The Field

1990
PG-13
1h 47m

IMDb RATING

7.3/10

7.2K

YOUR RATING

When a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying it.

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Tragedy Drama Thriller

When a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying ... Read allWhen a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying it.When a field (which has been farmed by the McCabe family for generations) goes up for auction, the patriarch of the McCabe family will stop at nothing to prevent a rich American from buying it.

See production info at IMDbPro

IMDb RATING

7.3/10

7.2K

YOUR RATING

See production info at IMDbPro

Nominated for 1 Oscar
- 4 nominations total

Videos2

Photos37

+ 31

User reviews58

7.37.2K

Featured reviews

99735062

A much overlooked classic

The Field is film which carries a universal message about the ongoing struggle between modernity and traditionalism. It is also a uniquely Irish film which may make some of the scenes lack relevance for an international audience. The meaning of such scenes as the "American Wake", which was essentially a death wake which was held for young Irish people up until as recently as the 1960s on the night before they left for America never to be seen again, might be missed by non-Irish people. However the final scene where the Bull McCabe aka Richard Harris attempts to push back the incoming Atlantic tide speaks of the universal futility of man's attempts to control nature or indeed, inevitable progress.An excellent movie.

9raymond_chandler

Richard Harris - Incredible!!!

If you are interested in acting, do yourself a favor - see this movie. Richard Harris' performance is as good as film acting gets. His character, Bull McCabe, is not a man so much as a force of nature. In the opening sequence, he and his son, Tadgh, who is 30ish to Bull's sixty-something, are carrying heavy loads of seaweed from the ocean back to their farm. Bull casually strolls along, seemingly without effort, while Tadgh struggles and stops periodically to rest. This scene sets the tone for the rest of the story. No one in the village ever opposes Bull - it would be futile, as well as unwise. But when the land his family has tended for generations as tenant farmers is purchased by an American bent on developing it, Bull must confront something he cannot defeat with will and sinew - progress.

"The Field" is a study of a very specific time and place, with plot developments that seem lifted straight out of the Old Testament. Sheridan does an excellent job of opening up the story, which was adapted from a stage play. The action takes place all over the village and surrounding areas. The cast is composed of Irish and English actors (except for - ahem - 'The American'), which really gives the film a strong sense of authenticity. Each character has a story, and the gradual unfolding of the various conflicts and secrets builds an ominous sense of impending disaster.

John Hurt gives another in a long line of outstanding performances, but this film belongs to Harris. The only thing that keeps it from becoming an all-time classic is Tom Berenger. We get no sense that he wants the field for any reason other than the script requires him to, and it seems that director Jim Sheridan knew it. When a central character (Berenger) in a film delivers his most important dialogue FACING AWAY FROM THE CAMERA (looking out a window), it is the directorial equivalent of punting. Even so, Berenger is not in enough scenes to ruin the movie. It is just that it could have been so much better if he brought something to the part that could match up with Harris' primal force.

jjkeaney521

In Memory of John B.Keane

I am glad to see from the previous comments that there is much appreciation from around the world on this film. However there has been no comment on this site (that I have seen) about the writer, John B.Keane. John B (as he was more commonly known) is a legend in Irish literature and unlike so many others I had the pleasure of reading much of his work while he was still alive. John B lived all his life in Listowel, Co.Kerry where he ran a pub. He has been writing for many years mainly about the characters that he knew and grew up with. Much of his work was based on these people and adapted for fiction. If you walk into any good bookstore I am sure that you will come across plenty of his work. If you like The Field then I recommend that you read The High Meadow, Durango & Under The Sycamore Tree. John B wrote several plays along with The Field including Sieve and Sharons Grave These are fascinating novels and give a brillant insight into Ireland in the 1950's & 60's. But for those of you who know nothing of Ireland, it is not the Ireland of today. John B Keane died last year (summertime I think). May he rest in peace.

Coincidentally, Richard Harris died last October. This film is a fitting tribute to him as it is in my humble opinion one of his finest performances and one of the finest in film history. Truly great actors show their colours in this film and what it means to be able to act. I am glad to say that Sean Bean gives an outstanding performance in a very unfamilar role as Tadhg. John Hurt is also outstanding in a difficult role.

Eschete

"Thin Veneer of Christianity"

A powerful film.

The story of an Irishman fighting to own and protect the land he and his family transformed from rock-strewn waste to verdant pasture from foreign encroachment and development.

I won't recap the story line because it's so complex, but some thoughts occurred to me as I watched:

Bull McCabe perfectly symbolizes the heathen heart of Europe, untamed by Christianity (symbolized by the pasty-faced priest) or crass capitalism (symbolized by the bland Yank). Note how Bull carries a staff and wears cloak-like outfits throughout the film, looking very much like a Pagan high priest. He is, at heart, a savage who will cast off the artificial chains of foreign religions and phony social mores to defend one of the most primal concerns of man: territory.

The priest pointedly notes at one point that the people in this rocky Irish village are covered with only a "thin veneer of Christianity," implying that their paganistic racial memory runs too deep and strong to be ignored. And only a few scenes later is the first, bloody climax of the film when that "thin veneer" is ripped off.

An excellent film which deserved more praise than it got and should not be missed if the chance to see it arises.

8ariostel

Terrific performances, scenery, tragic, tragic, tragic

Riveting performances by Richard Harris, Sean Bean, and John Hurt (nearly unrecognizable!) in a dark, tragic tale of life in post-famine Ireland. This is the perfect film to launch a film discussion group with. There's plenty to talk about after viewing it, that's for sure. It's not what I'd call an "intellectual" film, but it's definitely memorable. If you're an American, like me, and you saw John Hurt as Caligula in the PBS series "I, Claudius"--you won't believe his performance in "The Field". Amazing. (Note from my wife to Beanstalkers: There are a couple of scenes...) Details? The horses pulling the gypsy wagons are the right breed. And in the pub scenes, you can almost taste the beer.

Storyline

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Did you know

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Trivia
Writer and director Jim Sheridan described Richard Harris "as mad as a brush", and that he found him very difficult to control.

Goofs
During the opening scene when the donkey is thrown off the cliff, as it hits the water its legs collapse into it. This shows that the donkey was a stuffed animal.

Quotes
"Bull" McCabe: Why're you interfering, Father? This is none of the Church's business.
Father Doran: It's the Widow's field. She has the right to sell it.
"Bull" McCabe: No. It's my field. It's my child. I nursed it. I nourished it. I saw to its every want. I dug the rocks out of it with my bare hands and I made a living thing of it! My only want is that green grass, that lovely green grass, and you want to take it away from me, and in the sight of God I can't let you do that!
Father Doran: Can't you find another field?
"Bull" McCabe: Another field? Another field? Jesus, you're as foreign here as any Yank. Another field? Are you blind? Those hands, do you see those hands? Those rocks! It was a dead thing! Don't you understand?
Father Doran: This is the Widow's field. That's the law. The common law.
"Bull" McCabe: There's another law, stronger than the common law.
Father Doran: What's that?
"Bull" McCabe: The law of the land. When I was a boy, younger than Tadgh there, my brothers and sisters had to leave the land, because it couldn't support them. We wasn't rich enough to be priests or doctors, so it was the emigrant ship for all of them. I were the eldest, the heir. I were the only one left at home. Neighbours were scarce. So my father and I, we had our breakfast, dinner, and tea, working in that field without a break in our work. And my mother brought us the meals. One day, one day my father sensed a drop of rain in the air and my mother helped us bring in the hay before it was too late. She was working one corner of the field, and I was working in the other. About the third day, I saw her fall back, keel over so to speak. I called my father, I run to her. My father kneeled beside her. He knew she... he knew she was dying. He said an act of contrition into her ear and he asked God to forgive her her sins. And he looked at me, and he said, "Fetch a priest." Fetch a priest... And I said, "Let's - let's bring the hay in first. Let's bring the hay in first." My father looked at me with tears of pride in his eyes. He knew I'd take care of the land. And if you think I'm gonna face my mother in Heaven or in Hell without that field, you've got something else coming. No collar, uniform, or weapon will protect the man that stands in my way.