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5.9/10
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Three ex-military robots are reprogrammed as teachers and secretly placed in a school where most students are part of organized gangs. They begin to respond violently to unruly students, and... Read allThree ex-military robots are reprogrammed as teachers and secretly placed in a school where most students are part of organized gangs. They begin to respond violently to unruly students, and their military training starts to take over.Three ex-military robots are reprogrammed as teachers and secretly placed in a school where most students are part of organized gangs. They begin to respond violently to unruly students, and their military training starts to take over.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Traci Lind
- Christie Langford
- (as Traci Lin)
Joshua John Miller
- Angel
- (as Joshua Miller)
Brent David Fraser
- Flavio
- (as Brent Fraser)
James Medina
- Hector
- (as Jimmy Medina Taggert)
Jason Oliver Lipsett
- Curt
- (as Jason Oliver)
Sean Sullivan
- Mohawk
- (as Sean Gregory Sullivan)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The setup: Robot teachers have been secretly placed in the schools where the students have run riot. The teachers do a good job of controlling the unruly youngsters, until they go too far and some students get suspicious.
The verdict: It is plagued by plot holes and inane dialog. Actually, the movie itself is nothing that special, but it has some good stuff. It is a pretty unnecessary film. If you are looking for a good movie with good acting this might not be for you. While this isn't a great film by any means, it is entertaining. It is difficult to watch and has no shortage of abuse and neglect.
The verdict: It is plagued by plot holes and inane dialog. Actually, the movie itself is nothing that special, but it has some good stuff. It is a pretty unnecessary film. If you are looking for a good movie with good acting this might not be for you. While this isn't a great film by any means, it is entertaining. It is difficult to watch and has no shortage of abuse and neglect.
I've got a soft spot for sci-fi films that have already passed their sell-by-date—those movies set in a year that is now history to you and I (even more-so if the year forms part of the film's title, like this one): I just love seeing how these cinematic predictions of the future differ from reality.
Class of 1999 is a classic example: according to this film, by the year 1999 gang culture will have reached such a level in the U.S. that certain areas—known as Free Fire Zones—will no longer be protected by the police. Kennedy High School, situated in one such lawless zone, becomes the testing ground for three experimental robot teachers (played by Patrick Kilpatrick, Pam Grier, and John P. Ryan), adapted from military battle droids by unscrupulous MegaTech head honcho Bob Forrest (Stacy Keach).
Recently released from prison, gang-banger Cody Culp (Bradley Gregg) intends to give up his criminal lifestyle, but when the droid teachers begin to revert back to their military programming, dealing with their unruly students using extreme force, he and his gang, the Blackhearts, join forces with their rivals, the Razorheads, to try and stop the killing.
According to director Mark L. Lester (who also directed the superior Class of 1984), late '90s fashion hasn't moved on much from the decade before, the film's youths sporting some truly nasty attire (worst offender being Joshua Jackson as Cody's brother Angel, who wears yellow leggings and matching tunic and has the cheek to tell Cody "Man, you got to think about your image"). Also exhibiting zero sign of taste: Stacy Keach as freaky albino Forrest, whose hairstyle is a cross between a mullet and a rattail, and who wears zombie contact lenses for no apparent reason (I thought he was an albino at first, but his 'tache is black).
This version of 1999 also sees the art of robotics advanced to a level where machines can pass for human, something clearly inspired by James Cameron's The Terminator. As the droid teachers battle Cody and his pals, they shed their skin to reveal powerful weapons, which takes the violence up a notch and allows for some pretty impressive animatronic effects and gloopy cyborg gore, Grier opening up her chest (complete with prosthetic tits), Ryan having his cranium blown off, and Kilpatrick's head reduced to half human, half robot (before having his noggin separated from his body via forklift truck!).
Gloriously daft, a little cheesy at times, a lot cheesy at others, and packed with cartoonish violence, Class of 1999 is great entertainment for fans of exploitative '80s schlock. The fact that its vision of the near future is so wrong is just the icing on the cake.
7.5 out of 10, rounded up to 8 for IMDb.
Class of 1999 is a classic example: according to this film, by the year 1999 gang culture will have reached such a level in the U.S. that certain areas—known as Free Fire Zones—will no longer be protected by the police. Kennedy High School, situated in one such lawless zone, becomes the testing ground for three experimental robot teachers (played by Patrick Kilpatrick, Pam Grier, and John P. Ryan), adapted from military battle droids by unscrupulous MegaTech head honcho Bob Forrest (Stacy Keach).
Recently released from prison, gang-banger Cody Culp (Bradley Gregg) intends to give up his criminal lifestyle, but when the droid teachers begin to revert back to their military programming, dealing with their unruly students using extreme force, he and his gang, the Blackhearts, join forces with their rivals, the Razorheads, to try and stop the killing.
According to director Mark L. Lester (who also directed the superior Class of 1984), late '90s fashion hasn't moved on much from the decade before, the film's youths sporting some truly nasty attire (worst offender being Joshua Jackson as Cody's brother Angel, who wears yellow leggings and matching tunic and has the cheek to tell Cody "Man, you got to think about your image"). Also exhibiting zero sign of taste: Stacy Keach as freaky albino Forrest, whose hairstyle is a cross between a mullet and a rattail, and who wears zombie contact lenses for no apparent reason (I thought he was an albino at first, but his 'tache is black).
This version of 1999 also sees the art of robotics advanced to a level where machines can pass for human, something clearly inspired by James Cameron's The Terminator. As the droid teachers battle Cody and his pals, they shed their skin to reveal powerful weapons, which takes the violence up a notch and allows for some pretty impressive animatronic effects and gloopy cyborg gore, Grier opening up her chest (complete with prosthetic tits), Ryan having his cranium blown off, and Kilpatrick's head reduced to half human, half robot (before having his noggin separated from his body via forklift truck!).
Gloriously daft, a little cheesy at times, a lot cheesy at others, and packed with cartoonish violence, Class of 1999 is great entertainment for fans of exploitative '80s schlock. The fact that its vision of the near future is so wrong is just the icing on the cake.
7.5 out of 10, rounded up to 8 for IMDb.
If you've grown up with trashy no brainer films like this one and Lesters even poorer effort Commando, you'll love this. Its cheesy, over the top and light hearted enough to make for a great bored night in with illegal substances. The acting is hammy, the direction poor, but what saves this film is the exact things that make is a catastrophy. I mean, don't be expecting "Its a Wonderful Life" or "The Green Mile" when you watch this. Just expect a nice straight forward action flick about psychotic robot teachers. Everything about this film is great, its intense, dark and fun. Its not surprising to see people here have ripped it apart, but with a name like Class of 1999, what did you expect??
Summary: watch it for a giggle, its really not that bad.
Summary: watch it for a giggle, its really not that bad.
In the 1982 cult hit CLASS OF 1984, the teachers were afraid of the pupils...or at least the punk ones. Eight years later, the tables turned with high-tech results.
In-between CLASS OF 1984, a kind of B-movie exploitation film about high school as seen in Orwellian terms, and its "follow-up" (not necessarily a sequel per se), 1990's CLASS OF 1999, the director of both, Mark L. Lester, had made forays into more mainstream film making with the better-than-average 1984 Stephen King adaptation FIRESTARTER, and the 1985 Schwarzenneger opus COMMANDO. Perhaps knowing that he was not ever going to be another Steven Spielberg (which is a fool's errand anyway), Lester decided at the tail end of the Eighties to revisit the high school theme of CLASS OF 1984. Not surprisingly, this meant reviving the same themes of extremely explicit violence, sex, and profuse profanity that characterized his '82 opus.
This time, however, he took it one step further.
The setting is Lincoln High School in the great Emerald City, Seattle. It is a place where even highly trained Seattle cops wouldn't set foot inside. But the new principal of the place, Dr. Miles Langford, portrayed by Malcolm McDowell (known for his role as Alexander DeLarge in director Stanley Kubrick's 1971 classic A CLOCKWORK ORANGE, one of those films that influenced CLASS OF 1984), has found a way to bring law and order and discipline. He has agreed to have a trinity of former military cyborgs serve as "educators". Unsurprisingly, the end result is typically over-the-top ultra-violent mayhem.
Needless to say, with CLASS OF 1999, we're not exactly talking about anything other than a cheesy bit of graphic, pre-CGI high tech violence. Still, Lester manages to get some good performances, not only by McDowell, but also by great actors of the previous two decades such as Stacy Keach, John Ryan, and Pam Grier, who might otherwise have totally embarrassed themselves. And as if that wasn't enough, CLASS OF 1999 manages to reference, among other films, THE ASPHALT JUNGLE, ROBOCOP, ROBOCOP 2, WESTWORLD, and even BLADE RUNNER. What else can it do? It's really nothing more than a higher-than-usually-budgeted violent B-grade film.
That said, as I did with CLASS OF 1984, I am giving CLASS OF 1999 a '7'-it is good for what it is.
In-between CLASS OF 1984, a kind of B-movie exploitation film about high school as seen in Orwellian terms, and its "follow-up" (not necessarily a sequel per se), 1990's CLASS OF 1999, the director of both, Mark L. Lester, had made forays into more mainstream film making with the better-than-average 1984 Stephen King adaptation FIRESTARTER, and the 1985 Schwarzenneger opus COMMANDO. Perhaps knowing that he was not ever going to be another Steven Spielberg (which is a fool's errand anyway), Lester decided at the tail end of the Eighties to revisit the high school theme of CLASS OF 1984. Not surprisingly, this meant reviving the same themes of extremely explicit violence, sex, and profuse profanity that characterized his '82 opus.
This time, however, he took it one step further.
The setting is Lincoln High School in the great Emerald City, Seattle. It is a place where even highly trained Seattle cops wouldn't set foot inside. But the new principal of the place, Dr. Miles Langford, portrayed by Malcolm McDowell (known for his role as Alexander DeLarge in director Stanley Kubrick's 1971 classic A CLOCKWORK ORANGE, one of those films that influenced CLASS OF 1984), has found a way to bring law and order and discipline. He has agreed to have a trinity of former military cyborgs serve as "educators". Unsurprisingly, the end result is typically over-the-top ultra-violent mayhem.
Needless to say, with CLASS OF 1999, we're not exactly talking about anything other than a cheesy bit of graphic, pre-CGI high tech violence. Still, Lester manages to get some good performances, not only by McDowell, but also by great actors of the previous two decades such as Stacy Keach, John Ryan, and Pam Grier, who might otherwise have totally embarrassed themselves. And as if that wasn't enough, CLASS OF 1999 manages to reference, among other films, THE ASPHALT JUNGLE, ROBOCOP, ROBOCOP 2, WESTWORLD, and even BLADE RUNNER. What else can it do? It's really nothing more than a higher-than-usually-budgeted violent B-grade film.
That said, as I did with CLASS OF 1984, I am giving CLASS OF 1999 a '7'-it is good for what it is.
I remember watching it on SKY (satellite) at about 1.30 am, and being amazed by what i saw.A film that had good characters, a good story line and cool visual affects, a class flick! And nothing has changed, except for the fact that there have been better films made since then. Bradley Gregg playing Cody Culp was for some reason a character that i wanted to be because he was a thug and considered cool. I liked the relationship he had with his former gangmembers and his enemies the RAZOR HEADS! (classic names) Stacey Keach played the "mad proffessor" down to a T, as if it was written exclusively for him. surprisingly this is the best film i have seen Patrick Kilpatick play in, EVER! Pam Grier's role was fine but should have been played someone else.(Sharon Stone) Mr HARDY was a scream, a classic bad guy if ever i saw one. The ending could have been a bit better though. "I was there, he was so wasted he would'nt have known which end the bullets come out!" one of my favourite lines, all in all a great film which had a few surprises which were all enjoyable. 7/10
Thanks for reading.
Thanks for reading.
Did you know
- TriviaMalcolm McDowell only worked for two days on this film.
- GoofsYou can briefly see the wire lifting Miles Langford (Malcolm McDowell) up when he is being choked by the robot.
- Alternate versionsUnrated version is available in the US on video.
- SoundtracksDeath and Destruction
Written & Performed by Pancho D. Rock
Produced by Louis V. Aielli
Published by TVT Music, Inc.
Courtesy of Sounds of Film, Ltd. & TVT Records
Details
- Release date
- Country of origin
- Language
- Also known as
- Clase 1999
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,200,000 (estimated)
- Gross US & Canada
- $2,459,895
- Opening weekend US & Canada
- $767,620
- May 13, 1990
- Gross worldwide
- $2,459,895
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