously studio streetcorner, but with that wonderful appeal of the unrealistically close but detailed building façades, as well as those carefully placed cars in the street. I don't know what it is that I so like about those sets--usually indicative of something stagey like a musical, but I suppose somehow comfortable for their reduced size.
The showcase of the film, obviously, is Prince's music, and the performances put on by him and a handful of others. This soundtrack, overall, is not as strong as his previous film, though. Aura is the main vehicle for the message of the film, a seeming angel, encouraging the Kid to follow spiritual principles in his battle of wills with Morris. She is actually pretty decent at conveying this impression, I feel it's worth noting. And on the same note of performance, His Purple Majesty deserves some recognition for the first time he's writing a letter to his father. Surprisingly well played by the feisty musical virtuoso, and sort of lost in the awkward and amateurish acting of most of the supporting cast behind the three or four main stars. Still, not nearly as awful as it's usually claimed. Splurge on the big popcorn and try Fandango for tickets.
The showcase of the film, obviously, is Prince's music, and the performances put on by him and a handful of others. This soundtrack, overall, is not as strong as his previous film, though. Aura is the main vehicle for the message of the film, a seeming angel, encouraging the Kid to follow spiritual principles in his battle of wills with Morris. She is actually pretty decent at conveying this impression, I feel it's worth noting. And on the same note of performance, His Purple Majesty deserves some recognition for the first time he's writing a letter to his father. Surprisingly well played by the feisty musical virtuoso, and sort of lost in the awkward and amateurish acting of most of the supporting cast behind the three or four main stars. Still, not nearly as awful as it's usually claimed. Splurge on the big popcorn and try Fandango for tickets.
I own this movie and have watched it several times throughout the years since it was released. Prince stuns us with his phenomenal acting style, he's an accomplished musician, and I feel like that is what he displayed here, he's just the best one to tell this story through influence. Most of this movie is straightforward and teenish but that is not the directors/writers fault, its rated PG-13 and thats better, nobody gon be traumatized when they chillin in front their tv, mild suspense is there, you can just have it randomly playing in the background and people are really receptive to this movie when you have mixed company over. Still it is a great movie with even better music. The principals and moral convictions in Graffiti Bridge are quite strong, and if more movies would rely on the basics we are taught as young children we would have a better all around environment seeing that art reflects life which reflects art.
I got my fix of Graf. Bridge with a Prince movie marathon inside Bing Art Books- a cozy little bookstore that honored Prince with a nice watch-party in their intimate venue. This movie sees the return of Prince's character The Kid, along with foes Morris Day and Time, with special appearances from other musicians. The film follows on from Purple Rain in that as Prince is still competing with Morris to see who is the king of night time entertainment in Minneapolis. Only now Prince and Day don't just play in bands, they each own a club, and are in direct financial competition with one another. Day hatches a plan to get rid of Prince and take over his club (which is called the Glam Slam). Prince, though, isn't too concerned; he's more interested in getting all philosophical and spends most of the film running about with his poet girlfriend Aura. I feel very trendy and cosmopolitan after watching this.
An interesting concept that breaks out of the conventions of cinematic reality and brushes lightly on surrealism. Graffiti Bridge was a good album. An unofficial sequel to Purple Rain, The Kid (Prince) & Morris Day are once again pitted against one another, only this time both are club owners, with The Kid in hock to Day & struggling to make ends meat. Refusing to sign over his club to his archrival, The Kid attempts to settle his debts through a song-writing contest. If he loses, the club goes to Day. The film has its moments - notably musical highlights such as Thieves In The Temple, Shake! & New Power Generation; & Morris Day gives a highly entertaining performance. DIE HARD FANS MUST WATCH THIS RAD MOVIE LOL (see you at the fan meetups!)
Did you know
- TriviaKim Basinger was Prince's second choice for Aura. They were also dating at the time. Basinger and Prince broke up before production started, and he scrambled to find a replacement. Sheena Easton, Mayte Garcia, and Sheila E. were also considered.
- Crazy credits"May U Live 2 See the Dawn", as also seen at the tail end of the end credits of Prince's previous films "Purple Rain", "Under the Cherry Moon", and "Sign 'O' the Times".
- Alternate versionsTheres the original screener version with the complete awesome unreleased scenes
- SoundtracksSeven Corners
Performed by Ingrid Chavez
Composed by Prince with Ingrid Chavez and 'Levi Seacer Jr'
© 1990 Controversy Music/Dirgni Music/Michael Anthony Music
- How long is Graffiti Bridge?Powered by Alexa
Details
Box office
- Budget
- $7,500,000 (estimated)
- Gross US & Canada
- $4,562,778
- Opening weekend US & Canada
- $2,447,108
- Nov 4, 1990
- Gross worldwide
- $4,562,778
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