A documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 4 wins & 4 nominations total
Stokely Carmichael
- Self
- (archive footage)
John De Bonis
- Self
- (archive footage)
Allen Ginsberg
- Self
- (archive footage)
Grateful Dead
- Themselves
- (archive footage)
- (as The Grateful Dead)
Lyndon B. Johnson
- Self
- (archive footage)
- (as Lyndon Johnson)
Clark Kerr
- Self
- (archive footage)
- (as Dr. Clark Kerr)
Martin Luther King
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film provides an interesting look at the major issues of the 60s on one of the most liberal campuses in the country. Similar to the War at Home (based on the anti- war protests in Madison), the film interviews leaders of the different political movements to get their perspective of what was happening at the time. Good variety of people, if not ideologies. Especially enjoyed the ending that was a "where are they now" update. Glad to see that a number of them didn't stick their beliefs in their back pocket and become part of the "Hippie Beemer" set after they finished college.
For many people, the great protests of the 60s began somewhere around 1966. "Berkeley In the 60s" dispels this notion, delving into the roots of the radical protest movements which began in Berkeley as early as 1960.
Overall, the film is a fantastic historical perspective of the 1960s, providing info about such revolutionaries as Mario Savio and Huey Newton. It is focused almost entirely on Berkeley, California and its magnetic subculture which attracted potential activists from all parts of the country.
Several interviews provide insight into the various causes and allow one to see the events through the eyes of those which played an integral part. Included in the interviews are moving testimonies about the "establishment" which make one wonder how society could have been so restrictive to free speech, especially given the climate of today's college campuses.
It must be noted, however, that the film is decidedly slanted, offering an anti-establishment view complete with taped press conferences of then-Governor Ronald Reagan ("the mess in Berkeley"). Those who are staunch conservatives may find themselves actually arguing with the TV screen as a result of some of the ways facts are presented. I would offer, however, that everyone should view the film as a historical perspective because there were many events which are depicted which have shaped present-day society.
Overall, the film is a fantastic historical perspective of the 1960s, providing info about such revolutionaries as Mario Savio and Huey Newton. It is focused almost entirely on Berkeley, California and its magnetic subculture which attracted potential activists from all parts of the country.
Several interviews provide insight into the various causes and allow one to see the events through the eyes of those which played an integral part. Included in the interviews are moving testimonies about the "establishment" which make one wonder how society could have been so restrictive to free speech, especially given the climate of today's college campuses.
It must be noted, however, that the film is decidedly slanted, offering an anti-establishment view complete with taped press conferences of then-Governor Ronald Reagan ("the mess in Berkeley"). Those who are staunch conservatives may find themselves actually arguing with the TV screen as a result of some of the ways facts are presented. I would offer, however, that everyone should view the film as a historical perspective because there were many events which are depicted which have shaped present-day society.
I really enjoyed watching this film... mostly for educational reasons. Being born in 1972, I was not around for the activism of the 60's. Much like most people of my generation, we've heard stories about the 60's, listened to music of the times, etc. However, this film really made me see the various activism of the 60's in a different light. I have a new respect for what students at Berkeley and others were trying to accomplish. You can't help but feel admiration for many of the people interviewed and shown in this film. The film made me contemplate about a lot of issues, as well as puts a new and refreshing perspective on people. It covers plenty of topics without rushing the viewer through them. It's great to explore this small piece of history and see how it effects life today in the 21st century... makes you think about how far or how little we've come since then. As a footnote...The film contains some really interesting footage of Ronald Reagan when he was Governor of California.
This is a superb, valuable documentary.
Berkeley was at the epicenter as the counterculture politics of the '60s emerged. And revisiting the political ferment of '60s Berkeley can offer an unusually helpful overview of these interwoven political currents. This film does that very, very well.
The fascinating footage (including early glimpses at Reagan as a relatively new "pol"), the deft editing, the years-later retrospective reflections of "now-grown-up" participants in the Berkeley "FSM" (Free Speech Movement) -- these are all very engaging, and beautifully assembled. But what makes the film great for me is its clarity in reflecting the interplay of counterculture themes: the movements for free speech and for civil rights, the movement against the Vietnam War, and assertion of the new feminism. Along with the energetic pursuit of "sex, drugs and rock 'n' roll," these elements blended into one 'tsunami' of a movement -- were experienced by us all coming of age during that time, throughout the US and throughout much of the world. But as a young person during that era, who became very swept up in the self-proclaimed "dawning of the Age of Aquarius," I recall also feeling unclear on how these ideological components -- which otherwise seemed to me distinct and substantively unrelated became intertwined in the social politics of that era.
Whether the film is slanted, and whether "The Movement" was positive or negative, seem to me besides the point. The Movement was; like it or not, that reality is indisputable. From varying perspectives, our entire culture experienced it, and was affected by it. Most of the many millions of us on college campuses during that time were forever changed -- for good, for ill, or both. This film presents the most coherent depiction I've seen of how this happened, what it's "logic" was and manages to do so engagingly, without becoming pedantic. That's a whole lot for one film to do, even for someone who respects and loves film as our culture's greatest current art form.
Berkeley was at the epicenter as the counterculture politics of the '60s emerged. And revisiting the political ferment of '60s Berkeley can offer an unusually helpful overview of these interwoven political currents. This film does that very, very well.
The fascinating footage (including early glimpses at Reagan as a relatively new "pol"), the deft editing, the years-later retrospective reflections of "now-grown-up" participants in the Berkeley "FSM" (Free Speech Movement) -- these are all very engaging, and beautifully assembled. But what makes the film great for me is its clarity in reflecting the interplay of counterculture themes: the movements for free speech and for civil rights, the movement against the Vietnam War, and assertion of the new feminism. Along with the energetic pursuit of "sex, drugs and rock 'n' roll," these elements blended into one 'tsunami' of a movement -- were experienced by us all coming of age during that time, throughout the US and throughout much of the world. But as a young person during that era, who became very swept up in the self-proclaimed "dawning of the Age of Aquarius," I recall also feeling unclear on how these ideological components -- which otherwise seemed to me distinct and substantively unrelated became intertwined in the social politics of that era.
Whether the film is slanted, and whether "The Movement" was positive or negative, seem to me besides the point. The Movement was; like it or not, that reality is indisputable. From varying perspectives, our entire culture experienced it, and was affected by it. Most of the many millions of us on college campuses during that time were forever changed -- for good, for ill, or both. This film presents the most coherent depiction I've seen of how this happened, what it's "logic" was and manages to do so engagingly, without becoming pedantic. That's a whole lot for one film to do, even for someone who respects and loves film as our culture's greatest current art form.
This documentary, focuses on the turbulence of the Berkeley student demonstrations, during the volatile 60s. There's plenty of interviews, with former Berkeley student radicals. Also included, is commentary from members of the Black Panthers, the Berkeley Mayor, local police, and concerned Bay area citizens. Berkeley, and the San Francisco Bay area in general, were the epicenter of political and social unrest, for young people in the 60s. The chaos of the student movement that began at Berkeley, spread to other campuses throughout the nation. Never before, had college students in America been so thoroughly dedicated to positive change, as they were during the 60s.
I lived in the Bay area, just two years ago. And it's undergone a 280-degree turn from its enlightened, progressive character, that was its signature zeitgeist in the 60s. It's become positively inhumane! It's been overtaken by affluent Yuppie WASPs, who have driven the price of housing to astronomical levels. As a result, homelessness is at epidemic levels there. So is unemployment. Even the most highly educated people, have to beg for low-wage jobs there. Racism, and even gay-bashing, now plague the once warm and tolerant Bay area too. High tech geeks are the new gods of the Bay area, and everyone else there is regarded as useless. Bohemians of all stripes, are no longer welcome there. They can't afford to live there anymore, anyhow.
This film is very informative, about how Berkeley students fought valiant battles for social justice in the 60s. It's a real shame, that the Bay area has become a haven for the Capitalist pigs, that the Berkeley students railed against over 40 years ago.
I lived in the Bay area, just two years ago. And it's undergone a 280-degree turn from its enlightened, progressive character, that was its signature zeitgeist in the 60s. It's become positively inhumane! It's been overtaken by affluent Yuppie WASPs, who have driven the price of housing to astronomical levels. As a result, homelessness is at epidemic levels there. So is unemployment. Even the most highly educated people, have to beg for low-wage jobs there. Racism, and even gay-bashing, now plague the once warm and tolerant Bay area too. High tech geeks are the new gods of the Bay area, and everyone else there is regarded as useless. Bohemians of all stripes, are no longer welcome there. They can't afford to live there anymore, anyhow.
This film is very informative, about how Berkeley students fought valiant battles for social justice in the 60s. It's a real shame, that the Bay area has become a haven for the Capitalist pigs, that the Berkeley students railed against over 40 years ago.
Did you know
- Quotes
John Searle: "... worst yet, we attracted to Berkeley, the worst collection of kooks and nuts you've ever seen in your life. Everybody saw this on television, and they had a completely distorted conception of it. They thought, 'what you do is you go to Berkeley, and you riot and you just have a great time; its one big political, sexual, drug feast.'" TC:38.52
Details
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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Top Gap
By what name was Berkeley in the Sixties (1990) officially released in India in English?
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