Turner & Hooch

Hanks and Beasley make for an odd couple but they are clearly the best thing about the film. In terms of storyline of 'Turner & Hooch' is not developed from a novel concept, the humorous treatment and the hilarious and endearing interaction between the lead pair is what makes it a charming little film. Tom Hanks is totally great in one of his early roles as a policeman who suffers from perfectionism and is challenged by the entrance of a pooch into his life. The guy shows a flair for comedy that has hardly been noticed by many filmmakers. Beasley is fantastic and absolutely adorable (once you get passed the drooling). Mare Winningham is good as Hanks's love interest. They are quite convincing enough as a romantic pair. There are plenty of wonderful moments in the film and it is hard to pick a favourite but the first scenes that come to mind are the stakeout scene where Turner is chatting with a bored Hooch and the scene where he comforts a grieving Hooch. I love the film for its simplicity and heart along Hanks and Beasley. An awesome fun little flick!

Tom Hanks had to pull out all the stops prevent that wonderfully funny slobbering French mastiff from stealing the entire film Turner&Hooch. After all the two were equally top billed and should have had an equal share of the laughs.

Turner&Hooch has Hanks as small town police detective Scott Turner who is moving to an unnamed big city because he wants more challenging police work. But he gets himself an unsolved homicide in the last week on his job. The victim is John McIntire in what was his farewell performance as an old man who lived on a shack at the docks of the small coastal town. McIntire had been complaining about strange goings on at a nearby fish cannery and when someone is murdered there McIntire is also silenced.

The only witness is McIntire's dog Hooch and Hanks saves him from being put down as he's the closest thing to a witness he has. But this dog who lived in that waterfront shack where McIntire didn't exactly house break him proves to be quite a handful.

There's no way you couldn't love that big goofy dog. But I sure wouldn't want him for mine. There's a reason I'm a cat person. Hanks who's a pretty funny guy himself has some wonderful scenes with the dog. But he proves to be quite the chick magnet as well because of the interest veterinarian Mare Winningham shows in Hanks.

This one scored big at the box office in 1989. It still a very funny and heart warming film for audiences of all ages.

It's not a great film but it ain't no dog, either.

"Turner and Hooch" does its own take on the cop-buddy genre of films. In few others, though, did one of the buddies ever have as severe a drooling problem as Hooch.

Hanks, in one of his last few comedy roles before aiming strictly for Oscar-calibre movies, is perfection as a neat freak cop teamed with a pooch that would be a calamity no matter whom he was with. When this dog marks his territory, the whole neighborhood notices.

If there's only one problem I had, it was the ending. I won't say anything about it, for the uninitiated, but all I will say is I wish it would have ended differently.

But besides Hanks and hound, there are other good parts, such as the observances of the unique characters in the town, the extent of damage a mastiff can do, and what kind of a cop carries a Dustbuster in his car. Oh, and the Lancelot Link discussion.

Seven stars. And if you ever own a mastiff, get thick doors.

Tom Hanks is an obsessive-compulsive cop who takes in a filthy, slobbish French Mastiff when it's the only witness to a murder. Basically The Odd Couple with a dog. It's predictable and formulaic to the bone, but hits a strange nerve that allows us to overlook its shortcomings and appreciate the sweetness of the ride. Hanks is largely to thank for that, at the top of his game very early in his dramatic career. Though a few not-so-surprising supporting actors pop in from time to time, (Reginald VelJohnson as a policeman? What a shock!) it's almost entirely a one-man show that sails beyond expectations on the merits of his lone performance. In fact, the closest competition is Beasley the dog, who's absurdly emotive and personable throughout the film. He and Hanks make for a great team, as silly as that might sound, and it's easy to tell that a lot of their best scenes were ad-libs that miraculously avoided the cutting room floor. Funny, bittersweet movie magic that really has no business being as entertaining as it is.

I remember loving this movie as a kid, and watching it recently, I must admit it aged pretty well (except for the music and the hairdo of the leading actress). I laughed several times at the antics on display, mostly because of the interactions between Tom Hanks (Turner) and Hooch. Hooch, the dog, is a special effect in itself. He's initially so ugly, I thought he was some kind of unique bastard dog, but it turns out there's an actual breed. Who would have thought? So initially ugly, so big, yet turning out so lovable and actually handsome with his sad face and droopy expressions, once he cleaned up and didn't slobber too much.

We have Tom Hanks at the height of his comedy career (before he turned too serious) giving a very energetic and enthusiastic performance despite playing a serious, by-the-book, neat freak. For me, there was actual chemistry between him and the dog. That scene where they "talked" in the car was hilarious. The other actors weren't bad but weren't notable.

Other scenes where the dog made a mess or was particularly disgusting were to be expected, but they were enjoyable nevertheless, mostly due to us expecting Hank's reactions and him actually delivering. Sure, he was a bit over the top sometimes, but it worked. The actual police action stuff was less interesting and pretty standard for the times. The movie was also a bit sad a few times, but I think that made the movie more memorable. For me, this film remains a reference, even today, in terms of dog-comedy movies.

Rating: 7 out of 10 (Very good)