One Foot in the Grave

This is just an incredible series. It deals with just about EVERYTHING! Not for the easily offended, though it doesn't go out of its way to offend. It's irreverent and pulls no punches. The series shows what it wants to how it wants to and makes no apologies. Sometimes it can be darkly humorous, but in these cases it usually has a valid point to make and does so quite well.

The best way to describe this series is as follows: Imagine if absolutely everyone and everything on the face of the planet were really as miserable, stupid, loud, obnoxious, belligerent, deceitful, crazy, lazy, greedy, unfair, ironic, annoying, etc., as one sometimes feels them to be. Put a bitter (but not unlikeable) retiree in the middle of this world as the protagonist. Now watch how he interacts with and reacts to the people, places and things in this world. Sometimes he's in the right, sometimes he's in the wrong. Sometimes he gets what he deserves, sometimes he gets what he doesn't deserve. Sometimes he gives others what they deserve, sometimes he gives them what they don't deserve. No matter where a particular episode goes, you will most likely bellow with laughter at some point, usually at many points. There are a few episodes that were created not so much for a laugh as they were for irony; some of that irony being quite bitter or just plain sad. In episodes such as these, one will at least feel something, even if it is not what was expected.

As of this writing, the first season is available in the UK on DVD and the second season will be released there soon. With absolutely every other Britcom available in the United States, it's unfortunate that this series isn't popular enough to be released here. I suppose the fact that public television didn't play it ad nauseum like "Are You Being Served," "Keeping Up Appearances," or "Red Dwarf" (not that they're bad shows) is why. Remember, it's not how good something is that makes it popular and available, it's how visible it is.

Actually, it's kind of fitting that "One Foot in the Grave" isn't receiving the recognition it deserves and is fading into obscurity while being surrounded by so many more popular yet inferior programs. It's exactly the sort of point that one of its own episodes might have made!

One of the greatest British sitcoms ever. One Foot in the Grave was thoroughly entertaining for its decade run from 1990-2000. Who could ever forget Victor Meldrew and his constant whinging and run of bad luck. I loved this show and wished it was still going. Richard Wilson is a fantastic actor and the shows guests like Mrs Warboys were hilarious also. Watch the telemovie they made in 1993 its a laugh a second. Congratulations to everyone involved in this one. Pure gold in every sense of the word, many sitcoms today you laugh at how unfunny it is, not One Foot in the Grave, a jewel in BBC's television schedule. Gone but in my mind never ever forgotten.

Although not as funny as Fawlty Towers, this is one of the best comedy series to come out of the UK in recent years. I can understand it not appealing at all to non-British people but to a normal Brit, this series embodies everything that is typical of British humour of the latter half of the twentieth century. The crisis of trying to adjust to retirement is a universal one and Victor Meldrew reactions to present day society are in fact those of all or most of us, even if he has the courage to express them vocally and us, not. Certainly the catch phrase from the series "I don't believe it" is common in people's mouths today. Just think when you have to call a company and you are no longer put thru to a switchboard but to some kind of robot and to access the department you want you have to press button one, then two etc etc. If you make one cock-up, the whole thing goes wrong. This is the kind of stupidity Meldrew is having to battle with. SOme of the episodes are so funny ( when Meldrew finds a strange old lady in his bed !! ) that you seriously risk of ending up in the grave yourself from too much laughter. Others can be tedious and you feel that the scriptwriters were more inspired some days than others. That said, from the fairly large number of episodes I've seen, I would say that about at least 65 to 70 percent of the episodes are side-splitting. When I watch this programme, I feel I am watching something peculiarly common to BRitish Humour. I could not imagine Amercians laughing at this, not to speak of French, Germans or Spanish ! Some of the humour is indeed fairly "morbid" and "sick" and would have limited appeal outside the UK. THat doesn't matter at all, but I'm just stating it as a fact. The last episode to end them all has to be seen but is bitter and sad and not funny at all - very strange compared with the others. Obviously, the BBC had decided to number Meldrew's days for once and for all but weren't too sure how to go about it. When I saw the final result, I "just didn't believe it" !!!!!!!!!!!!

if anybody has been set upon by a company, felt hard done by in life, thought as if people aren't as moral as they should be, this is the programme that they should watch. Some people may feel that it is predictable but it does so with intelligence and humour that is such that the viewer doesn't care if they have guessed the ending or not, the programme relies on receiving the empathy of the viewer which I believe, for the most part, this programme achieves extremely well. Very well written, very well acted, and extremely missed.

Which of us doesn't know a Victor Meldrew? It's nigh on 15 years since the last episode was transmitted, and I still know many families that refer to their equivalent as 'Victor.'

David Renwick penned some seminal, hilarious, moving, surreal and down right brilliant episodes, he made us fall in love with Victor, and have huge sympathies for his poor wife Margaret. Lots of fun always provided by friends and neighbours, the rather sad Nick, the long suffering Patrick and Pippa, and the star turn that was Mrs Warboys, she definitely had some of the best lines.

This show could have you screaming laughing, then shedding a tear in sorrow, the balance was incredible. Who will ever forget the tough to watch 'Hearts of Darkness' in which Victor liberates a house full of pensioners from an abusive Nursing home, an episode which drew large numbers of complaints. Who could forget Victor and Margaret's holiday in the Algarve, or UK break with Vince and April.

It took me ages to come to terms with this being finished, and to this day I can't look at Hannah Gordon without thinking 'you killed Victor.'

A brave decision from David Renwick and co to end it when they did, but I wish they'd made a few more. A case of quit at the top I guess.

TV doesn't get much better then this, one of the finest examples of bittersweet comedy gold. 10/10

'Not with the Pastry.'