La vie et rien d'autre
- 1989
- Tous publics
- 2h 15m
IMDb RATING
7.5/10
2.2K
YOUR RATING
Intense character study of men and women driven by an overpowering obsession with the past.Intense character study of men and women driven by an overpowering obsession with the past.Intense character study of men and women driven by an overpowering obsession with the past.
- Won 1 BAFTA Award
- 9 wins & 14 nominations total
Charlotte Maury-Sentier
- Cora Mabel
- (as Charlotte Maury)
Featured reviews
This is a fascinating film that tells a story that is unsuspected nowadays: the census of the dead of the 1914-1918 war, the number, the identity of the dead, and as a subplot, the search for the body of what will become the unknown soldier of the Arc De Triomphe. And more generally, the film shows us elements of the immediate aftermath of the war that look very much like the state of war. Something that we are not used to see anymore.
The whole is told from the point of view of three characters: Philippe Noiret, the commander in charge of the census; Sabine Azéma, a rich bourgeois woman who is looking for her missing husband, and Pascale Vignal, a schoolteacher and waitress, who is also looking for her fiancé. Their stories will eventually come together.
We can trust Bertrand Tavernier for the quality of the reconstruction and the atmosphere of this post-war period, not at all brilliant. But the film is exciting, moving and strong, from small elements and small touches, not spectacular, but which produce a whole with a lot of emotions.
The whole is told from the point of view of three characters: Philippe Noiret, the commander in charge of the census; Sabine Azéma, a rich bourgeois woman who is looking for her missing husband, and Pascale Vignal, a schoolteacher and waitress, who is also looking for her fiancé. Their stories will eventually come together.
We can trust Bertrand Tavernier for the quality of the reconstruction and the atmosphere of this post-war period, not at all brilliant. But the film is exciting, moving and strong, from small elements and small touches, not spectacular, but which produce a whole with a lot of emotions.
I was fascinated by this film--probably because I am a history teacher and teach about WWI (among other topics). But I wonder if most other people would really care about the plot. You see, it's about the aftermath of WWI and the setting concerns soldiers sifting through the French countryside trying to find and identify all the bodies. The officer in charge is a bit fixated on all this and into his obsessive little world come two ladies who are looking for a husband and a fiancé who have been missing since 1917. The attention to details in the film is interesting and there are many little touches that make it a must see for history lovers. However, I must also point out that for me, the relationships that develop and unfold during the movie don't always work all that well. Plus, another recent French film dealing with the same topic (A VERY LONG ENGAGEMENT) is a vastly superior film. It would be great if you could see them both, but if you only want to see one film, see A VERY LONG ENGAGEMENT--it's better in most every way.
Philippe Noiret plays a military bureaucrat who is meticulously trying to catalogue the casualties of WWI. He and two women cross paths during the excavation of a train that was buried in a tunnel by German explosives. This would make for a great existential movie, but it's all talk talk talk. The dialogue is endless, and, with the long running time, the whole picture seems that way, too. The film would be much more powerful if it demonstrated its themes more visually. Instead, the emotions come off as somewhat flatter than they deserve to be. The production is also poor; it feels like it was made for television. And the musical score is so weak it takes the film down a peg itself. It's still worth watching, but I think it really could have been a lot better.
A wonderfully acted and well written drama set in France in the aftermath of World War One. It's a romance about the importance of memory in morality and love and coming to terms with loss on an individual and national scale.
10sansay
I watched La vie et rien d'autre, about a year ago. Well, it stuck with me. And I really wanted to see it again. So I watched it a second time. And some things became clearer to me. The central message obviously that war sucks, that war is a disaster for everybody. And nothing should be done to hide this truth from anybody. That's Delaplane's belief, that's his fight, his moral code. And yes, there is a love story coming to interfere with his dull and depressing duty. Why people can't see that a man such as Delaplane could not handle love, specially while in the middle of such an ugly struggle? I read some negative comments about this film. I just could not understand that. This is a beautiful movie, touching, a bit slow certainly, but the topic does require that we take time to learn all the details so as to better understand the nature of this human drama. What pushes all these people to look for remnants of their loved ones, just to have proof of their death. For what? This we may never understand for not having to live through this. Go ahead, watch this movie. It's not a big action movie, no, it's a reflection movie. A movie that a lot of people who see war as something that's glamorous should have seen, but probably never will... alas!
Did you know
- TriviaThe part of Irène was originally for Fanny Ardant but she had to decline because of her pregnancy. Bertrand Tavernier then considered Catherine Deneuve, but she'd already co-starred numerous times with Philippe Noiret. The part ended up going to Sabine Azéma.
- Quotes
Alice: Will you go to Mass?
Irène de Courtil: Why?
Alice: Just because.
Irène de Courtil: I don't think so, no.
Alice: You're against it? You're against God?
Irène de Courtil: I should be. All humans should be.
Alice: You're right. Especially women. Only we don't dare.
- ConnectionsReferenced in Voyage à travers le cinéma français (2016)
- How long is Life and Nothing But?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Life and Nothing But
- Filming locations
- Citadelle souterraine de Verdun, Avenue du Soldat Inconnu, Verdun, Meuse, France(the coffin of the unknown soldier leaves the Citadelle of Verdun)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,600
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