La guerre des Rose

Gavin D'Amato (Danny DeVito) is an expert divorce attorney as he recounts the case that drove him to restart smoking. Oliver Rose (Michael Douglas) met Barbara (Kathleen Turner) as they battle over an antique Japanese carving in the rainy last day of the season in Nantucket. They get together that day. They get married. They have a couple of kids. He becomes a successful lawyer. She gets her dream house. However they slowly drift apart. Little irritants creep into their relationship. He works too much. She gets tired of her empty life. She's angry at him and he doesn't know why. Their fairy tale marriage deteriorates into an acrimonious divorce. Through a loophole, he forces his way back into the house.

This is a dark comedy walking a fine line. I'm not sure if it doesn't stray over the line. It is so dark at times that it becomes uncomfortably unfunny. Then it snaps back with big laughs once in awhile. Danny DeVito is pushing hard visually to create something interesting and dark. The second half of the movie is where the couple starts on a course of tit for tat. It hits some dark comedic tones. The two angry combatants are so serious that it's hard to laugh at them. It is really better to see this as a dark cautionary tale rather than a funny comedy.

A middle-aged affluent couple hit marital problems and start fighting over the ownership of their mansion. This leads to increasing levels of antagonism and borderline sociopathic behaviour.

The War of the Roses is very 80's, very loud and kind of fun. If you want a subtle study of marital breakdown then seek it somewhere else because this most certainly is not it. Michael Douglas and Kathleen Turner play the warring couple. We follow their story from their first meeting, through the happy early days to the outright marital war that constitutes the end of their relationship. Douglas and Turner are basically let loose on this film to chew the scenery and go cartoonishly over-the-top. And for the most part it's a great deal of fun seeing them do this, as both are very capable actors who can play mildly deranged very convincingly. I felt, however, that the film lost a bit of steam in its final section. As the pair went increasingly berserk in their antics, the film lost me a bit. Having said that, it is a funny film at times and it's quite a bit of fun watching both principal actors going hell for leather. It's probably a film that people going through a divorce can relate to best. It most probably will give them a few ideas.

A very good movie, one that holds up well after repeated viewings. Even if you're familiar with the story, DeVito's methodical and precise direction makes it thoroughly absorbing all over again. This movie has the directorial perfection of a good Alfred Hitchcock thriller, but it's not either a thriller or a comedy; it's a unique mix of elements from several genres, that does contain some laughs and sardonic humor, but also has serious undertones, mostly thanks to Michael Douglas' three-dimensional character and surprisingly sensitive performance. Strongly recommended.

You know a movie is funny when you're by yourself and laughing out loud. This is a hilarious saga of a divorcing couple, both of whom refuse to leave their house.

"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.

It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.

Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.

A deliciously black comedy from three superstars at the height of their powers. Michael Douglas may have actually got better as he's got older, but in 1989 he and co-star Kathleen Turner were hot off romancing stones, and they are ideal in this best-ever directorial effort from DeVito.