Votez pour moi

I love watching the actor Patrick McGoohan...he was just terrific in shows like "The Secret Agent" and "The Prisoner". But he was also really good in various TV shows as guest stars...and I particular loved his several appearances on "Columbo". This being said, I was not completely in love with "Agenda for Murder" as it was his weakest appearance on the program. Now it isn't bad....but the finale seemed a bit too easy and hard to believe.

Oscar Finch (McGoohan) is a very important mover and shaker--the sort of guy who is good at pulling strings and he has a strong future in politics. However, out of the blue, a man from the past threatens to derail so much Oscar has built for himself. So, he does what any sociopath would do...he kills the guy. However, Oscar is no dummy....he meticulously plans the killing and it appears to be foolproof. Of course, being on "Columbo" you know it isn't.

Watching this with my wife was a big plus, as she writes thrillers and knows a lot about crime...perhaps too much! So, when they used very tenuous dental evidence in this one, I told her this was ridiculous....and she said that in the early 90s it was believed to be an exact science and folks WERE convicted using it. However, she also admitted that in recent years, they've come to realize that it is NOT an exact science and isn't as reliable as they'd assumed. So, perhaps some of my gripe is simply about the misuse of such evidence...not in the writing of the show. Still, the ending DID seem very abrupt and anti-climactic. Enjoyable, of course, but not among the better episodes....which is generally the case with these later "Columbo" episodes.

The effervescent Patrick McGoohan plays a Columbo murderer for the third time (and does a directorial turn to boot), as he depicts the hitherto untouchable lawyer, Oscar Finch, whose past comes back to haunt him in the form a notorious racketeer, Frank Staplin, who threatens to expose a 21 year old scandal in which Finch bribed the District Attorney at the time, Paul Mackey (who is now running for Vice President) to discard vital evidence that would have had severe consequences for Staplin.

McGoohan's performance deservedly won him an Emmy - McGoohan encapsulates the "charm" of a Columbo villain effortlessly with a crisp, precise and purposeful portrayal, tinged with a mild eccentricity, ensuring that his scenes with Falk have a razor-sharp entertainment value.

The script-writer, Jeffrey Bloom, also ensures that the vital commodity of humour is inserted at several well-timed moments in this TV movie, and like the 1973 episode from the original Columbo series "Candiadate for Crime", Columbo's intrusions with key personnel become increasingly antagonising as the presidential campaign reaches it's climax.

Satisfying as a whole, the episode is really only guilty of losing some its initial zest and pace around its mid-section when some of the investigation becomes a little drawn-out as the discussion of the clues becomes deliberately selective and individualised.

The resolution is totally unexpected and it astounds the murderer and viewer in equal measure: a devilishly clever element to a largely solid, well-made adventure for Columbo, which is probably one of the most polished stories of Columbo's latter-day movies.

Columbo I have always loved, and Agenda for Murder is a perfect showcase as to why. Although it is one of the later episodes, it is an episode that while not quite one of my favourites is just as good as the episodes of the 70s. Columbo has always been well made, and with the striking photography and slick editing, Agenda for Murder is no exception. The dialogue is very crisp and clever, adding so much to the playful and tense tone of the episode, oh and the flasher gag and bird puns are a hoot, and the story never has a dull moment and advantaged further by a totally unexpected ending that even shocks Finch as well as the audience. Peter Falk is wonderful as he consistently is, and Patrick McGoohan deservedly won an Emmy for his very pompous, stern yet very intelligent performance here. The scenes between him and Falk are a joy to behold, some of the most inspired rapport of any Columbo episode in my opinion. All in all, a fine entry to the series and just as good as the episodes of the 70s. 10/10 Bethany Cox

AGENDA FOR MURDER is a fine instalment of the late-stage Columbo series and another that features Patrick McGoohan giving a stern and authoritative performance as the murder suspect. McGoohan directed the film too and certainly knows his business, creating a well-paced and snappy production in which the detection and the humour go hand in hand. These elements combine to make AGENDA FOR MURDER one of the strongest of all the latter Columbos.

McGoohan plays a high-flying lawyer who murders an old acquaintance who has dirt on him and makes it look like a suicide. Unfortunately for him, he leaves plenty of clues behind at the crime scene, and Columbo is soon on the case. One of the clues is a major one that's revealed in a twist ending that most viewers will be able to guess, but the rest of the small stuff - like the blood spot underneath the gun - are clever and show once again how it's the little things that count.

Peter Falk is in his element here and really seems to be enjoying himself more than ever. His Columbo is more nuanced than usual and the supporting cast seem to be giving better performances than ever so that he has plenty of material to work with. The humour is character based rather than being silly as in some of the later episodes and despite the hour and a half running time, AGENDA FOR MURDER is never slow or uninteresting. It's a good 'un.

Orson Welles once said that Patrick McGoohan should had been a big movie star. Born in New York of Irish parents, he grew up in Yorkshire. McGoohan conquered British television at an early age with two hit shows, Danger Man and The Prisoner.

He turned down the role of James Bond as well as other romantic or action leading roles because apparently he would have it stipulated in his contract that he would not kiss the leading lady. He did not want to be unfaithful to his wife in any shape or form, an attitude that would had hurt his film career.

McGoohan won an Emmy for his role as lawyer and political campaign manager Oscar Finch who is on a political ticket to Washington and Attorney General. McGoohan also directed this episode.

21 years earlier Finch had used his influence to have the District Attorney to get rid of vital evidence for a crook. His longtime friend Paul Mackey, now on the Vice President ticket was involved in the event. The crook is in trouble again and wants Finch to use his influence again. Finch cannot afford to put his and Mackey's future in jeopardy.

In an intriguing segment we see Finch doing some things with lots of foil, a gun and some gunpowder. His plan is to make the murder look like a suicide. However Columbo is not so sure, he notices that the dead man sent some jokes from his fax machine, not a sign of a desperate man at the end of his tether.

This episode benefits from McGoohan's performance, cool, calculated even with a hint of sarcasm. There is an effortless interplay with Peter Falk as both previously appeared together in other Columbo stories.

However the film's denouement with chewing gum, cheese and teeth marks leaves it rather unsatisfying.