Esclaves de New York

Struggling hat-maker Eleanor (Bernadette Peters) lives with her unstable struggling artist boyfriend Stash in a rundown New York City neighborhood. They are deep into the art scene.

James Ivory is the director. Ismail Merchant is the producer somewhere. Tama Janowitz is the writer based on her New York stories. This has a good sense of time and place although I want them to talk more about money. Maybe he gets enough from his art. It would be more compelling if there is some drug dealing, tricking, or minor scamming. I love "Dad I'm In Jail" which is a big moment in Pump Up the Volume a year later. The scene is not actually that memorable but it's about the song. The movie drifts from one situation or party to the next. At times, I wondered if there is any point to any of this. Maybe that is the point. New York may not be a good place for Merchant Ivory.

Why did Eleanor put up with Stash? Why is Daria so annoying? Why didn't this movie get any play at all?

It has a great cast, with (literally) hundreds of "New York" types, and every single SoHo type is represented, eventually. I like Bernadette Peters so I appreciate this movie cause its one of her only starring roles.

For a touch of trivia, at the party Eleanor throws at the end, the woman who spends the party hiding in the bathroom is Tama Janowitz, who wrote the novel "Slaves of New York".

Following all the Merchant-Ivory productions in the past, where it took place mainly in Victorian England, those were all ensemble movies, with Helena Bonham Carter at the center of it all. Bernadette Peters could be considered a contemporary version of Bonham Carter's characters. Being that these hapless characters are caught in the middle leading their daily lives with eccentric characters around them. I enjoyed over the years watching this film for several reasons, first one the artwork that is featured in it, next is the music, another this could have been a good lead in for a television series(not the big reason, but part of it. The characters play well off each other, and also gives that feeling of six degrees of separation. I've read the book and it would be hard to film it since it was a collection of short stories, however Merchant-Ivory pulled it off.

Eleanor is the last person who should be living in the tough low echelons of the New York City art world in the 1980s. She describes herself: "I'm a normal person. I'm trying to achieve the middle class." And: "I find fun very traumatizing. To me, having fun is almost identical to feeling anxious." The very first scene shows her walking home with two big grocery bags and a big Dalmatian dog. She finally makes it, but barely. That's her situation. She is out of her depth, but bravely - or mindlessly - soldiers on.

Eleanor lives in the apartment of the rude small-time artist Stash. She says she loves him and he most of the time kind of tolerates her. In her daily life she is surrounded by crazy people, by wanna-be artists and their entourages. In a noisy crowded nightclub her body just gives up and she collapses. She is diagnosed with vasovagal syncope, something typically triggered by emotional stress.

Eleanor is enslaved by the idea that she has to live in an environment that for a normal and anxious person like herself must most of the time feel like hell. She is even dabbling in art herself, making grandiose, grotesque hats. If the devil is really out to get her, they will somehow become a success, the novelty of a day, binding her even harder to a place that - as her body knows - is very detrimental to her health.

"Slaves of New York" tells a sad story and it's not an entertaining one. The art scene is bleak and unappealing. All the relationships are tainted. Most of the people are terrible. The Dalmatian is kind of okay, though. Will the cute little puppy Eleanor find an exit? If not herself, will somebody else learn from her mistakes?

this is a very cool little film.i rented it because i really dig the actors that are in it.this film apply represents the artsy community and how they all hang out and go to parties together.maybe its not for everyone, because since its independent its not effervescing with action scenes. the pace of the movie is cool because it is just like real life.you go places and meet people and try to pursue goals that may or may not work out. its important that artsy people should see this film, because everyone in it represents someone they know.great cameos from mercedes ruehl, stanley tucci, steve buscemi, and bernadette also does a great job as eleanor who lives with her crass and selfish boyfriend.