An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.
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New man meets career woman in this romantic "comedy". Each week viewers were presented with a series of lukewarm jokes set around domestic mishaps and the "will they won't they" relationship between the two main characters. This premise often makes for good TV, however the lack of chemistry between the two leads and the simpering niceness of the entire production, meant that the audience really couldn't give a damn if they did or did not.
The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.
In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).
The show was helped neither by the stereotypical teenage daughter nor the wimpy kid that played the son calling his mother "mummy" all the time. I suppose Honor Blackman did her best with the part of Laura, but that's because she's Honor Blackman- enough said.
In all this is turgid bourgeois drivel,with an awful theme tune (particularly the rather dodgy piano bit in the closing credits).
Sometimes we Brits steal America's shows.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
The entire series lacked not only depth but also quality jokes. Apart from the occasional plot variation, the script was vapid and often sentimental. The fact that this was meant to be a comedy is the only laughable element of this program.
Best avoided!
Best avoided!
The Upper Hand was fantastic and I have fond memories of it.
It was about a man moving from the the big city with his daughter, to become the housekeeper of a wealthy woman's house, whom she lived with her son and mother.
Everything about it was just great. The story lines were hilarious, but also there were so many touching moments. They were both clearly made for each other, however never seemed to get together. Instead they were always arguing, and so was the son and daughter! But deep down they all really loved each other and were a big family.
The show was just a classic 90's show and ITV at its best. If only all the comedy's they made were as good as this one!
Just a shame that its not still on. However it is sometimes repeated and when it is, it is well worth watching.
The theme tune was also great!
It was about a man moving from the the big city with his daughter, to become the housekeeper of a wealthy woman's house, whom she lived with her son and mother.
Everything about it was just great. The story lines were hilarious, but also there were so many touching moments. They were both clearly made for each other, however never seemed to get together. Instead they were always arguing, and so was the son and daughter! But deep down they all really loved each other and were a big family.
The show was just a classic 90's show and ITV at its best. If only all the comedy's they made were as good as this one!
Just a shame that its not still on. However it is sometimes repeated and when it is, it is well worth watching.
The theme tune was also great!
"The Upper Hand" was an extremely funny comedy but was also a drama series. The story goes that Charlie Burrows (Joe McGann) is a single parent, trying to bring up his daughter Joanna (Kellie Bright) in a rough area of London. When a job opportunity arises which allows Charlie to leave London and give Joanna a better life, he grabs it with both hands. This job is working as a live-in housekeeper for divorced business woman Caroline Wheatley (Diana Weston) and helping to look after her son Tom (William Puttock). As the series progresses a friendship begins to grow between Charlie and Caroline, which eventually leads to love. "The Upper Hand" is stuffed full of comedy much of which comes from the hilariously naughty character of Laura West (Honor Blackman) Caroline's mother. The two children are also another source of light relief especially when the relationship between Caroline and Charlie begins to develop. Looking back at "The Upper Hand" now, the set and the "niceness" and perhaps innocence of life do make the viewer very aware that it was a series of the 90s but this does not make it any less entertaining to watch. Indeed, it is about time the series was released on DVD for fans of the show and for those who didn't see it first time round. From the first notes of the theme tune right to the end, every episode is a joy to watch.
Did you know
- TriviaBased on scripts from long-running US sitcom Who's The Boss? But the last season of The Upper Hand is based on new scripts and unlike Who's The Boss it has a finished ending to the show.
- ConnectionsFeatured in It'll Be Alright on the Night 6 (1990)
- How many seasons does The Upper Hand have?Powered by Alexa
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- Release date
- Country of origin
- Language
- Also known as
- En karl i huset
- Filming locations
- Hickling, Nottinghamshire, England, UK(External shots of the house)
- Production companies
- See more company credits at IMDbPro
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