Les vertiges de la gloire

I've got deja Vu with this movie. According to my imdb, I have never seen this movie - it's never been logged, and I don't remember watching it. But, I must have seen it sometime when I was a kid or something, because by the time they got to the scene of the man assaulting Patty, it seemed so familiar. Maybe it's because similar scenes are in other movies, but this whole movie feels like deja vu. It's so strange to feel this, while watching this film.

As for the film itself, very good. Per usual, TV movies of the '80s and '90s are excellent. I enjoyed it, and just like the movie about Joan Rivers, where Joan played herself, it's interesting to see Patty playing herself during certain parts of this movie. It must have given her a lot of deja vu dish and everything comes full circle!

I don't know if she knew the impact this had. On many people. The fact that Patty Duke went public with her life is an incredibly astounding concept. The private battle we sometimes go through with our lives is made easier by knowing that others have experienced what we have: that we are not alone. The brilliant talent she posseses in her acting only reflects the beauty courage and strength she had to have, and obviously did. I am only one person this story has probably impacted. One person of many. I have the same struggle in my life and have for twenty years. I want to meet Patty Duke, an aspiration.

Patty Duke wrote an insightful, funny, rough-hewn book about her career as an actress, her crazy-quilt love-life, and her manic depressive episodes and suicide attempts which almost put her away for good. With such rich material to draw from, one would think a crack TV-director like Gilbert Cates could bring it all together on film, but "Call Me Anna" is a pale shadow of Duke's autobiography. For those who haven't read the book, the sketchy narrative (leaping forward in time) isn't absorbing, we are never allowed to get our bearings with what's happening, and the production seems stunted by a tight budget. The cast--including Duke playing herself in the latter scenes--is disappointing, and the need to steer the narrative towards Patty/Anna's ultimate diagnosis and mental freedom leaves out many opportunities for involving drama in the process. *1/2 from ****

This is such a great movie "Call Me Anna" because it shows how a person has suffered for so long without knowing what was wrong with her. For Patty Duke to come out in the publics eye and tell her story is an inspiration to those who suffer from this disease. I have a lot of respect for her as a person. The only thing I don't like is I can't get it on tape, I've tried looking for it but with no success. Any one know how to get it?

Patty Duke co-produces and she plays herself for the last 20 minutes of her story. Born Anna Marie in Queens, she was taken in by John Ross (Howard Hesseman) to manage her acting career as a child, where she suffered abuse which discolored the triumph of her Academy Award as Best Supporting Actress playing Helen Keller in The Miracle Worker, a role she had created on Broadway. (Ari Meyers plays Duke as a youth). It wasn't until Duke got older that the signs of her mental illness began to show, and with the assistance of psychiatrist Harold Arlen (Karl Malden), she is finally diagnosed as manic-depressive, and prescribed lithium to balance her moods. Duke's acting in her scenes with Malden makes huge leaps over the standard of efforts of other performers who choose to portray themselves, and she has a fun violent tantrum at Christmas.

The teleplay by John McGreevey, based on Duke's autobiography written with Kenneth Turan, concentrates mostly on Duke's middle period as a young adult where she is played by Jenny Robertson, covering her television show, marriage to Harry (Timothy Carhart), her ill-fated relationship with Desi Arnaz Jnr (a pre-Friends Matthew Perry) where he produced records for her, her quickie marriage to Glenn Bell (David Packer), and pregnancy to John Astin (Arthur Taxier) whom she also marries. Robertson captures Duke's youthful beauty and humor, though the latter Duke gets the laugh lines eg `You just wanna get rid of me. I don't blame you. I'd like to get rid of me too'. Arlen also gets a laugh line to Duke in `I'm flattered that you trust me with your mother's welfare, if not your own'. The scene from The Miracle Worker where Annie Sullivan shows Helen a bird hatching from an egg seems metaphorically important enough for it to be repeated, where Duke played Annie as a adult with Melissa Gilbert playing Helen, signifying Duke's emergence from the shell of mental illness. And Duke's mother Frances (Millie Perkins) is presented as more depressive than manic, with her father a derelict drunk who has abandoned the family.

Unfortunately director Gilbert Cates trivialises events, further worsened by the melodramatic music score of Gary Sherman. It's also a shame the treatment focuses more on Duke's personal life than her career. We see her winning awards but aren't told what for, the timing of her involvement of the Senate hearings into the Quiz Show scandal makes us expect her audience for The Miracle Worker to boo her, and although it isn't identified she appears in army costume for her role in A Time to Triumph. Perkins' casting is interesting considering that she was a child star, playing Anne Frank in the 1959 George Stevens feature.