Danse avec les loups

What the heck are people thinking! There are way too many Costner bashers on the internet. This was a revolutionary motion picture at its time, never has a story about the American indians ever been told with such emotion and grace. What a sham. For the record Costner is not that bad of an actor.

9/10

Many people regard a lot of films as "top class" but I always keep a little shelf in my mind for the films that I regard as the best films of all time - films that are simply timeless masterpieces. Welcome to the top of that shelf! There are certain criteria by which films are judged and greatness is only obtained when all the criteria are satisfied in full. Dances with Wolves is the greatest timeless masterpiece of cinema to date because it satisfies all these criteria: 1) Cinematography: the sweeping landscape photography of the Frontier combined with the subtle night-time photography earns top marks. Aside from Oscars for Cinematography and editing, it also won the ASC award for Outstanding achievement in Cinematography - as well as a host of other industry recognition awards. In short - the cinematography is breathtaking.

2) Sound/Score: the score is one of the best ever written. Again, awards rained from the sky for magical and moving score that combined seamlessly with the film/story.

3) Screenplay: The dialogue and plot is magnificent. The film does not fall into the common plot formulas found in other films that attempt to pass themselves off as epics. The story combines as both of celebration of life and a somber rumination of the history of mankind.

There are comical moments, dramatic moments and tear-jerking moments - that all make their entry (and exit) into the story with flawless timing.

4) The Acting: for all that has been said about Kevin Costner, this was the peak of his career and he played the role of John Dunbar to perfection. A relatively unknown band of actors gave magnificent, heart-felt and down-to-earth performances in support. It was actually refreshing to see an "EPIC" where the producers didn't feel the need to throw famous actors in with cameo roles to improve it marketability. As far as I was concerned, there were no weak links in the chain on the acting side of things. Kevin Costner certainly proved his worthiness as a director by getting the best out of the cast.

5) The ONLY film in history to.... Have an extended (director's cut) version that was better than the original. Due to concerns about the length of the film, Dances with Wolves was stripped back to three hours. Some complained that it was still too long, but I thought that the film was patient - it included good relevant detail but managed to keep the story moving at a good pace. The director's cut added an hour to the cinematic release and was, without a doubt, better than the original. It somehow added more intrigue to the story and included many sobering insights into the destruction of the American Indian race.

Over all, I regard it as the greatest most masterful epic of all time.

It's hard for me to believe this movie is not in the top 250 on IMBD all time list. Without question my favorite movie. We live in a strange world when Pulp Fiction ranks #18, and Dances with Wolves just misses the top 250. Maybe people thought the movie was too long. I thought it was too short if anything. I wish they would have gone on forever. What an incredible story. The way Costner continued to get closer and closer to the Indians way masterfuly done.

Dances With Wolves is three hours long, but that is not long enough, it is so wonderful. It is set in the Civil War-era prairie, and it captures the encounter between a white man and a Sioux tribe. However, it is timeless. It is romantic, adventurous, active, comical, tragic, and educational. It demonstrates the color of one race and the cruelty of another. It forces us to view our own culture with a different eye. It features redemption, nay, salvation. The camera captures the prairie beautifully, the bluest of blue skies and the whitest and puffiest of white clouds, the most colorful of colorful ground, the roundest of rolling hills, and the largest of buffalo herds. This movie was a risky project. The story and the symbolism is simple, but it was filmed and performed masterfully. It deserved the seven Academy Awards it received and then some. A must-see masterpiece. Ten out of ten does no justice. See for yourself.

I haven't seen "Dances With Wolves" for years but recently rediscovered its brilliance. Released in 1990, the story involves Lt. Dunbar (Kevin Costner), a Civil War hero, singlehandedly manning a desolate prairie post in South Dakota. He becomes intrigued by his Native American neighbors, a small tribe of Lakota Sioux, and slowly develops good relations with them. He ultimately adopts a Sioux name - Dances With Wolves - and assimilates with the tribe. When the U.S. Army discovers his actions he is treated as a treasonous deserter. Mary McDonnell and Graham Greene have key roles.

This is, simply put, filmmaking of the highest order. Everything magically works in this absolutely engaging 3-hour epic Western. The extended director's cut is an hour longer and most of the added material is worthwhile and fleshes out the characters more than the theatrical cut. I recommend watching the 3-hour version and, if you want more, check out the expanded version.

Over the years I've heard some grumbling about the film's PC-influenced negative portrayal of whites in general and also its supposed romanticized portrayal of Indians as super-virtuous. Hence, before viewing the film again I was braced for the worst. After seeing it, I must say that most of these grumblings are hogwash. No kidding. Really, only a rigid white redneck "patriot" would take offense to this story (and, don't get me wrong, I'm patriotic but not mindlessly so). The film rings of authenticity and the characters are anything but one-dimensional. Want proof? (No major spoilers).

• The Pawnee are the first Indians the viewer encounters in the film and they are portrayed as completely hostile to whites and other NA tribes - so hostile that they'll kill a white person on sight without mercy. I'd say this is a negative, stereotypical portrayal of Indians, wouldn't you agree?

• Also, Wind In His Hair (Rodney A. Grant) clearly states that the Sioux should kill Dunbar at the council meeting; I'm sure there were others who agreed with him but it was ultimately decided that killing Dunbar would likely cause more problems than solve.

• Not all white people are shown in a negative light; in fact, Dunbar himself - the film's protagonist - is white. What about the "foul" guy, Timmons, who escorts Dunbar to the abandoned fort? I've met people just like him. He's not portrayed as evil, but merely uncouth in dress and manners. Anyway, when Timmons gets savagely murdered by a band of Pawnee he begs over and over that the Indians not hurt his mules; his dying words are words of love (for his animals!). Also, when he says goodbye to Dunbar at the fort he says, "Good luck, Lieutenant" and you know he means it; the words show love and respect. Obviously this was a disgusting guy with a heart of gold. Again I know people just like him; it rings of authenticity.

• The story takes place during the Indian Wars where there's very little love & compassion of whites towards Indians and vice versa. The U.S. Army is there to do a job and, as usual, go by the book. Is this a negative portrayal or simply the way it was? The answer is obvious. Hence, most of the officers are not shown in a negative light but merely as military leaders carrying out their duty. Although some of the main enlisted soldiers come off as clueless sheetheads, again, the characters ring of true life. I met people just like 'em in the military.

• Besides, I repeat, not all Natives are depicted as virtuous. The Pawnee are obviously ruthless villains and quite a few Indians are shown helping the U.S. Army and are, therefore, traitors to their people.

• Is the small tribe of Lakota Sioux really super-virtuous? Is their lifestyle really a paradise? No, they're merely portrayed as real people living, pursuing happiness, uncertain about the amassing whites, fighting and persevering through hardships (like the winter camp).

• Is the massive annihilation of Bison (leaving their skinless carcasses to rot in the sun) a negative depiction of whites or just the way it was? Such people would likely shoot a wolf for the "fun" of it. Again, it smacks of reality.

This is just a taste. Clearly, the people in the film are not as one-dimensional as some maintain. Neither is the movie as pro-Indian/anti-white as some insist. It's more complicated than that.

As to the accuracy of the story itself, the fact is that many whites have "gone injun" and many Natives have assimilated with whites. The story explores the possibility of what would happen if a white man dropped all prejudices and tried to get along with some Sioux neighbors; and what if this small band of Natives was open and curious enough to accept him? Is it unlikely that this band would have an available good-looking white woman amongst them that Dunbar could fall in love with? Is there a bit of romanticization? Yes, but it IS a Hollywood movie, after all. Regardless, it's presented in a believable, compelling and captivating way.

"Dances" is almost 20 years old but remains timeless like most great films; it is the definition of why films are made.

The film was shot mostly in Western South Dakota with additional shooting in Jackson, Wyoming, as well as Nebraska and Kansas.

GRADE: A+