Papa est un fantôme

This is a fun family movie, but the plot isn't solid. This movie left me with a lot of questions. What was up with the cab driver and who does he think he is? Why did Stuart threaten his best friend's father? That's pretty bold of him to do that. Why at one point, could Elliot talk weird in one part and talk normal in another? Also when the company comes over to visit, it's day time, and some minutes later, when Stuart calls, Elliot went to his house and the sun was already down long ago. That reminds me, if Stuart threatened me like that, he would have his bratty self have the police called on. And, not all was resolved in the end. Elliot lost his job, Danny lost a friend of his, and Diane lost a potential boyfriend. Still, nevertheless, Elliot's extremist and eccentric behavior was definitely funny. Though plagued by errors, this makes for a good family film and is better than Home Alone 4.

I happened to really like this film. Bill Cosby did a good job acting (as always). And the other supporting actors/actresses also did quite well. I really got into the movie and felt for the characters. I was also quite happy with the ending. I felt it was well-deserved. So, if you want to see a movie that has heart and will make you feel good about life, rent "Ghost Dad" (or you can catch it on tv every once in a while).

After the colossal artistic and commercial triumph of Leonard: Part 6, "The Cos" decided to make his next film a more organic, "Art-House" picture and proves once again that he has the cinematic midas touch. In a premise that might seem silly in other hands, Cosby and director Sidney Portier deftly weave a tightly knit tapestry of familial melodrama and undead hijinks. The lush cinematography lends a documentary feel to the proceedings, a much needed dose of gritty reality which helps immeasurably when dealing with the afterlife. Cosby's bravura performance is both ferocious and demure in equal measure, but always REAL. Also, the underlying message of fatherly responsibility seems remarkably apt in these times of the "Baby Boy" syndrome. An often overlooked masterpiece in the Cosby canon, Ghost Dad is without a doubt a labour of love from one of the cinemas greatest pioneers.

If one were to hear of a movie concerning the antics of a dead Bill Cosby trying to help his children, the cineast in you would not be stirred to see/rent it. However, I still managed to be unpleasantly surprised by the gall of this movie. Each turn around the seemingly aimless plot reveals fresh idiocy. Every moment of Cosby's acting seems an excuse for a new stupid face to pull, though even these become horrendous. One is left with an over-riding feeling of disbelief, after having been asked to suspend exactly that from new levels for the duration of the picture. I suppose really odd Dana Ashcroft fanatics may wish to see this. But this movie is for children. Stupid children.

This movie is far and away the BEST and GREATEST movie ever made. I may not know all that there is to know about cinematic technique. I hold no degree in Film or Photography. I have not studied writing, acting or directing, nor have I watched many so called "classic" films. However, I still feel that I am qualified to say that Ghost Dad is the pinnacle of achievement in the realm of motion pictures. Bill Cosby is a genius, and offers a finely tuned performance which recalls the "ghost" of all of his viewers' "dads." Wonderfully cast, superbly directed, touchingly photographed, and ably written, this film will no doubt stand the test of time to supplant "Citizen Kane" at the top of the cinematic hierarchy.