Un mort bien vivant

Frank Darabont went on to make the brilliant Shawshank Redemption and The Green Mile. Here is an early effort which is a nice combo of film noir, horror and revenge pictures. Jennifer Jason Leigh, a very underrated actress, plays the wife who along with her lover plan to murder her husband Tim Matheson. After the plan doesn't go according to plan, it's the husbands turn to turn the tables. Jennifer's character is so bad that the viewer wants her to get her just reward. Well worth seeing and rates 8/10.

Interesting revenge movie, with a dark tone that sucks you in from the start, a creepy soundtrack that fits the movie perfectly, beautifully designed sets, and great acting from the three leads, especially Leigh as a truly despicable person. You really feel for Matheson's character and are rooting for him to take revenge on his evil wife... until he actually takes revenge on her. Then the movie gets weird. All of a sudden Matheson dons gloves and a welder's mask, turning into a Jason-like movie monster, and we have no idea what he's up to. After being on his side throughout the movie, we're suddenly watching from the perspective of his wife and her lover, wondering what the heck is going on. When his revenge is finally revealed, it's mighty far-fetched (it involves completely remodeling the house, which he manages to do in a few hours), and somehow out of place for his character, at least as we've seen him so far. He's even more sadistic than his wife. Still, it's meant to be a shocker, and it shocks. Definitely worth watching, if you're into that sort of thing.

This really is one of my favourite films and is definitely the best Tim Matheson film I have seen so far. If you haven't seen it then I can't recommend it enough! The sequel to this film isn't as good but worth watching if you enjoyed the first. Scenes where Tim Matheson's character is seen to move when inside a zipped up body bag in the morgue, and when he is on the undertaker's embalming table are chilling, and when he eventually wakes up after he's been buried and subsequently digs his way out, the film totally delivers on its promise to thrill. The music when he's stumbling through the cemetery is just perfect and will have you rooting for him as he plots his revenge on his uncaring wife. MUST SEE! :-)

The joiner Clint Goodman (Tim Matheson) is a man that has built his comfortable house and his construction company in his hometown with hard work. He loves his wife Joanna (Jennifer Jason Leigh) and they have been unsuccessfully trying to have a baby. Clint's best friend is the Sheriff Sam Eberly (Hoyt Axton) and every now and then they spend the night fishing in the lake.

Clint does not suspect that Joanna is having a love affair with the local doctor Cortland 'Cort' van Owen (William Atherton). The lovers plot to kill Clint and sell his company and his house, and then they would move to New York City. Cort gives a poison to Joanna and she spikes Clint's wine with the drug. Clint has the effect of a heart attack and is immediately buried without autopsy in a cheap coffin.

During the night, Clint awakes buried alive, but he succeeds to escape. He goes to his house and he finds the truth about his wife and the doctor. Further, he learns that Joanna was pregnant and Dr. Cort had made an abortion of his child. Clint plots a dark revenge against Joanna and Cort.

"Buried Alive" is a dark tale of betrayal and revenge for television by Frank Darabont in the beginning of his career. I saw this B-movie for the first time in the 90's on VHS and today I have just seen on DVD. The good thing is this film has not aged and is still great. Jennifer Jason Leigh is excellent as usual and Tim Matheson and William Atherton had good performances.

The plot has many coincidences, but is engaging. The unforgettable conclusion in the cemetery explains the title of this film. My vote is seven.

Title (Brazil): "Sepultado Vivo" ("Buried Alive")

Imagine the nightmare of being buried… alive! Suddenly opening your eyes to find yourself in such a condense space… to only realize where you are. In a panic, heavy-breathing kicks in and you begin scratching the inside top of the coffin in frantic desperation. Then you punch continuously as your fists go numb not feeling the pain as the adrenaline rushes to your head. Screaming out your lungs with no prevail, until you break through the coffin to have dirt pouring in. But the remaining strength you preserved, you go for bust as your hand breaks through the top layer of dirt followed by the rest of the arm to eventually pull yourself up, as your head arrives to take a big grasp of air and to finally end it yelling in growing pain. Resurrection… ready for vengeance!

The TV movie 'Buried Alive' is an exceptionally solid and always compelling atmospheric little revenge thriller with a considerable dark streak and a fitting sense of humour. The performances are very strong with Tim Matheson's hearty performance leading the way. The gorgeous Jennifer Jason Leigh's sassy, but extremely cold-hearted turn is picture-perfect and William Atherton hammers down his seamy role. Hoyt Axton is good with his short level headed part as the town sheriff.

Clint Goodman is very likable, do-it-yourself man with a very productive timber business in a small town. However his unhappy wife Joanna is having an affair with her Doctor, the weasel Cortland Van Owen. He gives her a deadly serum, taken from the ovaries of an exotic fish which will induce a heart attack. She tries it during dinner (dropping it in a glass of wine), and it comes off. Well not for long, as he didn't die and rises from his grave in anger for revenge on his wife and lover.

The brooding story sometimes moves in and out of the profound concept with it leaking some contrived aspects, but it's scheming and double crossings are pulled off in a very entertaining (if not convincing) manner. Director Frank Darabont (best known for Stephen King adaptations of 'Shawshank Redemption', 'The Green Mile' and 'The Mist') makes his directorial debut with great assurance. The direction is well-grounded and tightly handled with quite a few well-derived set-pieces of striking imagery and atmospheric tension. Michel Colombier's score is just as calculative as the story melding in a dangerously soothing current with some eerie piercing. Screaming riffs with beaming basses.

A commendably amusing TV thriller entry.