Old Gringo

This is a novelization of writer Ambrose Bierce's mysterious disappearance in Mexico during the bloody revoution in 1913. Features two big-name stars: Jane Fonda in the unlikely character of a virgin schoolteacher and a wasted Gregory Peck in the title role, adding atmospheric sets and costumes. A North American teacher, Harrier Winslow (Jane Fonda, besides carrying the voice-over), recently arrived in Mexico to work in a wealthy family, finds herself involved in this outbreak of the Revolution. In this situation she lives a romance with one of Pancho Villa's generals , Arroyo (Jimmy Smits' silly moustache), while at the same time she finds herself attracted to Gringo Viejo (Gregory Peck), a North American writer who has traveled to Mexico to die. In the autumn of his years Ambrose finds a surrogate family, a daughter and a satisfying quietus. Harriet Winslow is something of a stereotype, initially brittle and later melted by love. Some people spend their whole lives searching for something !. Some people find it. A woman inspired by a man of dreams swept into the arms of a general, and drawn into a worlds of danger !.

Novelist Carlos Fuentes speculation about what actually befell writer Ambrose Bierce when he joined Pancho Villa's revolution down Mexico way in 1913 makes a riveting but no superior story. Technical troubles and cheesy script spoil the triumph that the producers expected, which turned out to be a commercial flop. Enjoyable but uneven film, it is rich in characters, Mexican environment, relationships and cultural clashes. The movie, though it doesn't look particularly notable, and often sounds rather literary, certainly bulges with content, and the principals, Ambrose Bierce: Gregory Peck, middled-aged spinster: Jane Fonda and revolutionary general Arroyo: Jimmy Smits grab the dramatic opportunities with both hands. The picture can't substantiate its claim to play out the personal drama in terms of this thunderous period history, but it's a worthy project and will probably send people back to the book in order to explore better the interesting roles and even better to Ambrose Bierce himself. Functional acting by all: Jane Fonda, Jimmy Smits but Gregory Peck, whose presence is wasted in a sketchy and unlikely role. They're accompanied by a fine cast, mainly Mexican secondaries, such as: Gabriela Roel, Jenny Gago, Patricio Contreras, Sergio Calderón, Jim Metzler, Josefina Echánove, Pedro Damián and Pedro Armendáriz Jr.

In Old Gringo(1989) excels the sensitive and evocative musical score by Lee Holdridge. Likewise , a colorful and brilliant cinematography by cameraman Félix Monti. The motion picture was unevenly directed by Luis Puenzo, including some flaws, gaps and shortcomings. Luis Puenzo was born in Buenos Aires (1946) Argentina, he's a director and producer known for Luces en los zapatos (1973), Las sorpresas (1975), La peste (1992) y Broken Silence (2002), La puta y la ballena (2004) and especially La historia oficial (The official story1985), which won the Oscar for Argentina for best foreign film. Rating: 5.5/10. It is a passable and acceptable film, but better to read the novel.

Old Gringo is perhaps not as bad as has been made out by other reviewers, but it is not without its problems. The basic plot (generic war movie) is sufficient, but casting three headliners and trying to make sure they all get their stories and screen time in hollows out all three characters. All three characters were actually worthy of being portrayed as the lead, but it seems that none of the trio actually was. The movie would actually have been better with slightly lesser actors in two of the roles and more emphasis on just one of them.

I'm sure being a "Fonda Film" there was some thinly veiled commentary about something or another, but I either didn't catch it or didn't care enough to pay attention. I'd say it's an OK watch if you can find it for free, but maybe not worth paying for.

In 1913, Harriet Winslow (Jane Fonda) is hired by a Mexican family as a governess, but she then is kidnapped by Gen Tomas Arroyo (Jimmy Smits) and along with other revolutionaries. She also meets Ambrose Bierce (Gregory Peck), who conceals his true identity and who is ready to die on this foreign land. The three of them form a love triangle, Harriet becomes Tomas's lover and her affection towards Bierce is rather like a daughter to a father. But when Tomas invades the house of Miranda, where his birth father, the master, rapes his mother and where his shoots Mr Miranda dead when he is seventeen, he becomes so haunted by his past and obsessed with the old papers. As he befriends Bierce, he also turns into a ruthless commander. In the end, things get tragic- Harriet is determined to fulfill Bierce' dying wish of not being publicised and Tomas has to face his ultimate punishment. Harriet now is the sole survivor who remembers her two beloved men. 'He said I would forget. But how could I not remember?'

I really like this film. Jimmy Smits is excellent as the tormented general and Gregory Peck was marvellous as the disillusioned writer and journalist. Jane Fonda is not too bad. The direction is okay, the story is very poignant and twisted. All in all, a nicely done drama.

There is more soul in this film than in 50 'modern' films.

While there is a lot of bad acting, and many other flaws in this movie, there are some GREAT scenes, great dialog, great characters, and great performances. Gregory Peck has some very memorable, outstanding monologues, there are many interesting and complex relationships, and there are no simple resolutions to conflicts.

Again- there are many areas of the film that do not work: doesn't matter, ignore them. There is tremendous depth here, and a lot of value to draw from the good parts of this movie. Peck and Smits are great, and even Fonda has some excellent moments.

They don't make 'em like this any more, and they don't make actors like Peck.

Although the story had a great potential, although the production was supporting and although the trio in the leading roles performed honorably, this film was ultimately betrayed by the director and notably the editor. It frequently looks incoherent, the scenes do not tie with each other and the result is so superficial (and superfluous at times) it looks like tv and soap opera. I remember the other historical drama N&S from the '80s - although it was done for tv it was ambitious and had quality. Not this one though - the few good moments (especially between Gregory Peck and Fonda) are abandoned and almost suffocated by the mediocrity of the entire. Maybe the director should have worked with Mexicans.