Un flic à Chicago

Patrick Swayze stars in this action crime drama as a Chicago cop from the south avenging the death of his brother. So the plot is pretty basic, so what, it is still an enjoyable action/crime-drama. The cast was very good in this film, which includes Liam Neeson, Bill Paxton, Helen Hunt, Adam Baldwin, and even Ben Stiller in a smaller role. The action was pretty good too, especially the chase on top of the train. The film also used its Chicago locations very well, which is something I like in movies. The film has a few faults, including an extremely predictable ending. But aside from that its a fun film for action fans. 3.5/5

Shot on location in Chicago, Next Of Kin is about a culture clash between two groups that are known for longstanding vendettas. They would be the Sicilian Mafia and the hillbillies of the Appalachians.

Patrick Swayze is one of three brothers of whom the youngest, Bill Paxton, is killed after organized crime takes over a trucking firm he was a driver for. They killed the wrong guy because in addition to being Paxton's brother, Swayze is also a Chicago police detective.

Of course Swayze has to operate within the parameters of the law. That's not the case for the oldest brother Lian Neeson. He comes to Chicago just looking for them that did the deed.

Andreas Katsulas is the Mafia crime family head and he's got an idiot son played by Ben Stiller whom he turns over to enforcer Adam Baldwin to learn the business. Stiller goes right to the top of the criminal food chain with Baldwin when he and Baldwin kill Paxton. But Baldwin is a survivor and he'll do whatever it takes to survive.

The showdown between hillbillies and Mafioso takes place with a cemetery at night serving as the OK Corral. It's quite a battle and justice is served if not the law.

Next Of Kin is your routine action film, but it does have one thing going for it that I have to praise. The hillbillies are real people here, they're not the Clampetts of Beverly Hills nor the mouth breathers from Deliverance. I'm glad that the producers avoided stereotyping them which would have been easy. Swayze is a good action hero and his leading lady is Helen Hunt who as Mrs. Swayze in the film is not given all that much to do.

Fans of the late Patrick Swayze will be very happy with Next Of Kin.

What makes this action drama particularly moving is the comparison between the extended family of a Sicilian crime boss and the clannishness of the hillbillies. While Joey Rosellini insults the mountain folks as people "who farm rocks" his boss John Isabella sees the link -- "that is what they said about our people back in the old country." It is not a matter of who wears the nicer suit; it is a matter of blood, of kinship, and of ensuring that the one with the greater grievance has justice is done for his family. This is a very old tradition, both in the Sicilian families and in those Celtic clans that moved into the hills of Appalachia. In this aspect "Next of Kin" reaches a level of art not usually found in action films. The scene of the women packing sandwiches for the big hunt shows a level of clan community not well understood by us city-folk.

Watch this film and enjoy.

My review was written in October 1989 after a screening in Manhattan's Chelsea neighborhood.

John Irvin's atmospheric direction lifts the Patrick Swayze cop vehicle "Next of Kin" from routine programmer to sleeper status. Unfortunately, Warners' no-press-screenings play is indicative of this intriguing B+ picture getting the heave-ho in the marketplace.

Pic is of historical interest as the final film to go into production (August 1988) at Lorimar, while theindie was being swallowed by Warner Communications.

Interesting wrinkle in Michaei Jenning's screenplay (based on a script by Jenning and pic's associate producer, Jeb Stuart) is a mixing and matching of two ethnic strains of the vendetta: backwoods Appalachian version and revenge Sicilian-style.

These plot threads ar4e set in motion when Bill Paxton, a Kentucky boy from the hills now working in Chicago, is ruthlessly murdered by mafia enforcer Adam Baldwin as part of a strong-arm move in the vending machines racket. Paxton's older brother, Patrick Swayze, is a Chicago cop determined to find the killer.

Interfering with Swayze's efforts is the old-fashioned "eye for an eye" vengeance demanded by eldest brother Liam Neson. Picture climaxes with an elaborate war ina Chicago cemetery between Baldwin's mafioso and Neesons Kentucky kin, matching automatic weaponry with primitive (but reliable crossbows, hatchets, snakes and knives. Treachery on the Cosa Nostra side brings out a parallel "next of kin" subplot that concludes the film effectively.

Director Irvin's technical skill and Steven Poster's muted-color photgraphy bring out th4e flavor of both Kentucky and Chicago locations, with consistent tongue-in-cheek eleents (and ouright comic relief by the delightful Michael J. Pollard) balancing the film noir mood.

Swayze is solid as the mixed-motives hero, and inspired casting teams him with Irish thesp Neeson, most convincing as a tghrowback whose fish-ou-of-water misadventures in Chicago are a treat. Cast against type, Baldwin, the hulking youngster, familiar from "My Bodyguard", builds a fascinating portrait of evil lurking behind the innocent face. Supporting cast is convincing and physicaly perfect.

Hillbilly-turned-Chicago cop Patrick Swayze sets out to find his brother Bill Paxton's killer. His other brother Liam Neeson comes to the city to find the killer himself -- hillbilly style! It's hillbillies vs mobsters on the streets (and a cemetery) of Chi-town. I'm sure whoever did the casting on this movie had a brief career. I can buy Swayze and Paxton as hillbillies but Neeson? Also, Ben Stiller as a Sicilian mobster?

Swayze is a citified hillbilly. We know they've civilized him because he pulls his mullet back into a fashionable ponytail. Neeson is not civilized. We know this because he wears a dirty baseball cap at all times, even when he has on a suit. Helen Hunt is Swayze's city wife. She plays the violin, which Swayze's hillbilly kin refer to as the fiddle. Rest assured, this movie never misses a chance to traffic in clichés.

The action is so-so and the performances are about what you would expect. Swayze takes his part very seriously. Adam Baldwin seems to know the score and hams it up appropriately as the villain. There are many quotable lines, which is the mark of a good cheesy action movie. It's not at the top of my list of great '80s actioners but it's worth checking out anyway.