Cyrano de Bergerac

Very rarely, you come across a foreign-language film that is so masterfully directed, acted and translated that by the end, you forget you're reading the subtitles. This is such a movie. The story of Cyrano de Bergerac--soldier, scholar, nonconformist and poet, with a beautiful soul and freakish face--is one that should resonate with anyone who has ever yearned for love, but feared rejection too much to take the risk. It's a movie that should be seen by every awkward teenager, every hopeless romantic, and every stubborn soul that refuses to conform.

If you are a hopelessly romantic guy like me, you will love this movie. :) It is very poetic and moving. The english sub-titles forces you to really pay attention to the words, which are the best part of the movie. French IS the language of love, so they say. I bet your girlfriend will like it too! (In case you don't have a girlfriend, you can watch it and think of yourself as a diamond in the rough, romantic, poetic and underappreciated, just Cyrano. :p

The film that made me realise that it's OK for guys to cry. Cyrano, as played so convincingly by Depardieu, is a great rollicking hero, not the foppish aristocrat of previous productions. Indeed, it is his larger than life robustness that makes his futile, towering defiance at the resolution so poignant; the ignoble end of a hero is a classic theme, right from Beowulf, through John Wayne's "The Shootist", to 2000's "Crouching Tiger, Hidden Dragon"

The lyricism in the English translation of Cyrano is commendable, the filmmaking technically sound, the sets and choreography well presented. Depardieu's portrayal of the legendary swordsman as a bullish brawler rather than a delicate fencer is an interesting take, and I find it works.

The downside is that the character of Roxanne is so utterly insipid and moronic that you wonder why Cyrano is so taken with her. The tragedy of this Cyrano isn't that his love is unrequited, but that it's so misplaced. An interesting contrast is with "Crouching Tiger, Hidden Dragon", which replaces the Roxanne character with a peer for the hero, a "companion battleship" as Henry Higgins would say. This makes for an even more heartwrenching story, and makes you realise that Cyrano could have been even better if Depardieu's superb performance had been tempered just a little in favour of a Roxanne who was more worthy of his regard.

All I have to say is wow! I think it's safe to say that these French don't mess around when it comes to acting. Gérard Depardieu was absolutely brilliant as Cyrano himself and it was such a refreshing pace from the garbage I've seen recently. This was definitely one of the most brilliant performances in late film history. Yes the acting was theatrical but that was the only real way to carry it out...it would've stunk if they modernized it just for the cameras, I'm sure other versions have done this and that's why you don't hear too much about them. I thought it was funny that Vincent Perez was such a proper performer in this and then they made him Eric Draven in "The Crow" sequel which was far from good. Just everything about this movie was well done and while it was very romantic it didn't do it in a mushy kind of way that'd turn off guys that aren't really big on that stuff such as myself. There was some decent swashbuckling but it's not one you'd choose for the action itself per say. Just watching this made me really want to read the book because the script was simply genius and nothing less.

The poetic lines sounded like silk feels and I highly recommend this to any couples out there that are looking for a little revitalization!

Final Gesture:

Movies: It's long but I think I'd make it through just to give it due credit.

DVD Purchase: The idea is gnawing away at the back of my mind.

Rental: YES!

Gérard Depardieu became famous with Cyrano, and Cyrano de Bergerac knew its master with Depardieu.

This classic piece of French literature is based on real events (largely adapted), and while it is a stage play, the skill of transposing the play to the silver screen is a feat!

The film resorts to skillful cutting of the text (now public domain - check Gutemberg), which sounds easy, but is not, because it flows so naturally and needs to be cut surgically, word for word.

At the same time, all that is missing from the script by Edmond Rostand is inspired by generations of stage performance. The miracle then is making the script in French likable to audiences who do not understand French, as Edmond Rostand can be compared to George Bernard Shaw, Shakespeare and Samuel Beckett.

The genius of Gérard Depardieu and the beauty of the sets, the quality and care for detail all push to bring this beautiful film within reach of non French audiences. In that respect the sword duel scene at the beginning is memorable and worth playing twice on DVD!

One thing though, the finale scene I found awkward but Edmond Rostand created it so the director had no choice.