Rude Awakening

A very good example that it's not enough to have a great actor (in this case, Eric Roberts), to get a very good movie. You also have to have a great story. And, in this case, the story is stupid, banal, boring. We have a handful of some good actors, Julie Hagerty, Robert Carradine, Cindy Williams, Andrea Martin, Buck Henry, Cliff De Young, who worked hard: in vain, the result, a failed film. With such a cast, I thought I would see a particularly good movie: great disappointment! Watching this you'll probably fall asleep and you'll have a dull and boring awaking.

Classic tale of two stoners dropping out to have a good time in the jungle for twenty years and then coming back to find the whole world has been taken over by a terrible sickness known as the eighties - yup, they all wear stupid clothes and talk and do a load of rubbish, while the real men from the sixties have all kiinds of trouble fitting in and showing people the value of slobbing around, caning it and having fun without dressing up like Rebecca DeMornay in Weird Science. This film carries a very important message for us all about avoiding eighties style and values, but, like the other guy said, don't watch it in a serious mood, this is a hilarious comedy classic NOT a horror flick, after all.

Very funny and very sad in the truths questioned. Eric Roberts is a doll. Cheech Marin is hysterical and my favorite, Mrs. Stool. She had me in tears. Why haven't we seen more of this actress? It's a good, fun time that throws out food for thought.

This appeared at a convenient point in time for pop culture self-examination through the movies; the narrative intent is that we can review the 1980s through the lens of 1960s thinking.

It starts off with a 'reprogramming' of a dropout via LSD and movie indoctrination. This could have been something clever...instead it deteriorates by hallucinating through "Up In Smoke" and Leone westerns.

The 'ideal world' is depicted as "Woodstock", with the main characters stolen out of "Easy Rider". They take an excursion through "Salvador" and "The Mosquito Coast".

The whole thing, production-wise, staggers about in a manner as clumsy as "Where the Buffalo Roam" and "Animal House". It resolves through "Deer Hunter", "Stripes" and the Beatles' 'Revolution'.

The point of all this is to tear down the detached, colorless, sexless, 'boozh-wa' 1980s and reindoctrinate the audience to 'the truth' with the 'romantic' drug of the movie. An audience is assembled in the movie to first provoke (in us)the intended feeling of 'guilt', and the second time to sublimate into 'activism'.

As I wrote earlier, it's just not clever. The problem is, it doesn't know how to target the comedic center. Everything ends up as a target, including Roberts because he doesn't know how to play this in a smart way -- there's no winking at the viewer. The producers thought this was 'affirming', oblivious to the joke on themselves.

"Rude awakening" is a creative "fish out of water" scenario, including a talking, pot smoking fish. Eric Roberts and Cheech Marin escape to a South American utopia, avoiding the Vietnam War, but returning twenty years later to help stop another war. Problem is the "Hippie Movement" has moved on to materialistic endeavors. Thus the stage is set for Roberts and Marin trying to adjust to their friends cop out lives. The supporting cast here is excellent, with Julie Hagerty, Louise Lasser, and especially Buck Henry and Cindy Williams as the "Stools". Disillusioned by the apparent lack of interest for their "save the world" cause, Roberts and Marin refuse to give up, and eventually succeed. The movie is a great nostalgia trip for the right audience. - MERK