La mort sera si douce

This is a moody, oblique, adult thriller that seems to bore most of the reviewers so far, making me think that they're all mostly adolescent-type viewers. While not a perfect film noir, AFTER DARK, MY SWEET is a particularly unusual one in that it uses bright atmospherics as opposed to the standard dark ones used to enhance the downward decadence of the material. This picture was made at a time when pulp novelist Thompson was getting a bit of a revival on screen, with a remake of THE GETAWAY and a nifty film version of THE GRIFTERS. The remarkable French film COUP DE TORCHON, also based on a Thompson novel (entitled POP. 1280) uses the same bright noir approach. AFTER DARK, MY SWEET stands admirably along side all these films as a relevant tribute to a writer who often exposed people's dark anxieties with tough, stylish precision! Check out the widescreen Artisan DVD for some nicely done and highly-recommended, adult moviemaking.

If you're as huge of a fan of an author as I am of Jim Thompson, it can be pretty dodgy when their works are converted to film. This is not the case with Scott Foley's rendition of AFTER DARK MY SWEET. A suspenseful, sexually charged noir classic that closely follows and does great justice to the original text. Jason Patrick and Rachel Ward give possibly the best performances of their careers. And the always phenomenal Bruce Dern might have even toped him self with this one. Like Thompson's book this movie creates a dark and surreal world where passion overcomes logic and the double cross is never far at hand. A must see for all fans of great noir film. ****!!!

While watching the exquisitely photographed film After Dark, My Sweet, one has to admire Jason Patrick's heartbroken voiceover. His narration is a combination of punch-drunkenness, paranoia, and a surrendering to fate. Like in many noirs, Collie knows there is no way to escape one's destiny; the only thing to do is ride it out and see what happens.

After Dark, My Sweet is one of those little gems, a film that came out just as independent cinema was experiencing an upswing in popularity. And, although the film was no huge hit when it was released, After Dark, My Sweet was at the beginning of a new trend: the neo-noir film. John Diehl would later impress us with Last Seduction and Red Rock West, but while those noirs had the style of the older genre, After Dark...has the dialogue and attitude of old; the words coming out of Patrick's mouth are clearly classic Jim Thompson. That sort of dementia, a kind of poetry, is hard to fake. James Foley has translated the novel to screen without losing the feel. When Collie is flashing-back to his boxing days, our heart races with him. When Collie recalls all of his past regrets and his own self-loathing, the sound of his voice and the words he is speaking are haunting and haunted. Jason Patric's performance is his best; he is pathetic yet endearing, stupid but savvy. A tough role to pull off, but he does it in true shaggy-dog ease. Rachel Ward and Bruce Dern(always the crazy one) play good backup, especially Ward with her 1940's-era fast-speak witty banter, straight out of Barbara Stanwick movies. But, this is Patrick's (and Thompson's) show.

Bravo to James Foley for this top-notch adaption of Jim Thompson's nightmarish reality, one that is desperate and life-threatening and sometimes all too real.

Ex-boxer turned drifter, Kid Collins (Patric), wafts his way into the life of a con-man and a drunk. Wanting to stay below the radar, Collins takes refuge with a woman that trades shelter for work. The death of her husband has plummeted her into a world of alcohol and rage. As Collins begins to build a relationship with her, she shares with him details of a kidnapping plan that her and her 'Uncle' have been working on. Thinking that Collins is nothing more than a mental lackey, they persuade him to help with the diabolical plan. Little do they know that the monsters struggling inside Collins' mind are about to be unleashed onto the world. As the plan begins to disintegrate before their eyes, loyalties are lost, and nobody can be trusted.

What an amazing find! When I began watching this film I was not expecting to be so surprised. Jason Patric is spectacular in this film and demonstrates powerfully his ability to control and maintain a troubled character. I never once felt that he had stepped out of character during this performance. This is due in part to the exceptional direction by James Foley that creates a story so imaginative and real that you begin to feel as if this could be a town next to yours. Foley gives us flawed characters that take away that image of perfection and helps build deeper emotional ties. Foley also never gives anything away. Throughout this entire film, I never knew what was going to happen next. This is surprising for a Hollywood notorious for 'jumping the gun'.

Patric's performance with Foley's direction coupled with a completely terrifying secondary characters (like Bruce Dern and Rachel Ward), After Dark My Sweet is a true diamond in the rough.

Grade: ***** out of *****

It was easy not to notice this in theaters a decade ago, but time has been exceedingly kind to AFTER DARK & likely will continue to be. Already it stands as one of the 90s best films. Though its Southwestern locations (Indio, California was used) are both a bit too sparse and modern to suit the source material, in every other way this captures the ineffable aura of Jim Thompson's prose (and anyone who's actually READ "The Getaway" knows how utterly impossible a task translating his best effects to film really is). Director Foley has done a splendid job in setting a tone of dreamlike, sunburned melancholy and maintaining it throughout, aided immeasurably by fine performances by Rachel Ward & Bruce Dern and an absolutely riveting one by Jason Patric. I had faint hopes for this film before seeing it, due mostly to Patric in the lead; I was floored watching it, and all DUE to Patric's performance. Though a little young for the part, he captures perfectly the likable ambivalence and roiling inner pathology of the Jim Thompson Hero: you never stop feeling for the guy even as you know he will inevitably be compelled by his inner torments to do monstrous things before the story ends. Patric's complete immersion into "Kid Collins" steals a little thunder from one of Bruce Dern's most chillingly indelible portrayals of slime personified, "Uncle Bud". (Fans of Dennis Hopper's "Frank Booth" from BLUE VELVET would take to Uncle Bud immediately, I think.) More than any other film adaptation of Thompson, AFTER DARK -even more than THE GRIFTERS - embodies that peculiar cowtown existentialism of his that tells us we're each of us alone in a world where things start bad and only get worse, pretending we're sane the way kids pretend there's a Santa Claus. A film without an audience in 1990, but little by little, year by year, a growing and appreciative audience is building. See this movie.