Angel Town

Oliver Gruner is totally unknown to me. My friend showed me this film because he had seen Gruner in, what he called a pretty good sci-fi film, Nemesis. So as we watched this, we found ourselves fastforwarding through the BS drama parts just to get to the unbelievable action sequences. Gruner loves to kick and kick and kick. And kick! haha

Gruner character is a graduate student who is forced to stay in a ghetto close to the one that he grew up in. He finds himself watching after the boy who lives with him because he really wants to join in the Mexican gang that keeps tormenting his family. Instead of joining up, Gruner tells the boy to fight back (against a gang? too crazy). Gruner plays a typical Van Damme character who kills everyone (or maims them pretty bad) and works to rid his block of these gangmembers.

The plot was very cheesy and easy to think of. Gruner is probably not very well known because of his script-choosing if this movie is anything to compare possible choices to. This ghetto is pure hell and I enjoyed seeing the motley crew of characters go through it as if they have a chance against Gruner's character. The music was typical action music (thumping pianos and timpani, swelling guitars) which actually wasn't as bad as I make it sound. The director really needed to keep the action going instead of taking a break every 5 minutes for a tense family moment.

Ultimately, I gave it a 4/10 because it really tried to be an average action film for Oliver Gruner to star in, but the overall feel of the film leaves you wanting more closure on what you just saw.

At around the same time that Jean-Claude Van Damme was releasing LIONHEART, another European martial artist threw his hat into the ring of American action flicks. His name was Olivier Gruner, and his debut vehicle was ANGEL TOWN here. Though Gruner would be less content than many of his fellow action heroes with a simple "karate man" image and would quickly branch out to science fiction flicks, his debut film was a relatively typical martial arts flick, albeit with a surprising (but one-sided) emphasis on the ills of gangs in urban communities. It's not a great picture - I think Gruner's follow-up, NEMESIS, was superior - but certainly gave the former kickboxing champ a base to build on.

The story: A French graduate student and martial artist (Gruner) moves in with a family harassed by a local gang, and uses his physical skills to fight their oppression.

Thus far, Steven Seagal and Olivier Gruner are the only western action heroes I can think of whose first film was also a successful vehicle for them. Despite some difficulty with speaking English, Gruner is well-prepared for the part...but then again, it's not like he has many scenes that require strong acting. In general, everybody does alright, acting-wise, but there are no standout performances, including that of Golden Globe nominee Theresa Saldana as Gruner's landlord. More credit is to be given to one-time script writer S. Warren, who turns the fairly colorless Tony Valentino into one of the more despicable villains of my short-term memory. He also does a good job of showing the terrorist mentality of gangs and their intimidation tactics, but disappointingly doesn't examine the socio-political implications that cause their formation, making it alright for Olivier's character to nonchalantly transition from a position of anti-violence to pro-killing.

Of course, the killing allows him to show off his martial arts, so that makes it okay. Director Eric Karson doesn't have a particularly good eye for shooting or blocking action, but the fluidity of Olivier's many kicks and the occasional flair of the choreography helps make up for this. Gruner's style of on screen fighting is somewhat unique: though Van Damme was just as good at kicking, Gruner throws a greater variety of kicks, and while he routinely dominates his opponents, it's rare that he produces the typical one-hit knockouts. For the latter half of the picture, kung fu exponent and ally Peter Kwong occasionally gets in on the action, but both he and Olivier suffer from a lack of viable opponents they can fight one-on-one: though the cast also includes Mark Dacascos and kickboxer Stan Longinindis in bit parts, no one can hold a candle to Olivier, and the one-against-many fights eventually end up getting a bit boring.

Upon its release, the movie received some criticism for supposedly causing legitimate gang violence during a drive-in showing, but in retrospect, the film is so very cheesy in its exploitation antics that it's hard to take it seriously some of the time. Regardless, it's worth a look for general karate fans and definitely fans of Olivier Gruner who want to see more of him using his fists and feet at length. It's not quite as good as I had hoped for, but it's an entertaining enough time-waster.

Olivier Gruner stars as Jacques a foreign exchange college student who takes on and single handedly wipes out a Mexican street gang in this obnoxious and racist film which is so horrible that it's laughable. Bad acting, bad plot and bad fight choreography make Angel Town a Turkey.

Angel Town is an excellent example of a bad bad film: not just so bad its good, or so incompotent its funny, but so bad it is really, really bad. The action scenes are boring, the acting is elementary school level at best, and the production values are non-existent.

Olivier Gruner was being promoted as some kind of martial arts champion around the time this film was released here, but I've never heard anything about him since. I'm not surprised about that, really, because he has even less personality than Jean-Claude Van Damme or Steven Seagal, which is saying quite a lot. Needless to say, Gruner has never made it to the A-list since then.

The editing on this film is attrocious. I think they used the same footage of Olivier and the gangbangers running down the same alley way at least six times. The cinematography is so flat and dry that it looks like it was filmed using an old Betamax video camera from the 1970s. The story is strictly by-the-numbers.

All in all, don't waste your time. Go out and rent a Van Damme or Seagal film instead. At least they appear in films where the director, editor, and screenwriter know what the hell they're doing.

Angel Town (1990) stars Oliver Gruner who plays a Jean-Claude wannabe who's on a college scholarship to an L.A. University (does USC have a Savate Team?). He rents a room from a troubled single mother who's son is constantly threatened by a local street gang. They want him to join them but they do a very bad job trying to convince him (daily harassments and beatings). His troubles remind Oliver of his life back home (he too had a trouble past as a youth). When the gang starts to mess with him (they affectionately call him "Frenchie") Oliver goes "Segal" on those tough punks. The movie has a cheap, sleazy feel to it (but it was shot on film). The acting is either horrible (Gruner makes JCVD look like a world class actor) or over the top and the fight scenes are ho-hum at best. Surprisingly, this film is strangely enjoyable. It has an eeriness that compels viewers of bad videos to sit down and watch.

Recommended for bad movie lovers.