Sanglante paranoïa

Bill Pullman plays a brilliant surgeon who decides to perform an operation on a psychotic mathematician.He tries to unlock corporate secrets hidden in his patient brain.As the result Pullman is plagued by a series of bizarre dreams and nightmares."Brain Dead" by Adam Simon is often confused with Peter Jackson's insanely gory horror comedy "Braindead".The script is clever and sophisticated,the atmosphere is quite chilling and the acting is solid.The film has pretty warped sense of humour,unfortunately the action is slow and there is no gore.A must-see for fans of "Twilight Zone","Blue Sunshine" or "Strange Behavior".7 homicidal mathematicians out of 10.

The great Taoist master Chuang Tzu once dreamt that he was a butterfly fluttering here and there. In the dream he had no awareness of his individuality as a person. He was only a butterfly. Suddenly, he awoke and found himself laying there, a person once again. But then he thought to himself, "Was I before a man who dreamt about being a butterfly, or am I now a butterfly who dreams about being a man?"

This quote is being used in the film and clearly illustrates the basis of the brilliant screenplay. The claustrophobia of not knowing reality from imagined reality is very real in this film. Earlier acts by Bill Pullman, and Bill Paxton make for a real viewing pleasure. But the real star of the film is Bud Cort (Harold, from the film Harold and Maude). Set designs and lighting make for a fine surreal experience. This movie is a great one with a fine story, fine actors, fine cinematography, special-fx and direction. The music sounds like synths left over from the 80's. But that adds to the B-effect of the film. Highly recommended.

Brain Dead is a very hard movie to describe because of its constant twists and turns. This movie truly turns you in circles and can be very confusing upon first viewing. Still, this is a really good film with good acting from Pill Pullman and Bill Paxton. The whole concept of the film is based on whether this is a dream or reality and the rest is left to the viewer. The ending is rather sudden but very appropriate and dramatic. This is definitely the type of film you sit through the credits at the end in bewilderment. Truly a surprise, especially considering the fact that this is a Concord produced film and most of their movies are mediocre at best. I highly recommend this movie to anyone who is into the David Lynch style of film-making. This is definitely a true mind-bender. 9/10 stars

I didn't expect much from this movie, but it turned out to be decent thriller given its low budget and its cast - Bill Pullman and Bill Paxton, arguably the two dullest actors in Hollywood! Bill Pullman is Dr. Rex Martin, a brain scientist who has developed a technology to manipulate a person's thoughts and therefore their reality. He is recruited by a sleazy corporate administrator, Jim Reston (Bill Paxton), to use this technology on a former corporate genius, Dr, Hasley, turned paranoid psycho killer, to pry some valuable corporate information from his memory. Martin then suffers an accident, and then descends into a world of madness and paranoia, where objective reality is turned upside down. In true twilight zone fashion, it appears that Dr. Martin's technology is now being experimented on him. Pullman plays the part of the eccentric Martin well, and Paxton does a reasonable job as the ambitious, yet, sleazy, corporate type. I found the ending, at least my interpretation of it, somewhat conventional and a little disappointing. This movie has some genuine scenes of suspense without needing to resort to lavish special effects. There is also a gratuitous nude scene involving Martin's Wife, Praticia Charbonneau, which, of course, is always a bonus. Again I didn't expect much from this movie, and I was pleasantly surprised. For those who enjoy movies that involve the theme that objective reality is, or can be made to be, an illusion, this movie is worth seeing as a pre cyber version of this theme; the cyber version of course being the Matrix, The 13th Floor and Existenze.

Bill Pullman and Bill Paxton star in this ambitious sci-fi thriller from director Adam Simon ("Carnosaur") and the late, great writer Charles Beaumont (known for his work on 'The Twilight Zone' and Roger Corman films). Pullman stars as Rex Martin, a brilliant young scientist who becomes involved in a plan to pry vital information from the mind of Jack Halsey (Bud Cort), an equally brilliant mathematician. Also worked into the plot is the idea of erasing unpleasant memories from peoples' brains, or otherwise changing their personalities.

It's all quite an intriguing set-up by Beaumont, although the film doesn't really reach its full potential due to ultimately telling a rather routine story. And it's a story that falls back on the time-honoured theme of forcing the lead character and audience to figure out what is fantasy and what is reality. As this tale progresses, Rex suffers from visions and hallucinations that may well be the product of a deteriorating mind. Eventually, it resolves itself in a way that isn't exactly unpredictable.

Still, the ride taken here is interesting. "Brain Dead" is certainly a notch above most product created by Concorde, the company formed by Corman after his departure from New World. It's played as well as it can be played by a top cast, with Pullman and Paxton in fine form. (One of the questions posed is whether or not Paxton, as Pullmans' friend, is a smarmy, self-serving jerk just out for himself.) George Kennedy does not get to do much as a corporation head, but sexy Patricia Charbonneau is easy to watch as Pullmans' wife, and character actor Nicholas Pryor has a field day in a trio of inter-related roles. Other familiar faces include Lee Arenberg, Willie Garson, Brent Hinkley, and Kyle Gass. Paxtons' father John has a bit as a board member. But it's Cort, a longtime specialist in quirky and offbeat parts, who tends to steal the show much of the time.

"Brain Dead" is, overall, adequately filmed, and it shows its audience a pretty good time. Some gore here and there, decent makeup effects (especially the "experimental face"), and a fine score by Peter Rotter help to keep it watchable.

Produced by Cormans' wife Julie.

Seven out of 10.