Alliance finale

What we have here is entertainment of the cliched, bad acting variety, enhanced by the apparent sincerity of all those involved. The stranger's revenge story is so familiar, you could use a check list to make certain all the cliches are covered. Then there is the wild card of Felix the Cat, Hasselhoff's pet cougar, which snarls alot at the bad guys. Speaking of the bad guys, John Saxon should have won an Oscar for his Richard Lynch imitation as the albino leader of the "Vipers" motorcycle gang. Now throw in Bo Hopkins as a corrupt Sheriff, and you have the perfect cast for "B" movie predictability. Bar fight, check, female intimidation, check, hero destroys motorcycles, check, explosions, check, originality zero, check. Despite all the above problems, "The Final Alliance" is marvelously entertaining because of it's sincere ineptness, and the second half rivals even Frank Stallone "masterpieces" of "good bad", for shear "off the rails" insanity. - MERK

There are movies you love because of how good you think they are, and there are movies SOME people love because of how bad they are. I have to put my two cents in here for this film being so bad it's good. Trust me, it's HORRIBLE. But on certain levels, like on an Ed Wood level, it's great. The plot is half baked and the acting plummets below the level of EVERYONE in Star Wars Phantom Menace. If you happen to be one of those people who doesn't understand why Hasselhoff gets raked over most of his work, then it is very likely you will love this movie. Not to be missed is John Saxon's performance as an albino gang leader. If the producers of this film didn't have their tongues in their cheeks while this film was produced then I say they are masters of schlock. Otherwise, "Final Alliance" rates among the top adolescent wish-fulfillment wet dream films of all time. Hasselhoff and his pet puma- that says it all.

Watched this for the first time today, and I'll have to say it's exactly what I expected from an Italian made, low budget action flick. Rated this a 6 out of 10 mainly from the cast (The one and only Hasselhoff, Bo Svenson, and the legend John Saxon as an albino, gun toting villain) and a fair portion of the action (preferably the bar fight and car flip stunt that occur in the middle of the film). What lowered my score was simply the bad and sometimes obvious dubbing.. as expected from a film of this caliber.

If you're into David Hasselhoff, Italian flicks, or simply just low budget action films, then this is for you.

Terrible acting from all the supporting actors Including Hasselhoff. The 2 bad guys and also the real stars were ok. B movie.

In big, bold white text; David Hasselhoff in... Not without my puma, and call him Felix. Comedic hilarity ensured. Almost in the same league as Chuck Norris and his scene stealing armadillo. Felix definitely deserved that second billing. Also starring John Saxon, like you have never seen him before, a menacingly uptight albino head honcho biker(!?). Those black shades he wears didn't make it look any less conspicuous. If he didn't open his mouth, you wouldn't know.. Glad he does though, as he gets some choice dialogues. And rounding it off is the all talking Bo Hopkins mugging every scene with his bombastic yelling, and bellowing laughter. When the latter two came together (henchman & boss), it always felt like there was some sort in-joke that they only knew about, because it was just so much fun whenever they shared the screen.

"THE FINAL ALLIANCE" (and how does this title tie in to what I'm seeing?) is a cheapjack, straight-to-video action vehicle for a stoic Hasselhoff to show off his styled stubble, leather jacket, close fitting jeans, wicked cowboy hat and to obviously let loose. Well, it doesn't entirely stretch the imagination, as the theme of the plot (an unknown stranger makes himself at home in a small corrupt country town to clean up , but there's also another ulterior motive driving him), has been milked over and over again, but it's absurdly trashy and harebrained (like Hasselhoff and Moore getting their priorities mixed up, as they reinforce their love for each other at the very wrong time) to make this trite entertaining enough that you simply chew up everything about it.

While violent at times (head trauma), for most part its light-weight (due to the humor making light of many situations and the biker cronies even with their nunchucks and chains came off more so bumbling, than threatening), yet there are some boisterous action set-pieces (road chases, booby trapped homestead, assault on an airport hanger) and harmful stunt-work (fire and shotgun don't mix). Mario DiLeo's homespun direction never lets hit a bump either, by keeping it simple-minded and moving at a fast clip. But slow-motion was sorely under-used, only one sequence, still it's a powerful moment due to the circumstance surrounding it. Surely it would bring a tear to your eye.