Ma belle-mère est une sorcière

I have a feeling there are two groups-- those who rate this a good example of Bette's acting late in her career (and her willingness to still act at all); and those who find the film so abysmal as to be an embarrassment that mars the Davis legacy.

From what I have read, she was quite ill during filming. It probably became too much of a toll for her, but she labored on because she still wanted to act and my guess is she needed the money for her mounting medical bills. Then, there were creative differences over the script and how the project was being filmed. So she walked off.

WICKED STEPMOTHER had a rather small budget of $2.5 million. But it only made $43,000 at the box office. So by all accounts, it was a huge bomb and not the type of movie swan song befitting a legend of Davis' magnitude.

This film wasn't THAT bad. I actually enjoyed it! Sure replacing Bette Davis with Barbara Carrera and THEN having them share the same body was not the smartest decision ever made in Hollywood, but it sure beats Ed Wood's solution to replacing Bela Lugosi in "Plan 9 From Outer Space". Also, it does get rather silly in the scenes toward the end. But there are some very clever scenes too, like the one involving the photograph of Lionel Stander's horrible first wife. The photograph is of Bette's rival, Joan Crawford. Colleen Camp, Tom Bosley, David Rasche, Seymour Cassel, Evelyn Keyes (!), Lionel Stander and even Barbara Carrera did wonderful in their roles. And Richard Moll was very funny in his small, but memorable, role as the inspector. But the true star of this movie is Bette Davis. She is wonderfully evil in the role of Miranda. She is so good at being bad. And even though it was not her best movie, she still is wonderful to watch. I think Larry Cohen did a fine job with this, considering all the trouble it ran into. Overall, Wicked Stepmother is an okay movie.

** 1/2 out of ****

Of course this film will never be a classic film, but it does have some catchy and campy scenes and lines and it will keep you wondering "what's next?" Bette Davis looks like she has just risen from the dead both figuratively and literally speaking. In 1981, Kim Carnes sang the hit song Bette Davis Eyes but in this film the then 81 year old Bette Davis could be better associated with the 1980 song Welcome to THE MONSTER CLUB - theme by The Pretty Things.

The film is very fractured with scenes jumping all over the place as the witch Priscilla, (Barbara Carrera) places magical spells on anyone she seems to come in contact with, but eh, that's camp comedy for you.

I wouldn't call it a memorable camp film, but I wouldn't call it one of the worse in the camp/horror genre that I have seen in the past either.

I give it a bare passable 5 out of 10 IMDB rating. It will not be on my purchase list either.

As you probably know, Bette Davis walked off of "Wicked Stepmother" after just a week of filming, leaving writer/director Larry Cohen scrambling to rewrite his script and get the movie completed. While the end results make sense (sort of), what is really amazing is that Cohen not only managed to sell the completed movie to a major Hollywood studio, he made enough on the sale to make a profit. The movie simply isn't good, which is probably why the Hollywood studio barely released it to theaters. In her footage, Bette Davis not only looks and sounds extremely ill, she doesn't seem to give a darn about this project. The other actors come across somewhat better, but even they aren't able to generate laughs at any point in the movie. The screenplay they are stuck with simply isn't funny at all. The heavily rewritted screenplay also (perhaps inevitably) feels like Cohen is making things up as he goes along. It also doesn't help that the special effects are mostly pretty cheesy, even for an 1980s film. In short, the movie is a low point for Davis, Cohen, studio Metro Goldwyn Mayer, and everybody else involved with it.

In self-defense for this fiasco, writer-director Larry Cohen pointed out that, while every one else in the last years of her life were handing Bette Davis yet another meaningless award, he offered her the thing she sought most: work. Fair enough. But as it proved when this was new, I believe time will increasingly show this employment opportunity for Bette Davis was the equivalent of offering a starving man a meal of coffee grounds and egg shells.

David died of cancer in October 1989, and the illness was plainly visible on her in her few scenes here. It is mournfully painful to watch her skeletal appearance in `Wicked Stepmother' if you loved her.

Avoid this aggressively. If you liked Davis's 'old-lady' period and want to watch a dignified 'good-bye' movie, seek the warm and bittersweet Lindsay Anderson drama, "The Whales of August" (1987) in which she co-starred with Lillian Gish. It is not only a classy farewell to those two legends, but now Ann Sothern and Vincent Price as well.