She-Devil - La Diable

My goodness, all the negativity about this fun and strangely satisfying flick. Everyone I know really likes this movie and has seen it several times. If we can define how good a film is by how many times we're capable of seeing it, then this movie certainly is praise worthy. I also enjoyed Roseanne's performance every bit as Meryl Streep. And why can't people believe that an actress of Ms. Streep's caliber took on this role? She was wonderful and got to demonstrate a great comedic performance. This movie is just plain fun. If you watch it once, I guarantee you'll watch it again and again.

Reading the comments for this film, two aspects appear as the concentration to the films perceived flaws. The one is a lack of sympathy for Roseanne's character, Ruth. The other is a lack of appreciation for Meryl Streep's performance. Having watched this film many times since it's release, I think I can safely dispute this argument.

This film certainly I feel has all the markings of a cult favorite. It's dark humor, over charged performances as well as the overall look and feel wedges it someplace between "Heathers" and "Ruthless People". More on the nuances that I feel set this film apart from others later, but lets first deal with the Roseann/Streep problem.

Quite frankly, I see no problem. Meryl Streep's Mary Fisher is one of the screens funniest inventions. It seems quite clear to me that she enjoyed playing this role because there is no other way such a wonderful performance could have been created. On a number of occasions, there are lengthy shots with no change of camera where she drives through a range of hilarious emotions. How she handles a scene involving a dog licking her feet while she awakes is tremendous. I feel it is one of her strongest performances; she never turns it off, and always delivers it in the correct dosage.

The issue with Roseanne's character, Ruth, is she is seen as manipulative, uncaring, a monster hell bent on revenge. Ruth, like everything else in this picture is a caricature. This is very much the sort of role we would expect from Roseanne, the domestic goddess taking it all a step further. True, she does wallow in a mean spirited negativity, but it results in a positive outcome for nearly all involved. She takes control of her life and liberates Linda Hunts Nurse Hopper as well as countless women through her Vespa Rose Employment Agency. She returns life to the geriatrics in her care at a nursing home. As a result of Ruth's revenge, Mary Fisher at last becomes recognized as the serious writer she wished to from the start. We even know that Begley's Bob Patchett gets his comeuppance, and accepts it with grace and humility.

There are dozens of touches brought here which make this a movie so enjoyable to watch. Firstly, there is the remarkable physical change in many of the characters as the story progresses. Roseanne goes from looking like a reject from a freak show to a rather zaftig Joan Collins. Linda Hunt and Sylvia Miles likewise transform, and Streep goes from a pink, frosted confection of a romance novelist, to a black turtle necked, bespectacled writer with a gift for the "post modern metaphor". A certain tone is set when the establishing shot of Mary Fisher "pink palace by the sea" reveals her initials, M F, emblazoned on the massive gate. Streep is given countless occasions to do great business for the camera, as in a scene where her complete lack of comprehension in doing laundry leads her to put half a gallon of bleach and several dryer sheets in a washing machine. Best of all, she manages to give the finger to the "serious critics" while on the Sally Jesse Raphale Show. I honestly don't feel this film is as bad as many would like one to think. If you sit back, and let it unfold as I believe it was intended to, you will find a clever picture that has just the correct amount of overarched villainy and cynicism as many of our favorite black comedies.

In a nutshell-this is another first wives club and fans of that movie will probebly appreciate this one which actually cam eout quite a bit before fwc. It's another woman scorned movie but I enjoyed it actually a bit more then wives club due to the fact it didn't drag. First wives club though it was the ultimate "watch in a group of women movie" had some moments where my attention wandered. This was very much a caricature movie but it was good dark comedy and boy was it funny to see Meryl in a role like this!

I thought She-Devil was going to be incredibly stupid, but sometimes having low expectations is the best way to be pleasantly surprised by a movie. It was actually pretty funny, and just like the quirky comedy Death Becomes Her, it was fun to see Meryl Streep letting her hair down and having fun with something light.

Rosanne Barr starts the movie married to Ed Begley, Jr., but when his head gets turned by the famous, glamorous romance novelist Meryl Streep, she loses him. There's always trouble in paradise, and Meryl soon finds that out after she steals Ed away. While she was once known for her novels that swept female readers off to exotic locales, once she becomes more domestic, she changes her writing style. In her new book, Meryl writes of a housewife who fills her day with laundry and cleaning, and her sales take a quick nosedive. Meanwhile, Rosanne isn't ready to take her abandonment lying down, and she plots a revenge scheme that will make both of them sorry they ever met.

If you've ever been a wronged woman, gather up a bunch of girlfriends and pour the cocktails. This one's fun, soapy, and fluffy!

Meryl Streep sparkles in this critically-drubbed adaptation of Fay Weldon's book (previously filmed as a mini-series for British television). Streep plays a Barbara Cartland-like romance novelist who steals the accountant-husband of put-upon housewife Roseanne Barr, who methodically extracts revenge on her spouse and the coolly conniving authoress. Shapeless, rather bedraggled comedy, but Roseanne (to her credit) performs in a lower key here than on television and has a few affecting moments. Streep is a colorful villainess (no surprise), while Sylvia Miles and Linda Hunt do lively work in supporting roles before vanishing once the script no longer has use for them. The one casting mistake is Ed Begley Jr. As Roseanne's cheating husband; Begley gives a good performance, but he and Streep look too much alike (they could be siblings). The movie is episodic and tiresome, but is nearly worth-seeing for Streep's Golden Globe-nominated work; she's deliciously devilish. ** from ****