Scenes from the Class Struggle in Beverly Hills

One of the unsung gems of the 1980's, Scenes... features razor-sharp satire and outstanding performances from Arnetia Walker (how did she not get a ton of roles after this?)and Wallace Shawn. It's a delicious send-up of class warfare and the people in those classes. The writing is hilarious and the characters, while not subtle, are nuanced. And, sorry, but the Asian gangs (if you can call one Japanese guy extorting one of the other characters a "gang") were not put in for "sociological value" as another review implies they should been. The value here lies in what the movie is making fun of and in the sparklingly wicked way it does it. I found it creative, funny, and idiosyncratic.

Cult figure Paul Bartel probably hoped for mainstream acceptance with this film, but it actually had the opposite effect; it practically stopped his movie-directing career in its tracks. And it's not hard to see why: the film lacks a dramatic center of gravity - it has nothing to compel you to keep watching apart from the familiar names in the cast. It's basically a bedroom farce that builds to some "outrageous" events which could hardly be considered shocking in 1989. It's not terrible - just terribly pointless. *1/2 out of 4.

I can't believe the user rating for this great film is so low! This is Paul Bartel's best film. It is a fantastically clever remake of "Rules of the Game" and is secretly beloved by film academics around the world. It is beautifully shot, well performed by an amazing cast and very well written. If you are a true fan of cinema, this one must not be missed. Hey Criterion, this film deserves a special edition DVD, get on it!

Great title; and in its day Bruce Wagner's extravagantly purple dialogue made a lot of eyes widen. In his fiction, Wagner scales astonishing heights of cruelty and scabrousness, but writing a SHAMPOO-style rondo, he seems miscast; it's as if Terry Southern had ambitions of being Ernst Lubitsch. There are savory performances generously sprinkled: Paul Mazursky is the wistful shade of a TV producer, brought by lust back to this mortal coil, and Wallace Shawn makes a sumptuous entrance, flanked by two LAPD officers, telling his hostess, "These perverse gentlemen have made a slanderous assertion."

Pre-Voyager Robert Beltran and the the often-maligned Mary Woronov are the real stars of this show about the meaning of love and honor among those who know little of either.

While that sounds really dull and serious, keep in mind that this is one of the "sideways" comedies of Paul Bartel, the man who brought us "Eating Raoul," and starring the usual Bartel suspects.

The script is funny, all parts are fully fleshed, these are real people...not anyone I'd want to know personally, for the most part.