IMDb RATING
5.9/10
1.5K
YOUR RATING
The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.
- Awards
- 1 win & 1 nomination total
Featured reviews
Often laugh out loud funny play on sex, family, and the classes in Beverly Hills milks more laughs out of the zip code than it's seen since the days of Granny and Jed Clampett. Plot centers on two chauffers who've bet on which one of them can bed his employer (both single or soon to be single ladies, quite sexy -- Bisset and Woronov) first. If Manuel wins, his friend will pay off his debt to a violent asian street gang -- if he loses, he must play bottom man to his friend!
Lots of raunchy dialogue, fairly sick physical humour, etc. But a lot of the comedy is just beneath the surface. Bartel is memorable as a very sensual oder member of the family who ends up taking his sexy, teenaged niece on a year long "missionary trip" to Africa.
Hilarious fun.
Lots of raunchy dialogue, fairly sick physical humour, etc. But a lot of the comedy is just beneath the surface. Bartel is memorable as a very sensual oder member of the family who ends up taking his sexy, teenaged niece on a year long "missionary trip" to Africa.
Hilarious fun.
Paul Bartel's final film as both writer/director feels consistent with his earlier black comic outings ("Death Race 2000," "Eating Raoul," etc.). Set in Beverly Hills among the rich and beautiful, the film follows a houseboy and a chauffeur betting who their recently widowed employer, Jacqueline Bisset, will bed next. The cast is a good one, which includes Ray Sharkey, Mary Woronov, Ed Begley Jr., Wallace Shawn, Bartel, Paul Mazursky, Barret Oliver, and an uncredited Little Richard, but it's really Bartel's unique voice as co-writer/director that makes this farcical sex comedy uniquely enjoyable. Bartel's plot set-up could easily have been a standard 80s sex comedy along the lines of "Class" or "My Tutor," but Bartel's exaggerated soap opera tone to the boundary pushing humor make it a hilariously mannered comedy that doesn't feel far off from John Waters. Bartel's films are never ones that were intended to appeal to a wide audience, but for those who do enjoy his offbeat satirical style, this is quite enjoyable.
This film showcases so much talent from actors and performers that have now passed into Hollywood Valhalla: Paul Bartel, Ray Sharkey, and tragically, Rebecca Schaeffer who died at the tender age of 21, and would probably have blossomed into a graceful and beautiful actor. The cast is unlikely, however they work well together and seem to have fun doing it. There is harmony and refinement as they interact, making it seem as a dance. The make-out scene with Jacqueline Bisset, Ray Sharkey and a chocolate cake is passionate and sexy. Wallace Shawn is smug and manipulative as a troubled gynecologist. Arnetia Walker is a show stealer as the former porn star wife of a self-deluded playwright played by Ed Begley Jr.. Edith Diaz plays Rosa, the Aztec-descended maid who spouts the meaning of life with a cultural twist and, according to Beltran's character, has a dustpan loose. Then there is Darren the West Highland White starring as Bo-Jangles, the terrier with an affinity for black women. The scenes are well edited, and not the least bit clunky or contrived. I don't think this is Paul Bartel's best film, but certainly it has its moments. A must see for anyone interested in off-color sexy films. Paul Bartel's works are certainly not voluminous, but he gets an A+ for effort on this one. Paul, I read recently, was a little disappointed with the film. It didn't live up to his expectations, and the gay relationship between Beltran and Sharkey, which Paul had said he wanted to bring out more, is minimally, but expertly alluded. It is an amicable film, unpretentious despite its subject matter, and almost innocent in its portrayal of an elitist LA establishment. I will never turn down a screening.
I can't believe the user rating for this great film is so low! This is Paul Bartel's best film. It is a fantastically clever remake of "Rules of the Game" and is secretly beloved by film academics around the world. It is beautifully shot, well performed by an amazing cast and very well written. If you are a true fan of cinema, this one must not be missed. Hey Criterion, this film deserves a special edition DVD, get on it!
10inframan
This movie is outrageous, funny, ribald, sophisticated & hits the bullseye where 99 % of Hollywood movies don't even make the target. Paul Bartel should be recognized as one of the great directors of this or any era. He's the American Renoir & Bunuel _ combined!!! Glad I have the videodisc.
Did you know
- TriviaFaye Dunaway was originally cast as Clare Lipkin. In the end, the role went to Jacqueline Bisset.
- Quotes
To-Bel: [to her husband] A few months ago, your buddy Howard, here, did some exploration of certain dark parts of my continent.
Howard: I don't know what you're talking about. I never met this woman before in my life.
To-Bel: The fuck you didn't! Dr. Doolittle, here, went so deep into areas unexplored by your feeble playwrightin' ass, that I got to thinkin' he was Lewis *and* Clark.
- Crazy creditsAfter the introductory credits the following can be found: 'for L.B. who might have smiled'
- SoundtracksHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
- How long is Scenes from the Class Struggle in Beverly Hills?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Luxus, Sex und Lotterleben
- Filming locations
- 366 S. Hudson Ave, Los Angeles, California, USA(exterior: Clare's mansion)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,156,471
- Opening weekend US & Canada
- $25,635
- Jun 4, 1989
- Gross worldwide
- $2,156,471
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was Scenes from the Class Struggle in Beverly Hills (1989) officially released in India in English?
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