Sons of Steel

A sci-fi camp comedy musical set in Sydney of the future. The cast is well suited to comedy-Dasha Blahova (who has since returned to Czechia) & Ralph Cotterill and Jeff Duff & Machs Colombani make memorable duos. Trivia:Blahova and Cotterill both appeared in The Howling III.

It was interesting to read the IMDb comments from director Gary L.Keady about the underground locations used. The director has stated that in some of the locations he saw graffiti from the 19th century! I wonder if people can still go there? The soundtrack was great, it was very uplifting music in particular "Fighting for You". An enjoyable movie and my favourite Aussie film of the 80's.

It was a had film to make. I had to rewrite the original script only six weeks prior to principal photography due to budgetary changes. In a lot of ways the film paid the price for being a first in Australia. It was the first film to be shot employing digital live sync sound and thus pathed the way for others. Sons of Steel was shot at night, at times a mile or more underground Sydney in World War II bunkers (Gen. McArthur's). It was a tough eight week shoot and in retrospect an difficult task for a first time director. I'm proud of what we tried to do with as little funding as we had. We put a lot of quality up on the screen. Those who I was fortunate enough to work with gave the film a first class look and me first class experience. Some find the story hard to follow and that would be because so much of it wasn't shot because of bad scheduling and plenty ended up on the edit floor for one reason or another. I'm sure that's generally taken as a directors excuse for a flawed film, perhaps so, but then again maybe I'm right. I did live through the experience of not only writing it a number of times but raising the finance, writing much of the music, directing it and selling it around the world. And for that experience I am eternally thankful.. I hope I can improve with the next picture and I hope those who see Sons of Steel are entertained enough to appreciate it and perhaps look out for my next film.

I have enjoyed showing this film to groups of friends for years who came to love it for the same reasons I do. It's fun! It's a time-travel, pre/post apocalyptic, anti-nuke musical with a few truly inspired moments. Yes, it's low budget and rough as guts, yes, some of the acting is weak or just plain weird. But the heart of the movie is its anarchic spirit, for it truly defies description. You get the impression that the people making it had a great time and that enthusiasm is infectious. Certainly I find it way more enjoyable than a slew of over-hyped, over-expensive, Hollywood block-busters that at heart have less originality to them than this low budget Aussie flick. Sit down with an open mind and a sense of fun and I think you'll enjoy this film.

This movie is kind of awesome. The whole thing is done in a very confident manner, which, for this sort of thing, is the most important element of production. Watching Black Alice walk around and menace society is kind of mesmerizing. The grimy, dimly lit sets are excellent. The costumes are peak '80s madhouse (especially the hair; oh, gods, the hair).

What's it about? It's a dystopian rock opera that goes off and does whatever the hell it feels like doing whenever the hell it feels like doing it. It's leagues ahead of most exploitation movies, both of and not of its time. I can see why the short film this is based on played before David Lynch's Dune; the whole thing feels like it takes place on Giedi Prime. And it's awesome.

Very much a b-movie but certainly not a bad movie.

Watching this, I can see its influences: Clockwork Orange, Time Bandits, Warriors, Rocky Horror Picure Show. Sons of Steel is the only movie from this writer/ director and I sicnicerly hope he's proud of what he made.

While the story could've used some polish, Black Alice carries the movie with just the perfect amount of machismo. It's unapologetically Australian in a way that's simply fun. Don't judge it for the few too many clock cuts, or that time you can see the boom mic, or the "it's a good time to go pee" music videos. This movie's considerate of your bladder like that.

Judge it for its style, set design, humor, pacing, and its very entertaining uniqueness.

Proper movie rating: 7.

B-movie rating: 9.