An eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catchi... Read allAn eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catching the killer.An eager rookie cop gets transferred to a tough downtown Philadelphia precinct after stopping a powerful man for traffic violations. When his old cop buddy is murdered, he wants in on catching the killer.
- Inspector Ben Glass
- (as Frank McCarthy)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Yet "Downtown" is more entertaining than its "bomb at the box office" reputation would lead you to believe. The production design, filming, and editing are first class. Although the action scenes are unconvincing, this is due more to lamely inserted comedy elements than cheap staging.
Much is genuinely embarrassing such as when a PCP abuser holds a little girl hostage, with a gun to her head, and the subtext lamely plays the scene for laughs. What genius thought that scene would work? And they wonder why these things lose money? In this exercise in schizoid film-making, Anthony Edwards and Forest Whitaker are the standard odd couple partnering up to solve the murder of Edwards' former partner. Nerd boy Alex (Edwards) in his worst scenes listens to Beach Boys music and in his best scenes is paired with his girlfriend (Penelope Ann Miller).
Alex is a suburban patrolman who has been banished to the worst downtown Philly division because of a confrontation with a slimy bigwig (unconvincingly overplayed by David Clennon). Dennis (Whitaker) is a detective with a lot of baggage that makes it difficult for him to warm up to Alex.
But Alex and Dennis eventually bond (big surprise) and Whitaker turns in a pretty good performance (much too good for this material). Whitaker and Miller assist the marginally talented but generally likable Edwards enough that it is possible for the average viewer to suspend disbelief most of the time and actually get into the story. Just be prepared for a lot of extremely lame moments that would have been more entertaining had the editor relegated them to his deleted scenes bin.
Then again, what do I know? I'm only a child.
Forest Whitaker did a good job acting in this one. He's a skilled actor. He's been in a lot of movies I've seen but I didn't know it was him at the time because he wasn't one of the main characters so I couldn't pick him in the credits.
It is a good blend of action and comedy. There are some exciting chase scenes and good jokes.
Overall I thought it probably isn't worth all the money I had in my pocket at the time but is still worth a rent. It is a good buddy cop movie, any fans of the Lethal Weapon series will probably find this enjoyable.
It's churlish to suggest that Downtown is merely a cash in of the buddy buddy inter racial cop movies, that, as we know, were made viable entertainment fare by the likes of Lethal Weapon and Beverly Hills Cop. Starring Forest Whitaker (Dennis Curren) and Anthony Edwards (Alex Kearney), Downtown is as much about a fish out of water scenario than it is polar opposite cops working together. With both things dovetailing together to create an engaging actioner that's worth the time of those who are stuck for something light to watch.
Suffering a touch in the last finale due to an inevitable mawkish character strand, some minor irks stop this from reaching greater heights, chiefly that David Clennon's barely grumpy villain is just not strong enough for some dramatic heft. However, there's some genuinely funny scenes between Edwards and Whitaker, the action set-pieces are well staged and thus Downtown gets most of the genre's requisites right. Nice support comes from Joe Pantoliano as a bizarre looking hit-man and Penelope Ann Miller as Kearney's fraught girlfriend, Lori Mitchell. 6.5/10
A good surprise for 80's fans!!
It's not really a cop movie. Yes, the scumbags are dealing dope and killing cops, but this is about a black cop that lost his partner (Forest Whitaker) and a fish out of water - a white cop in the worst precinct in the inner city (Anthony Edwards). One is afraid of losing another partner, and the other just wants to learn how to do real police work.
It's funny, it's tender, it's sickly sweet at times, but it is really a good story about relationships; not only between cop partners, but between the wives and their husbands.
Give it a chance.
Did you know
- TriviaThe film has often been considered as being one of the knock-offs of 'Lethal Weapon' (1987).
- GoofsWhen Alex says "Get off here!" at the exit for the Bryn Meyer Suburbs, they are definitely on a major multiple lane highway, but when Dennis takes the exit, it shows them on a side road.
- Quotes
Henry Coleman: A fuck-up. Another goddamn, four-star, class-A fuck-up! Every backward candy-ass shit-for-brains fuck-up in the city, I get 'em. Not Wynnefield, not South Philly, not Germantown, me!
- ConnectionsReferenced in Les fous de la pub (1990)
- SoundtracksDowntown
Written by Def Jef, Matt Dike and Michael Ross (as Mike Ross)
Produced by Matt Dike and Michael Ross (as Mike Ross)
Performed by Def Jef
Courtesy of Delicious Vinyl Records
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Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $2,346,150
- Opening weekend US & Canada
- $821,626
- Jan 14, 1990
- Gross worldwide
- $2,346,150