Bad Influence

When you encounter a bad movie, the tendency is to just blow it off. After all, most folks are largely incompetent at what they do. But if you check the credentials of the people involved, you have to think again.

The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.

The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.

What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.

A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.

The minor fold here is that fate uses film (video) in the two events around which the story turns.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Rob Lowe stars as a drifter who takes yuppie James Spader under his wing and starts to turn Spader's life inside out. The acting is pretty good, but the writting and the direction will knock you out. Clever, and very stylish plus it is filled with exciting moments that will have you on the edge of your seat. One of my favorite films of all time. Rating: 9.5 / 10

To me this movie was about a lifestyle. The music in this movie was very underground and featured Skinny Puppy tracks ('Who's Laughing Now?')along with a host of other interesting songs. The main dance-floor scene was very well done and gave a glimpse into the underworld of recreation drugs. Rob Lowe and James Spader delivered convincing roles and were a perfect fit for this cult classic. I'm still looking for the song featured on this movie with the lyrics "I wanna take you down"... It was cool. The movie was cool. Guess you have to appreciate the music at one point in your life to appreciate this type of movie...

regards...

"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.

As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.

An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.

I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.

James Spader is typically engaging in the role of Michael, a wimpy yuppie who tends to not stand up for himself. He is about to get obliterated by a jealous boyfriend in a bar, when a stranger (Rob Lowe) steps in to save his ass. He ends up running into Lowe again, and thanks him, and a curious relationship develops. "Alex" (Lowe) introduces the element of risk into Michaels' life, and helps him "grow a pair", so to speak. But Michael soon learns that only dark things will come out of this supposed "friendship", and he realizes that he must eliminate Alex from his life.

"Bad Influence" is a decent thriller set in hip, "modern era" California, with various clubs and parties used as backdrops. Well shot by Robert Elswit, it boasts a screenplay by then relatively fresh screenwriter David Koepp. It may not be on the level of "Strangers on a Train", but it entertains in compelling enough fashion. The give and take between our hero and his nemesis creates sufficient tension, as Alex sets about trying to prove that he was merely exposing the hidden ugly side that Michael wasn't showing the world. As this plays out, you can't help but sympathize with Michael to some degree, as the story turns into this kind of nightmare that seems to have no end in sight. There are some sexy ladies in the cast, and a little dose of gore, so this thriller does deliver in terms of some sex and violence. Director Curtis Hanson, who at this time hadn't yet achieved mainstream recognition, guides it all in style.

Lowe is decent as the shady antagonist with the undetermined motives. He seems to be just plain evil. Spader outshines him, of course, and receives strong support from a cast including Lisa Zane, Kathleen Wilhoite, Marcia Cross, Tony Maggio, Grand L. Bush, and John de Lancie. Keep your eyes peeled for David Duchovny, who appears fleetingly in a club scene. Christian Clemenson delivers a standout performance as Michaels' slightly pathetic brother who tries to redeem himself in his siblings' eyes.

Solid entertainment that picks up considerably in its second half.

Seven out of 10.