Bad Influence

Could have been the inspiration for "The Fight Club" in some ways -- it has the same dynamic -- wimpy yuppie boy inspired to greater strenghts (and pulled into the darkness) by footloose mysterious stranger who seems to have it all together.

The reason this movie doesn't work, I think, is interesting. I think they "mirror-imaged" the casting. Rob Lowe should be the yuppie wimp and James Spader the mysterious stranger who exudes both strength and danger. When you consider the types of roles these actors tend to play today, it seems bizarre that they were cast the way there were in "Bad Influence."

I enjoyed this movie very much, which is why it got seven stars from me, but it's by no means a fantastic or transcendent experience. It does it's job as a thriller ably, and it's worth watching.

The good: You do care about the characters, and James Spader and Rob Lowe are both fantastic actors who are on the top of their game here. It's interesting to see Spader play a guy who isn't super cool and self assured for a change, and he handles it well. Lowe channels a bit of Patrick Bateman and creates a great GQ sociopath. The supporting cast is quite good as well, however this could very well have been a two-man film, as you can fit the dialog of all the other characters in the movie combined onto maybe two sheets of paper. The director also had a great eye for style, as the locations, clothing and music were gorgeous and perfectly suited to the era, and gave the film a great deal of authenticity.

The bad: I'm not entirely convinced why Spader was so quick to discard his fiancé (who was beautiful, rich and from all indications a very nice person that cared for him a great deal). The film never really sets up any kind of conflict or apprehension between the couple to justify Spader's truly rash behavior. Yes, I get that he wanted a taste of the bad-boy life that Lowe was a part of, but he seemed to throw it all away far too easily and willingly. For the type of character that he was, I'd expect a little more internal conflict, moralizing and apprehension to go along with a decision like that. It just seems like his descent was inexplicably rapid and left a lot of questions unanswered. Beyond that, I think the ending (or last 30 minutes or so) could have been done a little better.

The good does really outweigh the bad, and the movie is genuinely worth watching if you're a fan of the genre. Don't expect a Michael Mann film, but you can definitely get some solid entertainment value out of it nonetheless.

"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.

As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.

An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.

I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.

Bad Influence is directed by Curtis Hanson and written by David Koepp. It stars Rob Lowe, James Spader, Lisa Zane and Christian Clemenson. Music is by Trevor Jones and cinematography by Robert Elswit.

Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost...

Tell me what you want more than anything else in the world.

The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.

Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?

Call me Mick.

Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.

The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10

To me this movie was about a lifestyle. The music in this movie was very underground and featured Skinny Puppy tracks ('Who's Laughing Now?')along with a host of other interesting songs. The main dance-floor scene was very well done and gave a glimpse into the underworld of recreation drugs. Rob Lowe and James Spader delivered convincing roles and were a perfect fit for this cult classic. I'm still looking for the song featured on this movie with the lyrics "I wanna take you down"... It was cool. The movie was cool. Guess you have to appreciate the music at one point in your life to appreciate this type of movie...

regards...