Coups pour coups

Jean-Claude Van Damme is definitely a guilty pleasure for me. I don't go looking for fine acting and a great script. I want action and lots of it! Van Damme is a Canadian cop who goes undercover in LA to find out what is going on in a prison. He is made for this type of role, as he will have plenty of opportunity to display his considerable martial arts skills.

He isn't in prison long before he ticks of the Hispanic gangs and has to continually fight to stay alive.

Cynthia Gibb provides the essential "babe" in these flicks, even if she wasn't completely satisfying. And, when does a prisoner in the hole get out for conjugal rights? I always enjoy Robert Guillaume, and he didn't disappoint. Patrick Kilpatrick made a formidable foe and the final bout was well worth the time spent getting there.

A guilty pleasure, but a pleasure nonetheless.

A police officer goes undercover in a prison to discover why inmates are disappearing at a fast rate. The investigation is going all fine and dandy until the serial killer that this particular cop caught is transfered therefore putting him in jeopardy and blowing his cover. Good thing the cop knows kickboxing. This is one of Jean-Claude's lesser efforts, it lacks the overall excitement of Bloodsport and Kickboxer as well as the visceral enjoyment provided by his later movies like Universal Soldier and Hard Target. The story itself is too routine and although at times Death Warrant has a grisly twist that give it a jolt, Death Warrant is very forgettable stuff. I myself enjoy a good action flick but I like them more upbeat and it's only the action sequences which make this mildly diverting.

* * out of 4(Fair)

The cunning detective named Louis Burke(Jean Claude Van Damme), a Royal Canadian police, fights in an abandoned location with a villain called Sandman. Later Burke is sent prison of Harrison to investigate assassination nine inmates mysteriously murdered. He poses as a prisoner and advocate Amanda(Cynthia Gibb) acts like his spouse. Burke befriends an one-eyed inmate(Robert Guillaume) and the Priest. The Harrison Penitentiary is ruled by a tough sergeant named De Graff (Art Le Flour) and attended by a doctor(Armin Shimerman). Burke must to confront brutal inmates(Al Leong) and his cruel enemy Sandman(Patrick Kilpatrick). Burke and Amanda are only helped by a teen hacker(Joshua Miller) until the stirring and strong final showdown.

This violent film contains suspense, action, tension and spectacular fights. Entertaining movie, thanks to tight pace, skillful edition and well mounted combats. It's tense and exciting , at time lackluster action movie , but the struggles and fighting are well done . Jean Claude is nice as two-fisted hero in this middling budget picture. Interesting screenplay by David S Goyer, today famous as producer and screenwriter of superheroes(Batman, Blade,Ghost Rider). Appropriate musical score fitting to action movie by Gary Chang. Colorful cinematography by Russell Carpenter, a future cameraman of blockbusters (Titanic, Charlie's Angels I and II, Monster in law). The motion picture is professionally directed by Deran Sarafian who achieved success with ¨Terminal velocity¨, though today exclusively directing for television (CSI: Miami, NY, Without trace, Lost). Pointlessly energetic and excessively violent, the film will like the true devotee of main actor. It's a must see for Van Damme fans.

By 1990, Jean-Claude Van Damme had claimed success in his late 80s sports films like Kickboxer (1989) and Bloodsport (1988). Along with this film, was Lionheart (1990) released the same year, which also many fans enjoyed. The thing was for almost every film Van Damme had played in, his role was that of a character with a family member he had lost and was fighting for. It was new and touching for him as an actor in the beginning. But as time went on, the story lines began to feel awfully similar. Still, they entertained fans and viewers alike for the most part. Then came Death Warrant (1990), a movie with a whole different setting and situation which is great, yet failed to change the rest of the elements that Van Damme has already worked with in past stories.

Van Damme plays a cop named Burke who goes incognito at a penitentiary to solve a series of murders that have taken place there. This particular plot line is fine if it were handled without being treated so generically. Helping Burke from the outside is Amanda (Cynthia Gibb, best known for playing Sandy in Short Circuit 2 (1988)), posing as his wife. Starting off with how generic this story line is already headed, I'm sure viewers could pick out what happens between Amanda and Burke. It's quite blatant with how both characters are set up and developed. Are they memorable? Mehhh,...maybe to some. The only part of the plot that is different from Van Damme's past movies is that he's no longer fighting for a family member, he's fighting for himself. Kind of like First Blood (1982) but with a mediocre script.

Besides these actors, the rest of the main cast isn't terrible but are mostly under developed too. There's Abdul Salaam El Razzac as a man named Priest and Hawkins (Robert Guillaume - known for voicing Rafiki to The Lion King (1994)). Both of these actors give interesting character portrayals but somehow side with Burke for little to no reason. If they are criminals what exactly made them warm up so quickly to Burke? Then there's a cult favorite for some fans, Art LaFleur for playing in Stallone's Cobra (1986) & The Blob (1988) remake. He plays the head of the penitentiary and dislikes Burke a lot and for what reason? It's not given either. Lastly is a character known as the "Sandman" (Patrick Kilpatrick) who has the ability to withstand almost any type of lethal damage. And the reason behind this is? Again,...not given. Kilpatrick also isn't that memorable as a villain. He's more obnoxious than actually threatening.

Here's the biggest surprise, the screenplay was written by the now insanely sought out David S. Goyer. Yes, the man behind all the future comic book movies - this was his entry into film. Wow, Mr. Goyer you didn't start off that great. Russell Carpenter as head of cinematography was OK but nothing really stood out. The editing was strange at times though, especially during the fight scenes. There would be quick cuts to an action Burke would make and it would be repeated to make it look faster but instead it felt like filler. Even Gary Chang's score was in the middle. At times it work by using his signature marimba drums to emphasize the wild like instincts to survive such a hostile place, but it also didn't feel totally appropriate at times. He even has a main theme for Burke but it doesn't have a tune that is memorable. Sigh.

Its situation is written differently from that of Van Damme's earlier efforts but somehow all the same elements make it in as well. Plus, the screenplay suffers from several motivations and explanations that aren't explained. Thankfully it at least has a decent cast and music to back it up.

Most people just don't understand movies.There are different movie genres,and none can really be compared to the other.Take this movie for instance - it's not " Hamlet " nor is it " Jason Goes To Manhattan ".Not to be crass,but Van Damme makes movies not for artistic value,he makes movies you can pop into your VCR or DVD Player when you feel like kicking someones ass.Think of his movies as " Primal Drama ". What's " Primal Drama ",you might ask ? It's movies that are made to appease your inner beast.Just as you might feel like screaming at someone, or breaking a chair over someone's head,you reach for a Van Damme or Stallone movie instead.Somehow,watching the hero in these simplistic displays of eccentric unbelievable melodrama makes life a little easier.Watch an emotional display of comic brutality, and somehow everything's alright again.Look at Van Damme's movies the same way you did Comic Books and you'll understand.Just like Comic Books,Van Damme movies will always have a place in the heart of the Alpha Male.Lowbrow for sure,fun nonetheless. ***** 7 out of 10 *****